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草間彌生 Yayoi Kusama b.1929 帽子讚歌 A Song in Praise of Hat
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
水粉 粉彩 墨 紙本
Gouache, pastel, ink on paper
一九七九年作
Painted in 1979
51.3 × 66.3 cm. 20 1/4 × 26 1/8 in.
款識 1979 Yayoi Kusama(右下)草間彌生1979 帽子讚歌(畫背)
Signed in English and dated on bottom right; signed and titled in Japanese and dated on the reverse
來源 2018年4月1日,香港蘇富比春季拍賣會,拍品編號503 現亞洲重要私人藏家直接購自上述來源 附:草間彌生工作室開立之作品登錄卡 波點的運動,時尚的華章 草間彌生的藝術史詩 「我將心中所湧現的創造力當作武器,透過藝術行為對抗古老的習俗。」日本國寶級藝術家草間彌生以一生不凡的經歷造就了她獨特的藝術語言,來自保守日本的她,卻在美國發展出一系列看似離經叛道、極富爭議的前衛創作,並最終獲得全世界的矚目。 早在1944年15歲之際,尚在就讀中學的草間彌生因太平洋戰爭的爆發,曾與許多同學一起被政府徵召到降落傘工廠工作。工廠的惡劣環境,令她染上肺炎,但她在那學會了縫紉,成為日後一項重要技能。她在其後曾親手設計、縫製衣服、帽子等隨身細軟,並發展出對時尚、著裝及身份象徵的多重思考。草間具有多重身分,不僅是畫家、雕塑家,也是行為藝術家、服裝設計師和詩人、小說家。青年時期在故鄉長野及學習膠彩、粉彩等傳統日本畫,後受美國藝術家歐姬芙(Georgia O’Keeffe)鼓勵,1957年至紐約發展,感受到自由創作之可貴。其作品多元,類型包括繪畫、軟雕塑、行為、裝置、影片,涵蓋抽象表現、普普藝術、女權主義等派別。其作呈現出個人的精神思考及自傳式內涵。當她創作時,若傾盡內在身體的力量、潛意識的想法鋪展出一個包容宇宙的廣袤空間,動人心魄。迄今她被公認為「日本歷史上最偉大的藝術家」之一。突顯其卓越、超前的藝術成就! 時尚:波點的運動! 「波點生而平等,沒有一個比另一個優勝。」 ——草間彌生,1971年 「圓點」是草間彌生創作的主要元素,也是嬉皮年代的重要符號。在嬉皮、性解放、反戰的1960年代裡,草間活躍於國際藝壇,人稱「圓點女王」、「嬉皮女王」或是「前衛天后」,當時的知名度與影響力不輸普普藝術大師沃荷(Andy Warhol)。其作品中反複出現的「波卡圓點」,啟發了無數後輩藝術家如赫斯特(Damien Hirst)、村上隆(Takashi Murakami),均受其影響。是次春拍呈獻其1979年完成於東京的《帽子讚歌》,作品集合藝術家最為經典的波點、無限網及鋸齒元素,同時飽含她對時尚物件的探索與思考,意義非凡。 帽子:草間的畢生鍾愛 「當你明白時尚的美,你就會發現,它是一個非常好的傳達方式。」 ——草間彌生 西方在十七世紀時曾用帽子的顏色來區分身分,「帽子」在某種程度上成為「階級與地位」的代表。後因英國皇室長期配戴帽子,帶起了一股流行時尚風潮。日本自明治維新後,受西方影響,國民也漸漸喜愛用帽子搭配服飾,展現個性與品味。自1957年赴美開始,草間亦經常在各種重要場合佩戴不同款式的帽子。如1968年,她在紐約工作室發表的一次行為和時尚展覽「鏡中的表演」,她不僅身著佈滿陽具的上衣,更戴上親製的圓形草帽。而在回到東京後,她亦曾製作黃色的太陽傘帽,與家鄉的向日葵花海合影,展現對「帽子」這一配件的喜愛。表現在平面創作上,她於1967年創作第一件包含「帽子」元素的繪畫作品《自我泯滅》2號,「帽子」在此作中僅以配角出現,作為草間彌生個人的裝飾物。爾後在1978至1980年,短短的三年間內,她在同一尺寸的紙材上創作數件包含《帽子讚歌》在內的「帽子」主題之作。後更於1981年推出首張版畫《遺忘在原野中的帽子》,並於同年開始創作以「帽子」為主題的畫布作品,彰顯該主題對草間的深刻要義——帽子在此宛如藝術家「自我」的象徵,以多元的媒材揮灑出極致的表現力,成為其該時期的代表主題創作。 華彩滿天,向上的意志 在紐約生活十七年後,1973年她返回日本定居,並自此開始更多的在紙本上創作,《帽子讚歌》即為其東京時期罕見的大尺幅紙上創作代表。作品充分結合了藝術家畢生摯愛的波點元素,並將對帽子特殊的愛惜之情盡納其中。本作以草帽的形質佔據了整個畫面主體,綠色的絲帶綁在帽緣之上,繫出一個漂亮的蝴蝶結。細看草帽的構成,可見蔓延的圓弧線條,在黃、白與漸變的銀灰色上如有機的「無限網」,不停向外延伸、生長,在有限的空間中立體地編織出浩瀚星河。墨綠的寬絲帶上,閃耀著螢光綠的波點,與底色形成強烈縱深的關係,更突顯立體的律動感。而整頂帽子則由鋸齒型的濃黑線加以勾勒,增強物件的體量感,並展現了看似甜美可人之物亦帶著「爪子」,某種程度亦表達了女性力量崛起的時代氛圍。 帽沿及蝴蝶結在此呈上翹的獨特造型,圓潤的弧度宛若微笑的嘴角,更是草間奮力向上、不屈意志的精神體現。而若仔細比對其於不同時期所佩戴的所有帽子,多數以上翹的形態示人,此乃藝術家積極個性的充分表徵,她以獨特的方式活躍在日本、美國藝壇,無懼他人的評價以眼光,以個人強烈的意志與藝術信念不斷向前、發光發熱!作品匯融了藝術家標誌性的「無限網」、「波點」及「鋸齒」元素,令此帽在戲劇性的誇張演繹下,展現出生動而有機的獨特韻律,將視覺焦點聚焦於此豐富的視覺變幻之中。 帽影紅雨外,留住白雲間 《帽子讚歌》一作的背景十分特出:草間以深灰的水彩由中心至外變為粉紫色,由深至淺的變化,仿若由黑夜走入白晝,強調了以「日」為單位的時間概念。而紅色的波點瀰散於其中,宛若太空中浮游的天體粒子,在浩瀚的宇宙中飛舞、跳躍,向外擴散,構成磅礴的大氣層,在看似複雜,實則暗含規律的運動軌跡下各自閃爍,黃彩的帽子在其之上宛若金碧輝煌的神殿,攝人心目。而眼前這一幕亦如呼應了清朝張問陶的詩句「帽影遠尋紅雨外,屐聲留住白雲間」,帽影、紅雨、雲間……賦予觀者詩意的想像。 在《帽子讚歌》中,草間用個人恢弘的想像、深沉的意志、炙熱的情感,澆築出獨特的藝術語彙,賦予平凡物件以生命的華彩。那些透過其眼睛望見的星星點點,如隨風而動,在大千世界響起回聲的共鳴,寫下波點女王對藝術的執著,灌溉畢生的熱愛與不滅的期待!
PROVENANCE 1 Apr 2018, Sotheby’s Hong Kong Spring Auction, Lot 503 Acquired directly by present important private Asian collector from the above This work is accompanied by a registration card issued by Yayoi Kusama studio A Movement of Polka Dots, a Memoir of Fashion Yayoi Kusama's Epic of Art Japan’s national treasure, Yayoi Kusama’s unique artistic language is the result of her extraordinary experiences. Originally from conservative Japan, she developed a series of avant-garde works in the United States that appeared to be deviant and controversial, and eventually gained worldwide attention. As early as 1944, at the age of fifteen, Yayoi Kusama was drafted by the government to work in a parachute factory, where she learnt to sew. Kusama is a multifaceted artist, not only a painter and sculptor but also a performance artist, fashion designer, poet and novelist. Her works are diverse, ranging from painting, soft sculpture, performance, installation and film, and cover the genres of Abstract Expression, Pop Art and Feminism. To date, she has been recognised as one of the "greatest artists in Japanese history". In June 2009, The Times announced the 200 greatest artists of the 20th century, with Yayoi Kusama as the representative of Japan, alongside the likes of Pablo Picasso and Paul Cézanne, demonstrating her outstanding and ahead-of-her-time artistic achievements. Fashion: The Movement of Polka Dots! The?"polka dot"?was a key element in Kusama’s work and an important symbol of the hippie era. In the 1960s, Kusama was an active member of the international art scene, as influential as the pop artist Andy Warhol. The recurring?"polka dots"?in his works inspired numerous later artists such as Damien Hirst and Takashi Murakami. This autumn auction presents?A Song in Praise of Hat, completed in Tokyo in 1979, which combines the artist’s most iconic elements of polka dots, infinity nets and sawtooth, with her exploration of fashionable objects, a work of extraordinary significance. Hats: Kusama’s Lifelong Favourite In the 17th century, the colour of hats was used to differentiate social status, and hats themselves became, to some extent, a representation of class. Later, the British royal family wore hats for a long time, which led to a fashion trend. Since the Meiji Restoration, Japan has been influenced by the West, and its citizens have also become more fond of wearing hats, with their clothes to show their personalities and tastes. Since she visited the United States in 1957, Kusama has been wearing hats on various important occasions, to show her love for hats as an accessory. In her graphic creations, she created several works on paper with the theme of hats, including?A Song in Praise of Hat. Later in 1981, she released her first print?Hat Left behind in the Field, and in the same year, she began to create works on canvas with the theme of hats, which demonstrated the profound significance of the theme to Kusama - hats are like a symbol of the artist’s "ego", and it became the representative theme of her works in that period. Colourful Sky, Rhythm of Life After living in New York for seventeen years, she returned to Japan in 1973 and began to create more works on paper, with?A Song in Praise of Hat?being one of her rare large-scale works on paper from the Tokyo period. The work combines the polka dots, which is her lifelong favourite element, with her special love for hats. One can see the spreading circular lines, like an organic?"infinite net"?in yellow, white and gradual silver, constantly extending and growing outwards. The entire hat is outlined by a jagged thick black line, demonstrating that what looks sweet and lovely also carries sharp claws, and to a certain extent, it also demonstrates the rise of women’s power in that era. The hood and bow are uniquely upturned, and the rounded curves resemble a smiling mouth, reflecting the spirit of Kusama’s upward mobility and indomitable will. She is active in the art world of Japan and the United States in her own way and is never afraid of other people’s judgments, but continues to move forward with her strong will and artistic conviction. The artwork incorporates the artist’s signature?infinity net,?polka dots?and?sawtooth?elements, making it display a unique rhythm that is dynamic and organic under the dramatic interpretation, focusing viewers’ attention on this rich visual illusion. Beyond the Hat: Rain Falls, Clouds Fold The background of?A Song in Praise of Hat?goes from dark to light: dark grey watercolour changes from the centre to pinkish purple, as if from night to day. The red polka dots pervade the background, dancing in the vastness of the universe, spreading outwards to form a majestic atmosphere, each flickering under the seemingly complex, but in fact, rhythmic movement, with the yellow hat on top of them like a glorious temple of gold, captivating the viewer’s attention. In?A Song in Praise of Hat, Kusama uses her grand imagination and passion to give ordinary objects the splendour of life. Everything seen through her eyes resonates with each other, writing down the polka dot queen’s persistence and undying expectation for art.

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拍品估价:1,000,000 - 2,000,000 港币 起拍价格:1,000,000 港币  买家佣金:
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0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

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