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Mr. b.1969 行使我的超能力 Mr. Exercising My Telekinetic Powers
香港 北京时间
2023年04月06日 开拍
拍品描述
壓克力彩 畫布
二〇一二年作
展覽 2012年9月13日至10月20日,「蛻變:給我你的翅膀」,立木畫廊,紐約 來源 紐約立木畫廊 美國私人收藏 2017年5月28日,佳士得香港春季拍賣會,拍品編號167 2019年11月23日,佳士得香港秋季拍賣會,拍品編號65 現亞洲重要私人藏家直接購自上述來源 綺麗之外的超能女力! Mr.和他的超扁平時代 「日本繪畫注重主觀性,強調通過任意角度皆能進入現實場景的自由度。因此,這可以說是一種無組織且天馬行空的繪畫方式。」 ——村上隆 放眼現今藝壇,日本當代藝術作為一個重要的美學分支,佔據了絕對主流的地位。日本知名藝術家村上隆在1999年提出「超扁平」理論,跳脫傳統繪畫注重的透視、立體感,將日本卡通與漫畫中的二維空間處理、強調可愛幼稚的特質、與當代生活缺乏深度的膚淺、扁平關係透過新一派的繪畫發揚光大。其後在2000年他以「超扁平」為名在日本、歐美發表日本藝術家大型聯展,而在一眾參展者中,Mr.以突出的「御宅族」繪畫主題讓其人其作大放異彩。 Mr.在1996年畢業於東京創形美術學校,自2000年來,不僅成為村上隆創辦的Kaikai Kiki畫廊中最出名、也最具影響力的藝術家,更通過與知名畫廊立木(Lehmann Maupin)與貝浩登(Perrotin)的合作,將日本的「超扁平」美學以及其細膩的畫風之下無邊的「宅男奇想」推廣至世界各地,取得極大的共鳴與迴響。2016年他與美國饒舌歌手威廉姆斯(Pharrell Williams)合作的限量公仔雕塑更將他推向國際波普文化的最前沿,聲名再下一城。Mr.曾於巴黎吉美國立亞洲藝術博物館、美國西雅圖藝術博物館、里昂當代藝術館、上海昊美術館等地舉辦個展。作品為費城藝術博物館、西雅圖美術館、韓國大邱美術館收藏。 紐約重要個展代表作亮相 村上隆曾回憶,在初次見到Mr.的畫作時,像看到西班牙名畫家哥雅(Francisco Goya)的黑暗繪畫般地震撼心靈。認為其作「超越了色情而抵達了藝術的脈絡……吐露出作家真實的心情」。Mr.的作品充分展現了日本當代「御宅族」文化的特質,當中日本動畫中具魔法神力的美少女、漫畫平面的表現方式、可愛的「萌文化」、「蘿莉控」都成為他創作重要的神髓,並展現了一代人身處的當代生活,喚起強大的共感。2012年,Mr.在紐約立木畫廊發表了名為「蛻變:給我你的翅膀」個展,透過創作他將御宅族文化剖析至極致:藝術家將自身化作「宅男」,把電腦、報紙、眼鏡、書包等生活細軟全部打包,放在展廳中央,為觀者還原宅男的真實生活——一個不拘小節、雜物隨意堆積的空間。而四周的展牆上,則掛著其標誌性的「美少女」主題畫作,巧妙詮釋宅男對於「女神」的崇拜與可望而不可及的微妙心態——儘管近在咫尺,卻不可觸摸,僅憑觀看便可治癒心靈的奇妙感受。此大膽、新創的展覽模式令西方世界對日本獨特的御宅族文化與Mr.的作品有了更為深層的認識與體悟,為其作品打開國際市場的重要關鍵。而是次春拍隆重呈現的《行使我的超能力》,正出自該展,畫中的美少女主角以綺麗而明朗的形象,在「可愛」之外,展現出超凡的「神力」與「治癒力」,為藝術家該時期的重要代表作。 蘿莉萌:我的青春美少女 「我認為江戶時代的『浮世繪』跟現代日本『動漫畫、萌畫』十分相像,這樣的作品與其說是被創作出來的,還不如說是湧現出來的。我覺得『描繪人物』是創作人類事物時,自古至今永恆不變的主題。而『萌』的概念是一種『御宅族慾望的精髓』的轉換,也是一種美的意識。」 ——Mr. 在《行使我的超能力》中,觀者可見一身著校服——白襯衫、格紋短裙,白色長襪、皮鞋,散發出日本典型「制服少女」清新氣質的纖瘦女孩駐立在畫心的正中央。她面露自信的微笑,完美無瑕的皮膚襯托著一雙水汪汪的迷人大眼睛,吸引觀者的目光。有趣的是她雖身著制式的校服,但其朝不同方向飛揚的藍髮、如宇宙星系般脫離地心引力環繞在身邊、由藝術家精細繪畫的各色炒麵麵包、漢堡、草莓三明治、甜甜圈、薯條、草莓、棒棒糖、蠟筆、剪刀等都讓作品跳脫了制式的日常,讓人被吸入一種超現實的幻境。這些食物彷如少女喜愛的各式點心,記錄了青春期生活的全部,喚起了每一位觀者對於自我「邪惡又舒心食物」(comfort food)的念想,Mr.若言說了彷彿吃了它們又再有動力面對生活中一切的困難這樣有趣而寫實的心理狀態。而「高校女孩」的造型,也反映了日本御宅族文化中對於制服美少女、萌的迷戀,增添了作品背後的深意。 反轉傳統,超能的女力 「我高中時的房間,貼的還是《魔法小天使》的海報…高中畢業之後,我為了考上藝大開始上美術補習班,此時我從不良少年回歸御宅族,在《飛越巔峰》的動畫中得到很多激勵人生的力量,覺得動畫真的很了不起…在補習班到專科學校期間,我做很多打工,如大樓清潔工,一天看六小時的動畫,特別喜歡《幸運女神》 、 《美少女戰士》 、 《新世紀福音戰士》。」 ——Mr. Mr.自言其自高中時期就很喜歡《魔法小天使》,此為在80年代風靡日本的動畫,講述10歲的小學生在偶然機遇下得到魔法,可變身為16歲的美少女,進入演藝界紅透半邊天的故事。而其後這後這樣少女獲得神力的故事也持續出現在後期的日本動畫如《美少女戰士》之中。而表現在創作之上,Mr.很自然地將帶有神力的少女融繪出新成他的「當代女神」。在《行使我的超能力》中,女孩周身所環繞的星星光束,正與魔法小天使動畫中的表現不謀而合,而其雙手呈上下平行交叉的姿態,又呼應動漫《美少女戰士》中,女主角月野兔變身時雙手舉高於胸前的俏皮姿態。呼應作品題名「行使我的超能力」,主角在變身的那一瞬間,能呼喚出空氣中的日月星辰,而漂浮在空中的糖果、漢堡、甜甜圈這些捶手可得的現代「消費品」,也和浪漫的星月交融於同一時空,展現天馬行空的綺思幻想。而主人公雙腿呈A字打開的站姿也與月野兔頗為相似。除此之外,在《美少女戰士》的漫畫封面中,背後出現了一輪彎月,而Mr.的《行使我的超能力》中則見一圓形的小太陽,其浮光與熱力輕拂著女孩,點亮了整個幻境,一陣微風裹挾著漩渦狀的美味與滿足,不經意間撩撥起女孩的短裙,在情色、可愛等日本動漫文化的邊緣中遊走,作品帶有幾分春光乍洩、色色空空的俏皮,卻絕無淫邪之意。而畫中少女雖然萌態可鞠,卻以正在實施的「魔法」,展現了對生命絕對的自主權和掌控權,超然的「女力」反轉了女子傳統的柔弱形象,以積極而正向的面貌,反射出時下女性自主、獨立的個性特點,超脫了傳統的男性視角桎梏的當代社會面貌。 日月同輝:細膩而繽紛的視象 如Mr.所言:「我投入到自己畫作裡的元素當然包含了『萌』或『可愛』,除此之外,當然也會注意就一張畫作而言作品的品質、畫面強度、是否細心描繪、技術部分、是否不單動手層層堆疊、時間是否編織出顏料的重疊感等部分。」《行使我的超能力》在技術上亦體現出藝術家的苦心經營。Mr.在此以平滑的壓克力彩打造出猶如現代數碼海報一樣光滑細膩的質感,然而,若近距離檢視,即可察覺到顏料間細膩的堆疊和重合,以色彩之間的微妙差異所構築出的繽紛視覺效果。如背景以純淨的白與無數精密彼此等距的粉色圓點鋪滿全域,少女的身體為閃爍的星星、彩色的巧克力豆等元素覆蓋,Mr.雖不著重以立體感的描繪,卻在同一平面構圖中完美構築出前、中、後空間的微妙層次。一個超越時空、甚至日月同暉的奇幻景象躍然而出,展現出藝術家在畫布前來回踱步、審視,帶著謹慎思考的心將顏料層疊、觀望全域的思索過程。那正是Mr.在國際舞臺上決心超越日本卡漫文化、成為一個嚴肅藝術家的職志,如畫中的星月一般閃閃發光,打動人心。 從萌、可愛,到強大的「女子力」、個人的堅持意志,Mr. 的作品內含強烈的情感與深意。他並非為了挑戰觀者的立場,而是為了給予他們精神與心理寬慰。每一個看似平凡的人物,都可藉強大的個人意志與「超能力」變身為自己的女神、男神,在屬於自己的真實世界中,發光發亮!
Acrylic on canvas
132 × 97 cm. 52 × 38 1/4 in.
Painted in 2012
EXHIBITED 13 Sep – 20 Oct 2012, Metamorphosis: Give Me Your Wings, Lehmann Maupin Gallery, New York PROVENANCE Lehmann Maupin Gallery, New York Private Collection, USA 28 May 2017, Christie's Hong Kong Spring Auctions, Lot 167 23 Nov 2019, Christie's Hong Kong Autumn Auctions, Lot 65 Acquired directly by present important private Asian collector from the above The Super Power of Female Power Beyond Beauty! Mr. and his Super Flat Era In 1999, the famous Japanese artist Takashi Murakami proposed the theory of “Super Flat”, which is a departure from the traditional painting that focuses on perspective and three-dimensionality, and brings out the two-dimensional space treatment in Japanese cartoons and comics, emphasizing the cute and childish qualities, echoing the lack of depth in contemporary life through a new school of painting. Later in 2000, he hold a large group exhibition with Japanese artists in Japan, Europe, and the United States under the name of “Super Flat”. Among the participants, Mr. shone with his outstanding theme of “Otaku”. Mr. graduated from Tokyo's Sokei Academy of Fine Art and Design in 1996, and since 2000, he has not only become the most famous and influential artist in the Kaikai Kiki Gallery founded by Takashi Murakami but also collaborated with the famous galleries Lehmann Maupin and Perrotin to promote the Japanese “super flat” aesthetic and his delicate painting style with “wild dreams of Otaku” to the world. Mr. has held solo exhibitions at the National Museum of Asian Art in Paris, the Seattle Art Museum, the Museum of Contemporary Art in Lyon, and the Hao Art Museum in Shanghai. His works have been collected by the Philadelphia Museum of Art, Seattle Art Museum, and Daegu Art Museum in Korea. Representative Works on New York Solo Exhibition Mr.'s works fully demonstrate the characteristics of Japan's contemporary Otaku culture, in which the magical girls of Japanese animation, the graphic expression of manga, the “moe culture” and “Lolicon” have become the important essence of his creations, and showing the contemporary life of a generation, evoking a strong sense of empathy. In 2012, Mr. released a solo exhibition titled “Metamorphosis: Give Me Your Wings” at Lehmann Maupin Gallery in New York. Through his creation, he analyzed the Otaku culture to the extreme: the artist transformed himself into a “geek” and packed all the details of his life, such as computers, newspapers, glasses, and school bags, and placed them in the centre of the exhibition hall, restoring the real life of an otaku to the viewer - a space of unconventional and random accumulation of miscellaneous objects. On the walls around the exhibition are its iconic paintings of beautiful girls, subtly interpreting the otaku worship of “goddesses” and the feeling of being unattainable. Close at hand, but untouchable. Can heal one's soul just by looking at the pictures of goddesses. This bold and innovative exhibition has enabled the western world to gain a deeper understanding and appreciation of Japan's unique Otaku culture, and has been an important key to opening up the international market for his works. This spring auction presents Exercising My Telekinetic Powers, an important masterpiece of the artist from that period. Cute Loli: Such Youthful Beauty “I think that the Ukiyo-e of the Edo period is very similar to the anime of modern Japan and that such works were not so much created as they emerged. I think that depicting people has been a constant theme since ancient times. The concept of ‘Moe' is a transformation of the ‘essence of Otaku desire' and a sense to feel the beauty.” ——Mr. In Exercising My Telekinetic Powers, the viewer can see a slim girl dressed in a school uniform - white shirt, checkered skirt, white socks, and leather shoes - exuding the freshness of a typical Japanese “uniform girl”. Standing in the centre of the painting, she smiles confidently, with her flawless skin and her big, watery, charming eyes. Although she is wearing a standard school uniform, her blue hair and the fried noodles, burgers, strawberry sandwiches, doughnuts, and scissors surrounding her, make the work break away from the standard daily routine and let people be sucked into a surreal fantasy. These food items are like the various snacks a young girl loves, recording the entirety of adolescent life and evoking each viewer's thoughts of comfort food as if eating them gives the motivation to face all the difficulties in life. The schoolgirl look also reflects the Japanese Otaku's Moe fascination with uniformed girls, adding to the deeper meaning behind the work. The Power of Super Woman, a Reversion of Tradition “The poster of Creamy Mami, the Magic Angel was on the wall of my room when I was in high school...... Between tutorials and college, I had a lot of part-time jobs, such as a janitor. And I watched six hours of animation a day, especially Oh My Goddess!, Sailor Moon and Neon Genesis Evangelion.” ——Mr. Mr. said he likes Creamy Mami, the Magic Angel since he was in high school, which is a popular Japanese animation in the 80s, about a 10-year-old schoolgirl who gets magic by chance and can transforms into a 16-year-old beautiful teen girl, who became a hit after entering the show business. And then, such stories of a girl who gets magic power continued to appear in later Japanese animation such as Sailor Moon. In Mr.'s creation, he draws the maiden with divine power as his contemporary goddess. In Exercising My Telekinetic Powers, the girl is surrounded by starlight beams, which is the same as the expression in the magic angel animation, and her hands are crossed, echoing the playful gesture of the heroine in Sailor Moon, with her hands raised in front of her chest, presenting the title of the artwork. Although the girl in the painting looks cute and harmless, she shows absolute control over her life with the magic she is performing. The superb female power reverses the traditional soft image of women and reflects the current positive characteristics of women's autonomy and independence. The Glowing Sun and Moon: A Colorful Delicate Vision The smooth acrylics created a texture as smooth and delicate as a modern digital poster, but if you look at it up close, you can see the stacking and overlapping of colours, and the subtle differences that created a colourful visual effect. For example, the background is covered with pure white and countless pink dots equidistant from each other, and the body of the girl is covered with glittering stars and coloured chocolate beans, etc. Although Mr. does not focus on three-dimensional depiction, he perfectly constructs the layers of front, middle, and backspace in the same plane composition. A fantasy scene that transcends time and space, and even the sun and moon shining together, showing how the artist paced back and forth in front of the canvas, examined it, layered the paints, and looked at the whole work cautiously. This is Mr.'s determination to transcend Japanese cartoon culture and become a serious artist on the international stage, shining just like the stars and moon in his painting.

本场其它拍品

  • Lot 31
  • Lot 32
  • Lot 33
  • Lot 34
  • Lot 35
  • Lot 36
  • Lot 37
  • Lot 38
  • Lot 39
  • Lot 40
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价格信息

拍品估价:3,700,000 - 5,000,000 港币 起拍价格:3,700,000 港币  买家佣金:
落槌价 佣金比率
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5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%
服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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