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草間彌生 b.1929 煙灰缸 Yayoi Kusama Ashtray
香港 北京时间
2023年04月06日 开拍
拍品描述
壓克力彩 畫布
一九八一年作
款識 灰皿1981 Yayoi Kusama(畫背)
來源 亞洲重要私人收藏 附:草間彌生工作室開立之作品登錄卡 開到荼蘼,方寸間現宇宙天地 草間彌生小型畫作開篇《煙灰缸》 「我想要用無窮反覆的韻律和黑白的單一色調,呈現一種不同的『光線』,尋找一種新的繪畫表現形式。這種技巧完全無法用傳統繪畫約定俗成的對比,或者是方法論來解讀。此外,作品放棄了固定的焦點和視覺重心,這是我的原創。」 ——草間彌生 告別紐約時期的喧囂與狂歡,1973年草間彌生回到日本定居,開啟了她藝術生涯的新篇章。回到故土後草間不再是那個主流媒體追逐的嬉皮女王,深受精神官能症所苦的她過著半隱居的日子,五年後自願住進東京一家精神療養院,一住便是34年,她每天準時通勤去工作室,這樣規律的生活持續了整整後半生。專注與平靜,使草間在這段刻意自我封閉的時光創作了大量而多元的作品,其中以日常生活物件為描繪對象的繪畫,成為她創作歷程中最為重要的藝術面貌。而自1981年至2006年,她創作了一系列14x21cm的小型油畫。在這25年間,她不斷以此形式,將生命中重要的南瓜、水果、雞尾酒等主題囊入其中。是次拍賣,我們榮幸帶來藝術家完成於1981年的小型油畫開篇之作——《菸灰缸》。該主題為草間畢生甚罕繪畫者,同主題僅不逾10件,突出此作的珍稀性。作品罕見地以黑白為主色,藉由無限網與波點,串聯起一個精密的物像空間,呈現見微知著的強大力量。 這一批尺寸精微的作品橫跨草間彌生52歲至77歲,該尺幅極為考驗藝術家的繪畫功底與眼力,每個細部結構都需謹慎佈局,差之毫釐便失之千里。《菸灰缸》為其「小而美」的代表。觀者可見那無限的點、線、切面、色塊在其中交融、聚合離散,為草間於耳順之年精力高度集中的篤定之作。 波點與無限網經典元素的匯融 《菸灰缸》匯聚了草間最具標誌性的波點、無限網兩種經典藝術元素。菸灰缸由黑色波點圖案組成,透過小面積幾何圖形的堆疊架構出主體的立體感,顆粒感倍出。當中大小不一、錯落排列的波點,形成若浮雕般高低起伏的視覺動感,進而慢慢被一種暗示與沉靜的氣氛感染,進入「無限」的「視覺之網」中。背景的網紋與桌面紋路呈現反色,使作品在看似平面的表達中,也能展現出立體的遠近凹凸,在這般處理下,菸灰缸變得立體,而煙霧則具繚繞盤旋的動態,展現一個幽微、私密的空間,予人無限遐想。 虛實相生:度量時間的哲學 「剛到紐約時,覺得那裡與東京好不一樣,人們站在路邊,手點著菸,空氣中充滿自由的氣息。」 ——草間彌生 《菸灰缸》作品中的線條如銅版畫那般纖細又凝練的雕線,展現藝術家極為細膩的筆法。而當中的黑並非全然的單一色彩,細觀有的具啞光與柔美的質感,有的則厚實敦朗,反映出藝術家在使用色彩的靈活與多變。而反差的黑白雙色,恰隱喻了菸灰缸的「實」與煙霧的「虛」,成為草間對虛實交疊的現實生活的映射。而點燃的煙象徵著「自由」與思考的過程,而菸灰缸中的灰燼,則隱喻消逝的時間,以直觀的形式呈現日本人「此時此刻」(at the moment)的哲學觀,燒盡的煙,若昭示人的生命由初生至死亡,無論如何應開到荼蘼直至生命終點,把握當下一分一秒,此正言說了草間本人的精神與人生觀。 掌控的圓點:美感與理性的博弈 「圓點之網的咒縛已令我沉迷其中。畢加索(Pablo Picasso)也好,馬蒂斯(Henri Matisse)也好,儘管來吧。我會以圓點抗衡下去。我把自己的一切都賭上,不久之後,圓點之網超出畫布擴張到桌子與地板,甚至覆蓋到桌面、椅面。它們就這樣讓我把兒時的夢靨發展成執念藝術。我的美術足跡是真切踏實的,絕非虛構或抄襲。」 ——草間彌生 而在創作時,藝術家先在畫布上鋪展一個靜態的、絕對光滑的完整平面,然後在其上盡可能地增添肌理,用一種微觀的方式將色塊一塊一塊組織起來,並不斷的重複整個過程,一筆一筆增添筆觸,儘管作品尺幅不大,卻需要花費很長的時間,才能讓乾燥的白色顏料出現更多細密的層次。草間這種獨創的繪畫方式,讓她在畫布空間中堆疊出一種無限延伸的實體感。畫中的色點若聚集的量子,組成了精密的物理性空間,在繪畫的過程上蔓延開來,展示出極為理性的演算過程。更體現出草間所獨有的,結合理性思維與感性知覺的天才一面。 正如草間自言:「我有一個心願,希望自己能夠掌控這些圓點,從自己的位置,度量宇宙的無限」,點燃的煙正呼應其燃燒的生命,那不滅的熱情與雄心隨煙霧繚繞至畫外,燃燒至整個宇宙,照亮浩瀚無限的星球。
Acrylic on canvas
15.8 × 22.7 cm. 6 1/4 × 8 7/8 in.
Painted in 1981
Titled in Japanese, signed in English and dated on the reverse
PROVENANCE Important Private Collection, Asia This work is accompanied by a registration card issued by Yayoi Kusama studio The Universe in a Small Space The Opening Work of Yayoi Kusama's Small-scale Painting:?Ashtray “I want to present a different kind of lighting with infinite repetition and a single colour tone of black and white, in search of a new form of painting expression. In addition, I abandoned the fixed focus and visual emphasis in this work, it's my originality.” ——Yayoi Kusama After leaving the hustle and bustle of her New York days, Yayoi Kusama returned to Japan in 1973 to begin a new chapter in her artistic career. She voluntarily checked into a psychiatric facility in Tokyo, where she stayed for 34 years. During this period of deliberate self-imposed seclusion, Kusama created a large and diverse bunch of works, of which her paintings of everyday objects became the most important aspect of her creative process. From 1981 to 2006, she created a series of small oil paintings of 14x21cm. In this auction, we are honored to present?Ashtray, the artist's first small oil painting, which was completed in 1981. Such a subject is one of the very few Kusama has ever created in her lifetime, and there are only 20 pieces of them, highlighting the rarity of this work. The size of this group of delicate works spans from the age of 52 to 77, and is a testament to the artist's painting skills, as every detail of the structure must be carefully laid out. The?Ashtray?is a representative of Kusama?s delicate small-size works, and it is a work of determination in which Kusama concentrated her energy in her 60s. The Convergence of Polka Dots and Infinity Nets The?Ashtray?features two classic art elements, polka dots, and infinity nets, which are the most iconic elements of Kusama. The ashtray is made up of black polka dots, and the three-dimensional sense is created through the stacking of small geometric patterns. The polka dots of different sizes and staggered arrangements create a visual dynamic of reliefs, entering the infinite visual net. The net in the background and the texture of the table are in reverse colour so that the work can present in three-dimensional and concavity in the seemingly flat expression. The smoke is a dynamic, hovering, intimate space that gives people a sense of wonder. The Philosophy of Measuring Time “When I first arrived in New York, I thought it was so different from Tokyo. I see people standing on the side of the road with cigarettes in their hands, and I sense freedom in the air.” ——Yayoi Kusama The lines in?Ashtray?show the artist's extremely delicate brushwork. Some of them have a matte and soft texture, while others are thick and strong, reflecting the artist's flexibility and versatility in the use of colour. The contrast between black and white is a metaphor for reality and the sense of imagination represented by the ashtray and the smoke, which serves as a reflection of Kusama's thinking for life, where reality and imagination overlap. The lighted cigarette symbolizes freedom and the process of thinking, while the ashes in the ashtray are time faded, presenting the Japanese philosophy of “at the moment”. The cigarette that burns out is a manifestation of human life from birth to death, and no matter what, one should seize every second of the present moment, this is a statement of Kusama's outlook on life. Controlling Dots: A Game of Beauty and Reason “The spell of the net of dots has already engulfed me. Doesn't matter if you're Pablo Picasso or Henri Matisse, go ahead. I will fight with dots. I bet everything I had on it, and before long the net of polka dots will spread beyond the canvas to the floor, and even to the table and the chairs. They allow me to develop my childhood dreams into obsessive art. My artistic footprints are real, not fictitious or copied.” ——Yayoi Kusama When creating an artwork, the artist first spreads a static, absolutely smooth plane on the canvas, and then adds as much texture as possible on top of it, organizing the colour blocks one by one in a microscopic way, and repeating the whole process over and over again, adding brushstrokes one by one. Kusama's original way of painting allows her to create an infinitely extended sense of solidity on the canvas. Kusama's unique genius of combining rational thinking and sensual perception is also manifested.

本场其它拍品

  • Lot 31
  • Lot 32
  • Lot 33
  • Lot 34
  • Lot 35
  • Lot 36
  • Lot 37
  • Lot 38
  • Lot 39
  • Lot 40
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价格信息

拍品估价:1,800,000 - 2,800,000 港币 起拍价格:1,800,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%
服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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