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趙大鈞 1938-2023 作品1805 Zhao Dajun Work 1805
香港 北京时间
2023年04月06日 开拍
拍品描述
油彩畫布
二〇一八年作
款識 18.5. 大鈞(左下)
展覽 2021年11月4日至25日,「漢柏?江聲:趙大鈞、王劼音雙個展」,上海油畫雕塑院美術館,上海 來源 亞洲私人收藏 形隨神意的走筆,精神矍鑠的漢柏 趙大鈞抽象力作 「趙大鈞先生在教學和藝術上的步伐跨越很大,每隔幾年看到其作品都會有大的變化,讓人感覺先生像青年人一樣似乎始終處於『急行』狀態,保持著藝術上的創造性。」 ——魯迅美術學院雕塑系主任霍波洋 趙大鈞1938年生於漢口,1958年入讀於魯迅美術學院油畫系,畢業後以優異的表現被延攬留校任教長達38年,從事繪畫創作超過半世紀,其作曾在1984、1989年兩度入圍國家級「全國美展」,1999年獲得國家特殊貢獻津貼。作為一個優秀的美術教育家,他有許多觀點被收入《雙重基礎》、《形體與解剖》等美院教科書中,為中國美術教育的標竿。其桃李滿天下,據其多位學生回憶,趙大鈞是魯迅美術學院當代藝術最早的踐行者,亦是精神領袖,如燈塔一般啟迪無數學子。 趙大鈞的創作脈絡如同一部生動的中國近現代藝術發展史,他喜歡接受新事物,一直走在時代的前沿,對不同藝術流派抱有積極開放的態度,從早年的具象寫實,到晚年自由不羈的大膽抽象新風,他時刻保持不倦藝術求索,曾自比為美國作家海明威《老人與海》中的老人,曾言「我可以被毀滅,但精神上不能敗」。其保持旺盛的創作動能,繪畫到生命的最後一刻,於其逝世前幾年,仍活躍地發表個展,精神令人感佩。而自2012年起, 70歲的趙大鈞以雷霆萬鈞的氣勢開創出最為人津津樂道的抽象「漢柏」主題創作,是次春拍呈現的《作品1805》即為該系列重要代表,曾發表於2021年「漢柏?江聲:趙大鈞、王劼音雙個展」,引起廣大迴響。 物我兩忘之境,譜寫心之旋律 《作品1805》中,可見藝術家對於東方文化的回歸,將中國書法的氣韻形勢融入抽象創作。畫面裡,紅、白二色線條在其中盤旋延伸,筆勢如同纖細靈動的藤蔓由畫面中下螺旋上升,攪盪出優美的弧線,並向上舒展變為直線、彎鉤,展現漢字結構中橫平豎直的架勢。但隨後它們被層疊的紅色油彩打散重組,展現一種自然的流動性。畫面中看不出任何具體的文字,卻保留了書法的筆勢與強大的抽象軌跡,正如趙老師自言:「我決心不畫任何命題的東西、情節的東西、主題的東西。這些東西在畫裡都有,這樣我自己更舒展、更自然、更真實一些」。 另一方面,此畫為趙大鈞對油彩經年深入探索後的集大成之作。如他在右上方以油彩創造出若書法中的「飛白」,又在右下角讓顏料如潑墨般自然流淌,在枯與潤之間拉開戲劇張力。此外,他大膽啟用三原色創造熱烈的視覺碰撞:中心紅黃二色的闊筆如海浪一般波濤洶湧、互相激纏,碰撞出飛揚的水花。而在紅色主體邊緣,融入如同瀑布一般穠麗的黃藍色彩。三原色有時凝聚如磐石一般穩重雄厚的色塊,有時互相疊加浸潤,糅合為綠色、橙色等多元色彩,展現具節奏美的色彩旋律。觀看此畫,彷彿能感受藝術家晚年享受自如的創作心態,卸下一切歷史的沈重感,潛心和筆觸及色彩遊戲,回歸本源地欣賞生命中每一個妙手偶得的瞬間。 在自然界中,「漢柏」是經久不衰的古木,但對於趙大鈞而言,此並不指涉某一具體形象,而是一種「精神指向」,契合其晚年跳脫具象創作,再下一城地開啟回歸本心之抽象繪畫的心境,正如其自言:「漢柏是坐忘,是尋找內心的歸屬」。是他開闢心靈表達的精神空間,啟悟觀者對於藝術純粹的美感,以此造就心中永恆矍鑠的「漢柏」!
Oil on canvas
160 × 150 cm. 63 × 59 in.
Painted in 2018
Signed in Chinese and dated on bottom left
EXHIBITED 4 -25 Nov 2021, Cypress of Han Dynasty & Sounds of River: Art of Zhao Dajun & Wang Jieyin, Shanghai Oil-painting and Sculpture Institute Art Museum, Shanghai PROVENANCE Private Collection, Asia Spiritually Shaped Brushstrokes, Hale Hearty Cypress Zhao Dajun's Powerful Abstract Work Born in Hankou in 1938, Zhao Dajun enrolled in the Oil Painting Department of the Luxun Academy of Fine Arts in 1958 and was recruited to teach at the school for 38 years after graduating due to his distinguished performance. He had been teaching for over half a century, and his works entered the National Exhibition of Fine Arts, China in 1984 and 1989. As an excellent art educator, many of his ideas have been included in textbooks for art schools, such as Double Foundation and Body and Anatomy. He nurtured numerous students, he was the earliest practitioner and spiritual leader of contemporary art at the Luxun Academy of Fine Arts. From his early years of figurative realism to the bold new abstraction of his later years, Zhao Dajun never ceased his pursuit of artistic creation. It is admirable that he was still active in his solo exhibitions just a few years before he passed away. Starting from 2012 when he was at the age of 70, Zhao Dajun had been creating his most popular abstract works on the theme of “cypress” with a thunderous force. The work presented in this spring auction, Work 1805, is the representative of this series. A State of Unconscious Oblivion, a Melody of the Heart The artist's return to Chinese culture is evident in Work 1805, which incorporates the rhythmic forms of Chinese calligraphy into his abstract works. In the painting, the red and white lines extend and circle. The brushstrokes are like slender flexible vines that stir up graceful curves and spread upwards into straight lines and curved hooks, reflecting the horizontality and verticality of the strokes in Chinese characters. However, they are later broken up and reorganised by layers of red oil paint, so that no concrete text can be seen, while only the calligraphic style is preserved. On the other hand, this painting is a masterpiece of Zhao Dajun's in-depth exploration of oil paint over the years. For example, the white oil paints in the upper right corner are like the “flying blank” in Chinese calligraphy, and in the lower right corner, the paints flow naturally like ink splashes. In addition, he boldly used the three primary colours to create a fierce visual collision: the broad strokes of red and yellow in the centre are like the violent waves of the sea. At the edge of the red main body, the vibrant yellow and blue colours are incorporated like a waterfall. The three primary colours are sometimes as strong as a rock when put together, while sometimes they overlap and dip into each other, blending into multiple colours such as green and orange, showing the playfulness of colours. In nature, Chinese cypresses are timeless ancient trees. However, for Zhao Da-Juan, it is a spiritual direction, which fits his state of mind in his later years, when he broke away from figurative creation and had a fresh start to return to his true authentic heart by creating abstract paintings. As he said, “Chinese Cypress is sitting in oblivion and searching for inner belonging.” Looking at this painting, one can feel the artist's peaceful mentality of enjoying himself when creating artworks in his later years, when he immersed himself in the play of brushwork and colours and returned to his roots to appreciate every single moment and surprising coincidence of his life.

本场其它拍品

  • Lot 41
  • Lot 42
  • Lot 43
  • Lot 44
  • Lot 45
  • Lot 46
  • Lot 47
  • Lot 48
  • Lot 49
  • Lot 50
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拍品估价:180,000 - 280,000 港币 起拍价格:180,000 港币  买家佣金:
落槌价 佣金比率
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5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%
服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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