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吳冠中 1919-2010 蘇州拙政園 Wu Guanzhong The Humble Administrator's Garden
香港 北京时间
2023年04月06日 开拍
拍品描述
鋼筆 墨 紙本
一九八四年作
款識 蘇州拙政園 一九八四年荼 藝術家鈐印(左下)
來源 2010年11月21日,北京誠軒拍賣會,拍品編號311 現亞洲重要私人藏家直接購自上述來源 線若游龍揭大美之境 吳冠中巔峰時期蘇州園林主題精品 「吳冠中一生足跡遍天下,每次出行,在行囊中主要帶的就是素描寫生的工具和材料,每一次歸來他都帶來大量的素描寫生作品。作品保留著精神和情感上的豐富感受、激情和興奮。吳冠中外出時從來不帶照相機,他不以照相機收集素材,完全靠自己的眼睛、心靈和手,加上筆墨紙張。」 ——湖南美術家協會副主席鄧平祥 「素描」對藝術創作者來說,多半是作為初學時的基本功訓練,練習如何深入觀察景物特色與空間造型,但對吳冠中來說,素描不僅僅是短暫的學習,從在杭州藝專林風眠的教導下以寫生走出戶外、去觀察自然,藉此訓練敏銳的心眼,素描是吳冠中究其一生不輟的工具與重要的藝術表達。如其自言「從藝六十年,寫生六十年」,而素描的工具正為其中不可或缺之物,綜觀其素描之作,1950年代多為人物或西方造型式對客體的如實紀錄,然而在1965年他進入重要創作轉捩,開啟極為個人化的「風景主題」素描繪畫,彼時之作已超越照相機式的如實「記錄」,融入更多創作性的思考與深厚的情感,此並於1979年進入藝評家所言「爐火純青的成熟」階段,一件件紙上速寫成為「獨立的創作」,展現藝術家的靈光。是次上拍完成於1984年的《蘇州拙政園》,正為其素描寫生創作黃金時期標誌性的精品代表。 園林奇石如虬如風,楊柳依依春回人間 「拙政園」是蘇州最大的古典園林,在布局上以池水為中心,外建亭台樓閣中有迴廊相連,從中假山石、花卉、林木點綴,景色宜人,被讚譽為「中國四大園林之首」。出身江蘇的吳冠中,畢生走遍大江南北,然而最勾動其心弦的仍是故鄉土地的景色。「拙政園」自然也成為他描繪的對象,最早可見於完成於1983年蘇州行旅的鋼筆、炭筆作品《蘇州拙政園》,而是次上拍之作,題名相同,但對比於前者,展現了園林更為豐富的景貌與細節,將吳冠中所言:「蘇州園林吸引我,屋宇亭榭之素雅、太湖石之玲瓏,垂柳依依、遊魚悠悠,真是美不勝收。園林之美依賴於空間的迂迴,遊人在『遊行』中才更體會造境之佳。」作品將園林之亭台樓閣、太湖石、垂柳、迂迴的空間、游魚與遊人等重要元素盡納方寸之中,撼人心目! 下筆如春雷旋風,滿園春色關不住 吳冠中憑藉著鋼筆凝聚長年繪畫的功力,自信地以旋風之勢下筆,絲毫不見遲滯,如現瞬間爆發出春雷般的創作動能,彰顯了他強而有力、出神入化的畫技帶領觀者入畫流連。當中只見如龍脊一般的亭台樓格在畫面上端自左鋪排開來,引至右上角遊人登亭的情境,此亭據考為「待霜亭」,藝術家以簡練乾淨的筆法描繪出它飛簷凌空、六角高昂、梯級陡峻的特色。而由亭台往下,見此地四面環水,能望見坡下的綠柳清潭、隨風舞動的垂柳綠植,可謂「處處有水處處景,翠竹綠樹四相圍」。細觀柳樹間可見藝術家以帶有強烈個人風格的精細小點、短線來展現植物在初春悄然甦醒、萌發新芽的稚嫩和生機,僅憑單色速寫即令人感受到「滿園春色關不住」的蓬勃。畫面中心的拱橋上若見師生春遊,活潑可愛的孩子和橋下潭水漣漪中雀躍的魚兒交相呼應,展現人與自然和諧共融的暖意之春。而前景主角則為如雲氣昇騰、如崇山峻嶺的太湖奇石,吳冠中以綿密不斷的細線細膩地刻畫其外型,甫以狂草書法般古樸剛健的墨色強調深邃嶙峋的質感,使得奇石既輕盈玲瓏、又穩重大氣,若兩頭躍動的獅子,展現擬人化的生動想像,與滿園春色交相,一展吳冠中對於巧奪天工的園林營造,及其中蘊含傳統美學的深厚理解。 在此春日美景的盛宴中,觀者的視線隨著那張弛有度、濃淡相宜的筆觸流淌,彷彿能感受到步入園中時吹來的和煦春風,楊柳嫩綠幼芽撫過皮膚帶來新生的喜悅,可以伴隨遊人的歡聲笑語越過古樸拱橋、凝望戲水魚兒,而抬首遠望又恰見凝聚古人智慧的太湖石、精巧別緻的亭台樓閣,親身體驗到人文和自然水乳交融的古典中式審美中「雖由人作,宛自天開」的大智慧!
Ink on paper
26 × 38 cm. 10 1/4 × 15 in.
Painted in 1984
Titled, dated and signed in Chinese with an artist's seal on bottom left
PROVENANCE 21 Nov 2010, Beijing Chengxuan Auctions, Lot 311 Acquired directly by present important private Asian collector from the above Dragon-like Lines Revealing Touching Realms of Beauty and Grandeur Classic of the Suzhou Garden Themes from Wu Guanzhong's Peak Period Sketching for artists is mostly a basic training for beginners, practicing how to deeply observe the characteristics of scenery and spatial relations. However, for Wu Guanzhong, it is his lifelong tool and an important artistic expression, as he said, “Sixty years of art, sixty years of sketching.” Among his sketchings, the works of the 1950s are mostly objective records of the subject matters in the Western style. However, in 1965, Wu entered an important turning point, opening up a highly personalized landscape theme sketch painting, and entered what art critics call a “mature stage of perfection” in 1979. This painting Suzhou Humble Administrator's Garden, which was completed in 1984, is a representative of works from his golden age of sketching. Stones in Garden Like Gnarled and Wind, Willows as Spring Back to the World The Humble Administrator's Garden is the largest classical garden in Suzhou and has been praised as “the best of the Four Great Gardens of China.” Wu Guanzhong, born in Jiangsu, has traveled all over the world, but the scenery of his hometown is still the most appealing to his heart. Therefore, the Humble Administrator's Garden naturally became the subject matter of his art. The first one can be seen in his elegant pen and charcoal work The Humble Administrator's Garden in Suzhou, which was completed in 1983 during his trip to Suzhou. The one for the auction this time, though with the same title, clearly shows more details of the garden and includes pavilions, Taihu stones, willows, and the sinuous space into the picture plain. It's a stunning sight! The Brush Stroke Like a Spring Thunder Whirlwind, the Garden Full of Colours of Spring Wu Guanzhong, with his long years of painting experience, confidently and quickly depicted the garden like a blast of wind. The dragon bone like pavilions appears in the painting from the left, leading viewers towards the upper right corner. According to research, this pavilion is the Pavilion of Waiting for Frost. He uses simple and clean brushwork to depicting its characteristic overhanging eaves and steep staircases. Looking down from the pavilion, one can see the green willows, the clear pool at the bottom of the slope. One can see small dots and short lines with a strong personal style among the willow trees to show the vibrancy of the plants quietly awakening in early spring. With the merely monocratic sketch, one can feel that “The garden is full of colours of spring.” In the painting, teachers and students on the arch bridge are enjoying the spring, and the lovely children and the fish jumping in the rippling water below the bridge echo each other, showing the warmth of spring in which people and nature harmoniously coexist. In the foreground, the main character is the exquisite rocks of Taihu Lake, which are like clouds of air. Wu Guanzhong carves the delicate shape with continuous fine lines and emphasizes the deep and jagged texture with simple and robust ink like Chinese cursive calligraphy, which makes the rock look like two lions leaping with movement. They mingle with the spring colours of the garden, displaying his profound understanding of the aesthetics of “Although Manmade, it is just like a heavenly creation” in the excelling depiction of the garden.

本场其它拍品

  • Lot 41
  • Lot 42
  • Lot 43
  • Lot 44
  • Lot 45
  • Lot 46
  • Lot 47
  • Lot 48
  • Lot 49
  • Lot 50
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价格信息

拍品估价:500,000 - 600,000 港币 起拍价格:500,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%
服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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