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草間彌生 Yayoi Kusama b.1929 雨之二 Raining No.2
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
壓克力彩 畫布
Acrylic on canvas
一九八八年作
Painted in 1988
53 × 45.5 cm. 20 7/8 × 17 7/8 in.
款識 RAINING 雨 yayoi kusama 1988 (2)(畫背) 出版 2016年,「揭開日本女性藝術家的神秘面紗:桂佑希、草間彌生、田中敦子、名坂有子」,Nukaga 畫廊,東京,第39頁
Titled in English and Kanji, signed in English and dated on the reverse LITERATURE 2016, Demythifying Japanese Women Artists: Yuki Katsura, Yayoi Kusama, Atsuko Tanaka, Yuko Nasaka, Nukaga Gallery, Tokyo, p.39
展覽 2016年10月12日至11月2日,「揭開日本女性藝術家的神秘面紗:桂佑希、草間彌生、田中敦子、名坂有子」,Nukaga 畫廊,東京 2016年11月24日至12月15日,「揭開日本女性藝術家的神秘面紗:桂佑希、草間彌生、田中敦子、名坂有子」,Nukaga 畫廊,大阪 來源 東京Nukaga 畫廊 2019年3月30日,嘉德香港春季拍賣會,拍品編號715 現亞洲重要私人藏家直接購自上述來源 附:草間彌生工作室開立之作品登錄卡 流動的心象圖景,宇宙的靈魂共振 草間彌生的雨過天青 「當我在京都學習日本畫時,我會冒雨出門,練習禪修,身上只穿一件T恤。我會頂著傾盆大雨在一片泥濘中冥想,太陽出來後就回家,往頭上倒一盆冰水。否則我無法工作。從某程度上說,我在紐約度過的那些年,也沒什麼不同。」 ——草間彌生 日本前衛女性藝術家草間彌生與沃荷(Andy Warhol)和賈德(Donald Judd)同在 1960 年代初於紐約的世界藝術競技場中嶄露頭角,建立屬於自己的國際聲名,但她孑然獨立,並不隸屬於任何藝術運動。1929年出生於日本長野縣的她,於1957年懷揣著對藝術的夢想隻身赴美,成為專職藝術家,她拒絕被貼上標籤,拒絕被任何既定的潮流或意識形態所囿,最終開創了具有普遍性和宇宙性的藝術事業。 其創作展現她在現實與非現實的感受間無盡的掙扎、無限的意識流,與豐沛飽滿的生命能量。其作品中抽象的線條佈構看隨機,實則花費大量心神與精力反覆雕琢而成,使有限的平面空間得以形塑出一種無限延伸的超視覺感受,無疑早已打破了東、西方文化的認知界限,全然是獨屬於她自身的「內在風景」。是次春拍我們榮譽呈現其完成於1988年的早期抽象典範《雨之二》。 拍賣市場中獨一無二的「雨」主題油畫 「草間彌生的作品讓人感覺無始無終、無形無界,彷彿想要強調空間的無窮。她創造出一種形式,用首尾一致,仿若菌絲般不斷增殖的白色顏料,把意識封閉起來。那是一種自律的藝術,用毫不遮掩的方式呈現一種超越的真實,那奇妙又美麗的形象,以一種瞠目結舌的方式,鮮明地在我們的感官上留下烙印。」 ——藝術家賈德 《雨之二》散發出震撼人心的能量,其中「重複的線性」是草間彌生視覺詞典中至為核心的關鍵元素。此元素的創生可追溯至其孩提時代,當時被診斷出患有強迫性的神經官能症的她,透過不斷地記錄和演繹眼之所見的圓點、線性幻象,來實現自我治療,是她與幻覺和平共生的一種手段,此亦在日後演變為其獨特的藝術語言。在《雨之二》中藝術家以精煉的藍白兩色作為主調:以青藍為底,在上面輔以繁生、綿密細幼的白色線條。有別於《無限網》系列中如魚鱗的線性造型,《雨之二》展現了強大的流動感,線條隨著意識流逡巡蜿蜒,自有韻致地詠頌出生命的韻譜。綿延不斷的白線與天青的藍底色,展現千絲萬縷的交錯與消融……時而淅淅瀝瀝,時而輕重緩急,猶如雨水落在車水馬龍的都市一瞬,或那在凝視傾盆大雨中的無限冥想,每一筆迂迴曲折的線條猶如她與內心的對話,在輾轉反復間記錄著思索的過程,如同草間的思想日誌,赤裸的靈魂在青空下尋求心靈的同頻與共振。 而綜觀草間彌生畢生迄今畫作,這樣跳脫《無限網》、《無限點》範示,帶有詩意命名的抽象主題之作僅在1988至1992年可見,而《雨之二》除為難得的早期代表,更是二級拍賣市場在過去逾30年間唯一可見之獨一無二以「雨」為主題的油畫,不僅融合了藝術家獨特的幻象手法,更以此釋放出「無限」的哲學理念,突顯了其稀有與重要的標誌性。 宇宙的本質,雨過天青 「藍色是天空,是水,是空氣,是深度和無限,是自由和生命,藍色是宇宙最本質的顏色。」 ——法國知名藝術家克萊因(Yves Klein) 1952年克萊因自日本旅行後返法,受到日本平面繪畫的影響開始創作單色繪畫,並於1957年調製出一種鮮艷的群青顏料「克萊因藍」,此融合了天和海的顏色,被譽為「最接近宇宙本質的藍」。而31年後,草間彌生在日本於《雨之二》以史詩般的無盡線條演繹了雨滴落下的千姿百態,令人仿若身臨其境,而等待雨過天青,天空露出原本的底色——正是那最接近宇宙本質的藍,不僅用以表現天空,更成為水、空氣,賦予世間萬物無限的深度和自由。當象徵雨水的白色細線浮游其上,仿若白顏料滴入群青的藍墨水瓶,在融於水的瞬間墜落、沉澱、稀釋,在濃郁的底色上化開,如靈動的舞姿一般起承轉合。而白與克萊因藍相結合,更令此作充滿電子迷幻的活力,如極具現代魅力的電音音符,予人強烈的視覺衝擊,並徜徉在藝術家無邊馳騁的想像力之中,觸碰到作品背後的自由心靈:草間以精湛的技巧及色域搭配將宇宙相互聯繫、牽一髮而動全身的概念具體化,為觀者提供了身臨其境的夢幻體驗。 回顧1980年代,草間彌生除了在國際站穩腳步,也在保守的日本社會中另闢蹊徑地開始取得認可,如1984、1986、1988年她先後在日本東京富士電視台畫廊發表三次個展,1986年她至法國龐畢度藝術中心參與「前衛的日本1910-1970」大展,而1988年她並受邀至日本雕刻之森美術館作大型展覽。聲譽日隆,而創生於同年的《雨之二》,正標誌著她的藝術事業如如霖春雨,充滿生命力、無限可能性的清朗心境,為藝術,為自由,為未來而歌!
EXHIBITED 12 Oct – 2 Nov 2016, Demythifying Japanese Women Artists: Yuki Katsura, Yayoi Kusama, Atsuko Tanaka, , Yuko Nasaka, Nukaga Gallery, Tokyo 24 Nov – 15 Dec 2016, Demythifying Japanese Women Artists: Yuki Katsura, Yayoi Kusama, Atsuko Tanaka, Yuko Nasaka, Nukaga Gallery, Osaka PROVENANCE Nukaga Gallery, Tokyo 30 Mar 2019, China Guardian Hong Kong Spring Auction, Lot 715 Acquired directly by present important private Asian collector from the above This work is accompanied by a registration card issued by Yayoi Kusama Studio Flowing Mindscapes, Cosmic Soul Resonance Yayoi Kusama’s Lyric Poem Japanese avant-garde female artist Yayoi Kusama, born in 1929 in Nagano, Japan, pursued her artistic dream by travelling to the United States in 1957, becoming a full-time artist. Her creative expression spans various mediums, including flat paintings, sculptures, installations, and performance art. Although each form can stand independently, it also exhibits clear echoes and connections. Her seemingly random and chaotic brushstrokes are, in fact, meticulously crafted, allowing limited flat space to stack into abstract paintings with an infinite visual experience. This approach undoubtedly breaks the cognitive boundaries between Eastern and Western cultures, remaining avant-garde even from today’s perspective. The featured piece in this Spring auction is her abstract masterpiece,?Raining No.2. The Sole Rain-themed Oil Painting for Auction The repetitive patterns seen in?Raining No.2?are core elements in Yayoi Kusama’s visual vocabulary, evident in all her most significant works. Diagnosed with obsessive-compulsive disorder, Kusama began using her art to eliminate hallucinations by compulsively replicating grids and arcs. Intensive artistic practice became her most effective form of self-therapy. In?Raining No.2, thin and meandering lines flow in an irregular rhythm, creating a flowing effect on the flat surface, generating a spontaneously branching and infinitely derivative visual landscape. The continuous white lines resemble rain falling in a bustling urban setting. Looking at Kusama’s flat works from the 1980s, such pure abstract thematic pieces display strong originality, visible only between 1988 and 1992.?Raining No.2?is currently the only oil painting in the market that represents the theme of rain. It not only integrates the artist’s unique technique but also releases a philosophical concept of infinity, propelling it forward as a pioneering creation in the art world. Klein Blue: Essence of the Universe In 1952, renowned French artist Yves Klein created a vibrant ultramarine pigment known as "Klein Blue", hailed as the blue closest to the essence of the universe. Four decades later, Yayoi Kusama interprets the myriad forms of raindrops in?Raining No.2,?revealing the original colour of the sky——Klein Blue, which not only represents the sky but also becomes water, and air, endowing all things in the world with infinite depth and freedom. The combination of white and Klein Blue infuses the work with an electrifying psychedelic vitality, allowing viewers to come closer to the artist’s boundless imagination and touch the liberated spirit behind the artwork. Kusama, with her exquisite technique and colour palette, materializes the interconnected interest of the universe, providing viewers with an immersive and dreamlike experience. In 1980s, Yayoi Kusama started to earn recognition world-widely, as well as domestically. She participated in prime exhibition Avant-Garde Japan 1910-1970 in Pompidou Paris at the year of 1986. In 1988, she was invited to Hakone Open-air Museum to host a solo exhibition, Raining No.2 was created at the same year. As she reached the zenith of her artistic journey, Kusama became one of the most important living artists of our time.

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拍品估价:3,000,000 - 5,000,000 港币 起拍价格:3,000,000 港币  买家佣金:
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