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金昌烈 再現 油彩 畫布 一九九七年作 Kim Tschang-Yeul 1929 - 2021 Recurrence Oil on canvas Painted in 1997
香港
2023年10月08日 开拍
拍品描述
size:194 x 259 cm. 76 3/8 × 102 in.
款識 SA97001 1997 T.Kim 金昌烈(畫布右沿折入處)
Titled, dated, signed in English and Hanja on the right of the canvas edge
來源 首爾表畫廊 現亞洲重要私人藏家直接購自上述來源 紆朱懷金,混沌中的絕對秩序與生蘊 金昌烈珍罕磅礡朱紅「再現」系列光璨現身 繼白南准後最重要的韓國現代藝術大師金昌烈,以水滴繪畫聞名,被冠以「水滴畫家」的美譽。他自幼隨祖父學習書法和東方哲學,並在母親鼓勵下研習西方藝術。1948年他考取首爾大學美術系,歷經了朝鮮戰爭的動盪,立志於扛起韓國現代藝術的大樑。1957年他與朴栖甫、丁昌燮等成立「韓國現代美術家協會」,其後他獲美國洛克菲勒基金會資助於紐約學生藝術聯盟(Art Student League)進修。而在1969年遷居法國後,在1972年發展出最具代表性的「水滴」主題繪畫。?金昌烈曾言:「畫水珠的過程,像是溶解所有雜質,讓水珠回到一種『無』的純淨狀態。當所有憤怒、焦慮和恐懼達到『無』的瞬間,我們便會感到平和與舒適。」他認為純淨、透明的水珠,可洗去各種日常面對紛繁世界時所感受到的憤怒、悲傷、不公義,從而繪畫的過程如同修行,令他在自省中達至平靜和安慰。他從自身的文化出發,將東方哲學導入創作,在歐洲藝壇發揚東方文化的底蘊。他於1972至1976年間曾5次獲邀參與「法國五月沙龍」。2004年獲頒法國藝術文化勳章中最高等的司令勳章,足顯其於畫壇堅實的地位。 而在1980年代初期,金昌烈進一步地把源於中國南朝的經典文獻《千字文》結合水滴入畫,其指出:「漢字延綿不絕、生生不息。《千字文》是我兒時最先學習到的文章,所以它在我心中永遠佔有重要地位,能夠承載我的水滴並與之為伴」,於是「再現」系列應運而生,他以近40年的光景持之以恆地描摹《千字文》中一個個橫平豎直的楷書字體,在剛勁質樸文字上,一顆顆璀璨的水滴折射出動人的光芒,將純淨的能量內化於心。「水滴」和「千字文」伴隨金昌烈一生,走過其橫跨歐、美、亞洲大陸的近百場展覽,並被納入韓國金昌烈美術館、韓國國立當代美術館、巴黎蓬皮杜藝術中心、日本東京大都會藝術博物館、美國波士頓美術館等40餘間機構的公眾收藏。現身秋拍的《再現》為金昌烈拍場所見第七大尺寸者,並且為唯九件珍稀紅彩畫作中之最大尺幅者,其重要性、珍罕性不言自喻。 千字訴真言,滴流滿盈光 「天地玄黃,宇宙洪荒。日月盈昃,辰宿列張。寒來暑往,秋收冬藏。閏餘成歲,律呂調陽。雲騰致雨,露結為霜。金生麗水,玉出崑崗。劍號巨闕,珠稱夜光。果珍李柰,菜重芥薑。海鹹河淡。鱗潛羽翔。龍師火帝,鳥官人皇。始制文字,乃服衣裳。推位讓國,有虞陶唐。」 ——《千字文》 呈現《千字文》如上段落的畫作《再現》,以大氣恢弘的朱紅為主色。在韓國傳統民間信仰中,此色彩是「生命及力量」的象徵,源於宇宙之源一一太陽的色彩,可抵禦邪惡、驅除黑暗。金昌烈選用此色彩佈構畫面,作品令人聯想到宇宙自混沌中如初啼一般的爆炸,帶來光輝和溫暖,賦予萬物生命,此朱紅色彩滿載東亞文化圈對於天地磅礴的能量之信仰。通過將畫面填滿朱底反襯出空白空間,形成仿若自水中浮現的遒勁楷體,好似以陰刻古璽般鄭重地蘸取印泥、端莊印下的朱印。具暈染質感的深紅色柔和地附著在字體邊緣,加強了文字的立體感。而那整齊有力的大字如同經文一般具有信仰的魔力,隨觀者瀏覽的目光依次躍出,其全文字意從宇宙混沌初開到日月和四季的誕生,論及生命本源的水自雲層幻化為江河湖海、霧雪雨霜,水的循環帶來繁榮旺盛的生命,人類的文明也就此建立…古人智慧的箴言烙入腦海,格外動人心弦。 《千字文》之上,一個個璀璨的超寫實水滴緩緩滲出,有的渾圓剔透,如珍珠般晶瑩,有的自然垂墜,幾近滴落。轉瞬即逝的水滴流淌過亙古流傳的千字文,折射出歷史的浮光掠影,在畫面動與靜的平衡中,含蓄地煥發東方式的詩意哲理。此外,正如韓國畫家李禹煥所言:「在描繪水滴的時候,金昌烈並非將它們作為存在的現象,而是一個『光影』的事件……或許存在與虛空,歸根結底只是光與影的定向互動」,金昌烈的水滴通過光影定義自身:可見全畫中水滴折射出自右上而來的透亮光纖,並向左下投射整齊的金紅色光影,定義了光的一致性,展現秩序井然的韻律,呼應《千字文》中「由混沌走向秩序」的宇宙密碼,既和諧又具強大的張力。 水作為宇宙初始的力量來源於天穹,周而復始地循環和淨化,最終回歸天際。金昌烈的水珠已超脫具體意象,而是一種「自我救贖」。在見證過戰爭帶來的痛苦、海外漂泊的孤獨之後,具淨化之力的水珠療癒了他的內心,體現了極致的通透、廣大的包容力和可塑性。此作展現了金昌烈近乎佛教儀軌一般虔誠的冥想式創作精神,是他在時間的縫隙之中尋得終極平靜的表徵。靜而觀之,彷彿也能夠追尋其精神的護蔭,在心靈的淨化過程中步入天人合一的境界。
PROVENANCE Pyo Gallery, Seoul Acquired directly by present important private Asian collector from the above Adorned with a Vermilion Ribbon and Carrying a Golden Seal, Absolute Order and Vitality in Chaos The Rare and Magnificent Recurrence Series Makes a Stunning Appearance Following in the footsteps of Nam June Paik, the most prominent modern Korean artist is Kim Tschang-Yeul, known for his waterdrop paintings, is hailed as the “Waterdrop Painter.” He learned calligraphy and Eastern philosophy from his grandfather since childhood and studied Western art at the encouragement of his mother. In 1948, he enrolled in the Fine Arts department at Seoul National University, and despite the turmoil of the Korean War, he was determined to uphold Korean contemporary art. In 1957, he co-founded the “Korean Modern Artists Association” with artists such as Park Seo-bo and Chung Chang-sup. He later received support from the Rockefeller Foundation to study at the Art Student League in New York. After moving to France in 1969, he developed his most iconic “water drop” themed paintings in 1972. Kim believed that pure and transparent water droplets could wash away the anger, sadness, and injustice felt in everyday life, and the process of painting was like spiritual practice, which brought him peace and comfort through introspection. Drawing on his own culture background, he introduced Eastern philosophy into his artwork, promoting the essence of Eastern culture in the European artworld. From 1972 to 1976, he was invited to participate in the Salon de Mai in France five times. In 2004, he was awarded the highest rank, “Commandeur” of Ordre des Arts et des Lettres, from the French Ministry of Culture, highlighting his solid position in the art world. In the early 1980s, Kim took his “water drop” paintings to the next level by combining the classic Southern Dynasties Chinese document Thousand Character Classic. He stated, “Chinese characters are endless and everlasting. Thousand Character Classic was the first text I learned as a child, so it always holds a special place in my heart, and it can carry my waterdrops and accompany them.” Thus, the Recurrence series was born. For nearly 40 years, he meticulously depicted the bold strokes of the “regular script” in Thousand Character Classic with shimmering water drops that refract a dazzling light, internalizing pure energy within. Water drops and Thousand Character Classic accompanied Kim throughout his life and traversed nearly a hundred exhibitions across Europe, America, and Asia. They have been included in the public collections of more than 40 institutions, including the Kim Tschang-Yeul Museum, the National Museum of Modern and Contemporary Art in South Korea, the Centre Pompidou in Paris, the Tokyo Metropolitan Art Museum in Japan, and the Boston Museum of Fine Arts in the United States. The Recurrence presented in this autumn auction is the seventh largest dimension witnessed by Kim Tschang-Yeul and the largest among the nine rare red colour painting works, highlighting its significance and rarity. Thousand Characters Express the Truth, Drops Overflow with Light The Recurrence Series predominantly features a grand scarlet red as its principal colour. Within traditional Korean folklore, this colour symbolizes the embodiment of “life and power,” as it originates from the colour of the sun, representing the ability to resist evil and dispel darkness. Kim deliberately chooses this palette to construct his competition, evoking the imagery of the universe bursting forth from chaos, radiating brilliance and warmth, and imbuing all things with life. This vermillion colour carries the belief in the immense energy of the universe within the East Asian cultural sphere. By filling the canvas with a scarlet base and creating an eye-catching contrast with the blank spaces, the artist has crafted a bold and powerful “regular script” that appears to emerge from the water's surface, much like a dignified seal stamp dipped in ink and pressed down with solemnity. The softly blended deep red colour adheres to the edges of the characters, enhancing their three-dimensionality. The orderly and forceful large characters possess a magical power of faith, sequentially leaping out as the viewer browses, conveying the complete meaning of the text from the birth of the universe out of chaos to the creation of the sun, moon, and the four seasons, addressing the origin of life as water transforms from clouds into rivers, lakes, seas, and mist. The circulation of water brings forth a prosperous and abundant life, upon which human civilization is established. The wise sayings of the ancients are etched into the mind, particularly touching the heartstrings. Above Thousand Character Classic, brilliant hyper-realistic waterdrops slowly seep out, some are round and transparent, glistening like pearls, others naturally falling on the verge of dripping. The fleeting drops flow over the ancient characters, reflecting the fleeting shadows of history. In the balance between the dynamics and stillness, the painting exudes the subtle poetic and philosophical essence of East Asian philosophy. Kim's waterdrops define themselves through light and shadow: the entire painting shows the waterdrops a translucent brilliance coming from the upper right, projecting a neat golden-red light and shadow to the lower left, defining the consistency of light and showcasing an orderly rhythm. It echoes the cosmic rule of “moving from chaos to order” in Thousand Character Classic, harmonious yet powerful. This work demonstrates Kim's devout and meditative creative spirit, resembling Buddhist rituals, symbolizing the ultimate tranquillity he finds within the gaps of time. Observing it quietly, one feels as if they can also trace the protection of his spirit and enter the realm of unity between heaven and man through the purification of the soul.

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拍品估价:1,250,000 - 1,900,000 港币 起拍价格:1,250,000 港币  买家佣金:
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