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周春芽 b.1955 Zhou Chunya Little Path to Dragon Spring Mountain
香港 北京时间
2023年04月06日 开拍
拍品描述
油彩 畫布
二〇〇六年作
款識 2006周春芽Zhou Chunya(右下) 出版 2007年,《花間記》,四川美術出版社,成都,第84至85頁 2007年,《周春芽:新繪畫的春天》,四川美術出版社,成都,第74頁 2010年,《周春芽》,Timezone 8出版社,上海,第491頁
展覽 2007年3月3日至23日,「花間記——周春芽繪畫雕塑作品展」,今日美術館,北京 來源 原亞洲私人藏家直接購自藝術家本人 亞洲私人收藏 2019年3月31日,香港蘇富比春季拍賣會,拍品編號577 現亞洲重要私人藏家直接購自上述來源 力與美的桃源交響,詩情與真我的進擊 周春芽龍泉山桃花稀罕磅礡之作亮相 被中國當代藝壇公認為對色彩、線條運用最精準到位、才情最奔放熱烈的藝術家,周春芽其人其藝,一如他筆下瀲豔的桃花,恣意生長在東方傳統的文人土壤,熱烈而蓬勃地擁抱西方新表現主義的狂放自由,在數十年的創新多變中,煥發獨一無二的周氏美學。 在中國當代藝術發展如火如荼的1986年,周春芽赴德留學,在卡塞爾美術學院(Kunsthochschule?Kassle)接觸到德國新表現主義、歐洲新繪畫那放肆的筆觸、深濃的色彩、充沛的想象與情感表達,為他帶來了藝術的多元新知。帶著這份親炙歐洲藝術的體悟、文化差異的深入思考,周春芽以更為宏大的視野,重新審思東方傳統美學的養分及他的自我表達之途。從母校四川美院引領的傷痕美術,到85新潮在中國的廣泛影響,周春芽的藝術道路,似乎從未走在時代大潮的既定軌道上,而是以每一次別開生面的形式轉變,展現與眾不同的個人藝術魅力。誠如黃賓虹所言,「章法屢改,筆墨不移。不移者精神,而屢改者面貌耳。」專注於表現主義中西融合之藝術風貌的周春芽,自九十年代起,先後呈現渾厚遒勁、肌理豐滿的「山石」、恣意而充滿原始生命力的「綠狗」、情慾奔放的「紅人」,以及千禧年後流暢豪放、斑斕大膽、直指生命昂揚的「桃花」系列。如果說山石是對傳統的當代嫁接、綠狗是擬人化的生命探索、紅人是情與慾的直白展露,那周春芽的「桃花」,便將東方文人的浪漫情懷,與人性七情六慾的真摯抒發,在視覺的熱烈和生命的律動中,結合為精神最自由的綻放。正如其所言:「人類與生俱來的慾望,也是旺盛生命的表現。正如同春天綻放的桃花一般,我又為何要迴避?」 桃花初綻醉人時:龍泉山最大尺幅代表作登場 回憶攀登成都近郊龍泉山沿路而上的柳岸花明,是次上拍,完成於2006年的《通往龍泉山的小路》,以宏大深廣的畫幅,展現曲徑通幽、忽逢桃花繽紛綻放的盛景,訴說著初次邂逅桃花時內心的那份悸動。回顧周春芽的創作,「桃花」元素最早出現於1997年綠狗畫作的瓶花之中,而由「紅人」系列開始,桃花漸由客體走向前景。直至2005年春日,他偕同妻友,前往龍泉山遊賞,眼前漫山遍野、緋豔盛開的桃花,「流淌著讓人血脈噴張的妖冶,讓我感覺到原始生命力的律動」,此景此境恰如其所收藏的晚清四川文人龔晴皋的書法對聯:「湖上修眉遠山色,風前薄面小桃花」,激發了他的藝術靈光。一朵朵旖旎絢麗的桃花,自此綻放於周春芽的畫布之上,並進而開拓為無人的風景,獨樹一格。 此件《通往龍泉山的小路》,為周春芽最為人所追捧的桃花系列中極少數以「龍泉山」入題的珍稀之作。究其畢生迄今龍泉山桃花作品僅只八件,是次上拍為尺幅最大者,氣韻磅礡而動人。對周春芽而言,「龍泉山」代表著他與桃花最初的邂逅,以最為張揚的相迎,賦予最熱烈的情感,是引導他抒寫內心和生命本真的源泉所在。而「龍泉山的桃花」,更是別有一番特色,旖旎的粉色調富有層次,花心是一抹更為濃艷賁張的緋紅,如其言「不像江浙桃花的秀麗,而是帶有野豔奔放的感受」,正是周春芽展露其表現性畫筆的最佳題材。而藝評家栗憲庭更指出桃花與藝術家個性的契合:「你不把豔遇看作壞事,而是熱情洋溢地接受它,愛在你心裡是如此的美好,才使你能創造出桃花這個豔情的繪畫意象來,這是你最大的成功。」龍泉山桃林既是藝術家於山林遊歷帶來的藝術「艷遇」,亦是他和彼時的音樂家妻子霜霜共結連理的「愛的印記」,故而能成就畫作中那濃烈而飽滿的色彩、激情又爛漫的細膩筆觸。而《通往龍泉山的小路》,正是這藝術與性靈結晶的完熟代表,一路盛開的桃花小徑,詮釋著這份極致的浪漫情懷和真誠的藝術初心。 桃腮玉面一點紅:層層開展的無極自由之境 吟詠著杜甫《江畔獨步尋花》「桃花一簇開無主,可愛深紅映淺紅」感受那不期而遇的亮麗景致,《通往龍泉山的小路》從以往藝術家側重單株桃花的近景跳出,以罕見的寬闊廣角格局,在天地中豁然鋪展著龍泉山路自由生長的桃樹。沿斑斕小徑而上,粉白與翠綠之色繽紛交織,應和著桃紅草綠的華艷繁茂,為路人設下通往桃林深處的綿延道路。平滑堆疊的層層筆觸構建出如時光流動的軌跡,將那絢爛怒放的嬌紅定格在生命中最絢爛的年華。一枝旁逸斜出的桃樹自右側貫穿著全篇畫幅,蒼勁昂然的枝枒向四方極盡舒展,揭示著生之狂放、自由和無畏!而一條通向左方,一條往右延展的小徑在中央聚合,與桃樹合奏起伏的韻律,一同匯向那無際的湛藍晴空和一抹斜傾的淡紫山巒,將空間層層外延向上,直至無限,瞬時間,帶給人舒放而開闊的視野和心境。 而那點綴枝上的夭夭龍泉桃花朵朵滿倚枝頭,恣意盛放。此獨特的龍泉桃花,花心那矚目的一抹嫣紅,撩人之致,正如美人桃腮玉面的一點紅唇,滿載「依舊笑春風」的柔情,成為詩經「灼灼其華」的代名詞。周春芽專注於桃花色彩與形狀的濃度與純度,「桃花色彩曖昧,外圈是白的,中間是紅的」,他微妙地控制著色彩的關係,令每一朵桃花的色度皆展現著不同層次的「嬌」與「艷」,並隨著空間的延伸,或密或疏,繁茂處著筆濃烈豐滿,清疏時則淡化而朦朧,正暗合著北宋名家沈括在《夢溪筆談》中所提「近視之幾不類物象,遠觀則景物燦然」的繪畫精神。那粉白相交,流動的筆觸翩飛如蝶,揉雜著情愫的曖昧和生命的熱烈,正串聯起古人的浪漫與今人的遐思。 卓然與狂野的激情:舞袖笑相迎,雲龍拔地出 而周春芽在此作中,更毫不掩飾地釋放他充滿力量感和流動性的線條,若帶著書法筆勢的一氣呵成,暢快淋漓地揮寫出一條蜿蜒遒勁的長長枝幹,在天地間迤邐穿梭。盡頭分開的雙枝,如同起舞的長袖,一枝迎風招展,伸向曦光熠熠的萬里晴空,一枝探入大地,回歸滋養的土壤。更張開懷抱,延請每一個觀者,共赴生命的繁華盛宴。而在其身側,另一株筆直向天的無葉桃枝,則似仰頭長嘯的雲龍,拔地而出,直指天際之巔。雖無花葉陪襯,卻自成一體,傲立天地;雖姿容各異,卻仍至極地生長著,引聚著生命的原始力量,令人不由想起梵高《鳶尾花》的旺盛生命力。而周春芽的桃花,在色彩表現和美的張力中更富華艷、慷慨的氣質,在那澎湃芬芳的花色和縱橫狂野的枝條中,兼容著山色與天地的無垠,將生命原欲的激情、野性和爛漫和盤傾吐,帶著如傳統詩詞的極致浪漫,在其間迴蕩著一股宏遠的氣勢。 回歸最初的自由心境 「桃花是周春芽的心境,在不斷展開的桃花和樹枝的世界裡,心境也在不斷的展開。古人通過他們的圖像教會了後人關於宏觀世界的認識,教會了關於筆墨中自由的心境與趣味,而今天的生活又讓藝術家了解到了真實心境的重要性。」 ——藝評家呂澎 李白在《春夜宴從弟桃花園序》裡以「會桃花之芳園,序天倫之樂事」回應「夫天地者,萬物之逆旅也;光陰者,百代之過客也。 而浮生若夢,為歡幾何?」之思索,縱情這桃花世界,周春芽所求取的無非是一片自由的心境。不似東晉陶淵明《桃花源記》的歸隱之意,也非明代才子唐寅的《桃花庵歌》的現實自喻,周春芽摒棄了文人對山水天地、梅蘭竹菊的精神比擬,而在這動靜並存的豐富圖像中,獨獨創造著一片訴說花色本真、生命自由奔放的純粹桃林。他說:「我的畫都是關於激情和浪漫的,慾望是人類的一個組成部分,是我們與生俱來的東西。更重要的是,我們對性的感情和慾望都是活力的體現,象徵著全盛時期的生命。」在《通往龍泉山的小路》中,他將記憶調回最初,在曲徑深處,忽見桃枝軒昂,綠葉葳蕤,桃色在其中肆意綻放著生機無限,在其中,我們見到了心中嚮往的桃源。於是,心境獲得了超脫與釋然,桃花的婉轉隱喻被剖析為最直白的本質呈現,是對美、對愛的渴求,亦是生命姿態的昂揚和怒放。在不斷延伸的小徑上、在不斷綻放的過程中,在龍泉的這片桃林裡,記述著一段不期相遇的美好。盛景之下,我們也終目睹了「一花一世界」的廣邈天地!
Oil on canvas
200 × 250 cm. 78 3/4 × 98 3/8 in.
Painted in 2006
Signed in Chinese and pinyin, and dated on bottom right LITERATURE 2007, Blooming Stories, Sichuan Fine Art Publishing Co., Chengdu, p. 84-85 2007, Zhou Chunya, Sichuan Fine Art Publishing Co., Chengdu, p. 74 2010, Zhou Chunya, Timezone 8, Shanghai, p. 491
EXHIBITED 3-23 Mar 2007, Blooming Stories – Paintings & Sculptures by Zhou Chunya, Beijing Today Art Museum, Beijing PROVENANCE Acquired directly by original private Asian collector from the artist Private Collection, Asia 31 Mar 2019, Sotheby's Hong Kong Spring Auctions, Lot 577 Acquired by present important private Asian collector from the above A Peach Blossom Symphony of Strength and Beauty – Poetry and Self Truth A Rare Zhou Chunya Dragon Spring Mountain Peach Blossom Masterpiece In 1986, Zhou Chunya went to study at the Kunsthochschule?Kassle in Germany, where he encountered German neo-expressionism and European new art that gave him a different understanding of art. Based on his passion for and understanding of European art, Zhou developed a vision, which led him to reexamine the constituent elements of traditional Eastern aesthetics and his own approach to self-expression. Whether the “scar art” led by his alma mater Sichuan Fine Arts Institute or the broad influence of New Wave art in China in 1985, Zhou's artistic path has never followed the path of what was fashionable at the time. Indeed, the changes in form every time the artist breaks fresh ground showcase an individualistic artistic appeal that stubbornly differs from the mainstream. Beginning in the 1990s, Zhou started to use an artistic style that combined Eastern and Western expressionism to depict powerful “mountain rocks,” energetic looking “green dogs” and “red men” imbued with lustful abandon. After the Millennium, the artist created the gorgeous, flowing, life referential “peach blossom” series, through which he expressed the romantic poetry of Eastern literati along with the seven emotions and six desires of human nature. In this way, Zhou blended visual warmth and life rhythm to represent the free blossoming of spirit. As he observed: “Humanity and the desires with which we are born are also expressions of the exuberance of life and this is akin to the peach blossoms that bloom in spring, why then should I avoid them?” Enchanting Early Peach Blossoms: Viewing the Artist's Largest Painting of Dragon Spring Mountain In the work Little Path to Dragon Spring Mountain, completed in 2006, Zhou Chunya recalls climbing Dragon Spring Mountain on the outskirts of Chengdu. The breadth and depth of the work highlights a wonderful scene made up of a winding path, secluded location and colourful peach blossoms, which evoke the artist's inner excitement at this first encounter. A review of paintings by Zhou shows that he first depicted peach blossoms in a vase in 1997, in a green dog painting. Moreover, in his Red Man series the peach blossoms gradually moved from being a background object to the foreground. In the spring of 2005, Zhou traveled to Dragon Spring Mountain with his wife and friends where the peach blossoms they saw were: “flirtatious in a way that caused the blood to course through my veins, allowing me to feel the rhythm of primitive life energy -- providing him with artistic inspiration.” Little Path to Dragon Spring Mountain is one of the most sought after works in Zhou Chunya's Peach Blossom series and one of only a handful that have the name of the mountain in the title. Indeed, Zhou has painted only eight paintings of Dragon Spring Mountain peach blossoms of which the work for the spring auction is the largest, brimming with majesty and charm. For the artist, Dragon Spring Mountain also represents his first encounter with peach blossoms, of which he observed: “the peach blossoms of Dragon Spring Mountain do not have the beauty of Jiangzhe peach blossoms but are rather infused with a sense of wild abandon.” Art critic Li Xianting has observed the similarity between peach blossoms and the character of the artist: “You do not look on this beautiful encounter as a bad thing, but rather accept it as overflowing with passion. Love is so perfect in your mind and it is that outlook that enables you to create such an amorous painting of peach blossoms, this is your greatest success.” At the same time, the peach blossoms of Dragon Spring Mountain are an amorous encounter the artist brings with him to the mountain forest, but also a reference to the romantic meeting and marriage of Zhou and his musician wife Shuang Shuang. This explains the thick saturated colours along with the intensely passionate and luxuriantly fine brushwork, in which context, Little Path to Dragon Spring Mountain is the perfect crystallization of art and spirit combined. Beautiful Red Blush: Layer Upon Layer of Boundless Freedom Little Path to Dragon Spring Mountain represents a departure from the artist's previous works which tended to focus on close-ups of solitary peach blossoms, adopting instead a broader view he rarely depicts, the small mountain path suddenly bedecked with free growing peach trees. Walking up that gorgeous small path, the interplay of pink-white hues and lush green sumptuousness echo the vivacious peach red and grass green, while the flat accumulated layers of smooth strokes create marks that indicate the passing of time, freezing the splendid crimson blossoms at the peak of their existence in full bloom. A peach tree irregularly stretches out from the right of the painting and reaches across almost the entire length of the work. As the old but strong branch reaches out in all directions it also alludes to the unrestrained, free and fearless nature of life. Moreover, pathways from the left and right converge in the middle, combining with the peach tree to imbue the scene with an undulating rhythm. These reach out toward the boundless clear sky and angular light purple mountain range, extending the spatial layers outwards and upwards into the infinite, providing viewers with a vision and mindset that is both relaxed and expansive. Moreover, the decorative peach blossoms are concentrated at the ends of the branches with Zhou Chunya focused on the thickness and purity of the colour and shape of the blossoms: “The colour of the peach blossoms is ambiguous, the external area being white and the central part red.” In this way, he is able to ingeniously control the relationship between the colours, so the hue of each one contains within it different levels of “fragility” and “allure.” At the same time, as the space extends whether the blossoms are dense or sparse, the lush areas intense and replete with color or dispersed, lighter and less distinct, they remain a combination of ambiguous affection and life intensity, connecting the romanticism of the ancients and the reveries of modern life. Brilliant and Wild Passion: Greeted by a Cloud Dragon Rising from the Ground In this work, Zhou Chunya makes no secret of the way in which he employs lines replete with strength and flow, together with calligraphic brushstrokes completed in one go, to craft a branch that cuts through heaven and earth. As it dances, one branch reaches into the vastness of the clear sky, while another explores the ground, like arms opened in a wide embrace inviting viewers to a wonderful banquet of life. Next to it we see a leafless, arrow-straight peach blossom branch pointing skywards, like a cloud dragon lifting its head upwards and screaming into the air, rising straight up from the ground. Although the branch has no leaves, it stands proud with a style all of its own, in a way that is reminiscent of the vital exuberance of Van Gogh's Irises. However, in terms of colour expression and aesthetic tension, Zhou's plum blossoms are imbued with a greater sense of amorous generosity. Among the surging fragrance of the flowers and vertical or horizontal wild branches viewers also glimpse the boundless nature of the mountains and sky, as the the passion, wild nature and bright colours of original desire are laid bare before us and reverberate throughout this grand and imposing scene. A Free State of Mind Transported Back to Its Original State If we indulge this peach blossom world then what Zhou Chunya pursues above all else is a free state of mind. He abandons the imitation of literati spirit in favor of instead creating a unique scene of peach blossoms that highlights the true appearance of the flowers and the unbridled freedom of life through rich imagery encompassing dynamism and stillness. Zhou says: “My paintings are all about passion and romance, desire is a constituent part of human life, something possessed from birth. More importantly, our emotions and desires relating to sex are a realization of vitality, symbolizing the exuberance of life.” In Little Path to Dragon Spring Mountain, the artist takes his memory back to the very beginning and in the depths of the winding path we suddenly see the stunning peach tree branches and luxuriant green leaves as the peach blossoms willfully bloom and show off their infinite vitality. It is there that we see the paradise on earth for which we yearn and Zhou Chunya's state of mind is free and at ease as he narrates this scene of beauty unexpectedly encountered. Faced with this amazing sight we embrace the real-life experience of “seeing the world in a flower.”

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拍品估价:7,000,000 - 9,000,000 港币 起拍价格:7,000,000 港币  买家佣金:
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