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傅饒 b.1978 今生,前世 Fu Rao This Life, the Past Life
香港 北京时间
2023年04月06日 开拍
拍品描述
油彩 畫布
二〇一九年作
款識 今生 前世 傅饒 Fu Rao 2019(畫背) 出版 2019年,《光年 傅饒》,安卓藝術股份有限公司,台北,第38至39頁
展覽 2019年7月12至9月22日,《光年:傅饒個展》,關渡美術館,台北 來源 台北安卓藝術中心 亞洲私人收藏 附:台北安卓藝術中心開立之藝術家親簽作品證書 回首經年,不負時光 穿梭在傅饒《今生,前世》的光年之夢 「我想讓人看見的是一道光。這種精神我會在我的繪畫中,通過我身體的運動、韻律、筆觸等去介入。我希望我的繪畫可以呼吸,可以有多層次的解讀,每個觀者可以加上自己的生活體驗再去賦予不同的解讀,可以不只有一種答案,可以有千千萬萬個答案。」 ——傅饒 法國哲學家巴什拉(Gaston Bachelard)曾說:「詩意的形象,並非是過往的回聲。正與此相反,在一切形象的光輝中,遙遠的過去發生了迴響。」傅饒的創作,便如同一把開啟時光穿梭的鑰匙,他將人與自然的生命光輝,交織在現實情景與回憶的溫情之中,於詩意的斑斕畫境,構築一場光年之外的藝術之旅。 放眼於生命、時間的宏觀議題,傅饒在其充滿自然想象、人文敘事和哲學探索的多元畫境中,將自身跨文化、學科、地域的經驗融入其中。1978年生於北京的他, 於2001年前往德國德勒斯登藝術學院,先後修習造型藝術與藝術心理學位。他擅於自心理層面挖掘人物背後的情感,並深受梵高(Vincent Van Gogh)、多伊格(Peter Doig)、孟克(Edvard Munch)等影響,以超越現實的幻彩空間,創造出連接歷史、文化與心理的生命意象。此外,他同步在東西方的藝術形式中進行雙向探索,將東方山水的筆墨精神導入德國浪漫主義的自然風景,以充滿流動性、敘事感交織的畫筆,呈現其融合想象、夢境與現實的奇幻之景,訴說靈魂深處的色彩。自2012年起,他先後於德國哥廷根美術館、盧森堡當代藝術中心、台北關渡美術館等地舉辦個展,深獲東西方藏家共鳴。其並於2020年獲德國薩克森州文化部創作獎,作品曾被盧森堡國家歷史藝術美術館、德勒斯登城市藝術美術館等機構收藏。 交織浪漫與靈魂,指引生命的希望曙光 一直以來,傅饒持續挪用古典藝術的圖像養分,以結合自然與人物、現實、回憶與潛意識呈現複調式的空間。《今生,前世》一作便以追憶般的流動筆觸和古典韻味,打造一處具洛可可風尚的西式庭院,透過人景交融的關聯,書寫兩世的生命。 若致敬表現主義藝術家孟克《眼對眼》(Eye in Eye)中的情景,傅饒在《今生,前世》中,巧妙地將兩位主人公置於兩棵縱直的柏樹之下,以深邃的樹影襯托人物周身流動的光華,並在至簡的輪廓線條中,虛化人物真實存在的痕跡,為女子的淑女裝扮、男子的西服身影蒙上一層靈幻的神秘感。而隨樹叢間空間的延展,層層絢爛的紫色曙光,以動人的華彩充盈天際,遠方的青蔥灌木、近處的藍淺湖畔、以及悠遊其間的船隻,將光線一路向前景拓展,直至於女子身上如紅日般綻放出溫暖熱烈的色彩。在傅饒的作品裡,光的意象往往影射著人物內心的情感。那橙黃與玫紅之彩的瞬時光華,熱情洋溢地照亮著園中之景,似展現著女子與生俱來的生命力量,成為其今生今世、容光煥采的註腳。與之相對,男子則以冷調的淺紫與深綠,作為其身體色彩的表露。他並背向而立,漸與樹色合融,展現一種寧靜而疏離的氣質,似代表著遙遠的過去。二人彷佛在時光交錯的一眼瞬間中傾吐愛意、訴說情感,又或如題之言,講述著前世與今生的種種,引人懷想。 在這強烈的視覺色彩和明暗關係中,傅饒綜合著他書法般吐露氣息的筆意和歐洲古典主義的自然造境,將如夢般的現實場景,化為筆下感性的世界。在這一日中晨昏交替的微妙時刻,主角間的身份與性別、親疏與遠近的關聯亦在這時間的流動中置換、新生,將前世與今生的距離,消融在情感的紐帶間。觀者如同行走於畫中的時光,在充滿敘事性的想象畫面,在那幽微而富有動能的筆刷、斑斕浪漫的色彩中,跟隨光的指引,走入歲月的感懷。而此間的靈魂,則以不滅的姿態,言說著希望和曙光的力量。
Oil on canvas
92 × 130 cm. 36 1/4 × 51 1/8 in
Painted in 2019
Titled in Chinese, signed in Chinese and pinyin, and dated on the reverse LITERATURE 2019, Infinitrace: Rao Fu, Mind Set Art Center, Taipei, p. 38-39
EXHIBITED 12 Jul – 22 Sep 2019, Infinitrace: Rao Fu Solo Exhibition, Kuandu Museum of Fine Arts, Taipei PROVENANCE Mind Set Art Center, Taipei Private Collection, Asia This work is accompanied by a certificate of authenticity issued by Taipei Mind Set Arts Center and signed by the artist Looking Back at Times, Cherishing Every Moments The Passage of Time in Fu Rao's This Life, the Past Life As an adventurous artist, contemporary artist Fu Rao instills his study of culture, humanities, and philosophy into his narratives, and explores the ubiquitous topic of time and life. Fu conveys drama, scenery and vibrancy through tonality and brushwork. Born in Beijing in 1978, Fu studied at the Dresden Academy of Fine Arts, Germany in 2001. His academic practice was art molding and psychology. Throughout his academic study and oeuvre, there were telling and influential signs by Vincent Van Gogh, Peter Doig, and Edvard Munch. With background and upbringing in Beijing, he introduced Oriental landscapes to German romanticism. A range of brushwork and movement became his personalized narrative and language in depicting sceneries involving imagination, dreams and reality. Since 2012, his prolific works were widely collected by Eastern and Western collectors. Fu held solo exhibitions at the G?ttingen Museum of Fine Arts, the Contemporary Art Center in Luxembourg, and the Kuandu Museum of Fine Arts, Taipei. His works are also in the permanent collections of the National Museum of History and Art in Luxembourg and the Dresden City Art Museum. Intertwining Romanticism and Souls, a Bacon of Life is Born Fu Rao's This Life, the Past Life can be perceived as a tribute to Edvard Munch's iconic painting Eye in Eye. In Fu's painting, the flowing brushwork and classical tonality creates a scenery that reminds us of a Rococo and Western-style courtyard. Fu cleverly places the two main characters under two vertical and straight cypress trees, with deep shadows to set off the flowing light around the characters. In simple contours, the wavy brushwork and shadow add a sense of reality in the character. The layout is reminiscent of a lady's dress, while the man dresses in a suit. Despite their vague facial features, the darkened colours present a layer of mystery in their side-profile stance. Looking through the extended space between the trees, swaths of vibrant purple fills the sky. With green shrubs in the distance, the blue and shallow lake in the near distance, and the boats swimming there, the play of perspective and distance expands light all the way to the foreground, until it reaches the woman's dress and outline. In warm tonality, the woman radiates an array of positive ambience, like imagery of the sun. In Fu Rao's works, the imagery of light often reflects and suggests the inner emotions of the characters. In the garden, orange and rose-like colours illuminate the scenery, as if to symbolize the woman's innate power of life. In contrast, the man is portrayed with cool tonality of purple and dark green. Standing with his back turned, it gradually blends with the colour of the trees, showing a quiet and detached aura. It could be perceived as a man of the distant past. While intimacy is apparent between the characters, the gesture, distance and colour suggests a moment of intertwined romanticism and time that was shared, but also conveys a story of past and present lives. Moreover, identity and gender, affinity and distance between the characters are also replaced and reborn in the flow of time. In a passage of time, it dissolves emotions and physical distance between past lives and present lives. Under Fu Rao's brushwork, he seamlessly combines light and exuberant calligraphy with iconic European Naturalism gestures and composition. The combination of the two transforms an ordinary scene into a sensual, dream-like reality. The souls of the characters are further enhanced through their gestures and stance. Each speaks to a synergy of hope and power.

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