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張英楠 偶遇 油彩 畫布 二〇一九年作 Zhang Yingnan b.1981 Encounter Oil on canvas Painted in 2019
香港
2023年10月08日 开拍
拍品描述
size:150 × 150 cm. 59 × 59 in.
款識 偶遇 2019 張英楠(畫背)
Titled, and signed in Chinese, dated on the reverse
展覽 2020年1月17日至19日,「2020台北當代藝術博覽會」,索卡藝術,台北 來源 台北索卡藝術 現亞洲重要私人藏家直接購自上述來源 超現實的琉璃幻境 張英楠的窗間魔法 「在我看來,畫面反映的是心中的風景,所以繪畫其實是我自己與自己對話、自己面對自己的過程。繪畫對我而言,更像是自我的內心獨白。」 ——張英楠 1981年生於陝西、現居北京的張英楠,是如今炙手可熱的當代新銳。他擅長以理性內斂的幾何構圖、不急不躁的細膩用色,塑造出一個個探尋現實與精神的空間,展現生命的孤獨不安、對未來的憧憬、對故鄉的懷戀等多重的複雜心緒。受早年母親訂閱的《世界美術》雜誌影響,其作充滿文藝復興時期建築主題作品的秩序之美,及古典主義的沉靜,又從超現實主義中吸收思辨性、隱喻性的精髓,使畫面充滿戲劇張力。張英楠以既寫實又超現實的強烈個人風格脫穎而出,在理性之中傳達感性,格外觸動人心,近年來頻繁於北京、台北、上海、香港、首爾等地舉辦個展,展品均創下完售佳績,令人矚目。 張英楠的創作多以建築體為主,人或動物甚少出現於其作之中,回顧其迄今為止之作,僅有2件曾以動物入題,出現「馬」的身影,《偶遇》即為其一,無疑彰顯了作品的稀有性。 理性與感性交織的自由詩篇 張英楠在《偶遇》中展現了其經典的幾何式超現實構圖:一堵方正規整的深棕色牆面具衝擊力地橫亙在畫面之中,投下深沉的陰影,其內嵌有藍色邊框的玻璃窗,如同一張「畫中畫」。後方現郁郁蔥蔥的灌木叢和樹林,隱隱露出又一重圍牆。然而此處的玻璃窗透映的並非室內場景,而是延展了花園的綠意,頓時模糊了室內外景觀之間的界限。此超常規的空間構成形塑出如夢境一般的「非真實性」。張英楠為觀者設下了視覺的詭辯,在秩序、冷靜的幾何結構中激發無盡的探索趣味。 自古以來「馬首」象徵力量和征服,誕生出「一馬當先」、「馬首是瞻」等詞彙。然而張英楠卻反其道而行之,發起對駿馬刻板形象的反叛,刻意以馬臀示人而隱藏前身,為畫面增添了神秘感。畫中草園出現一棕灰色駿馬,肌肉勻稱健美,骨骼結構準確,長尾飄動,帶出向左走入牆後的動勢。然而左側幾乎如鏡面折射一般,見一棗紅色駿馬向畫外走來,二者好似在時間和次元的縫隙中偶遇,此番對於空間的玩味,正與超現實主義大師瑪格利特(René Magritte)的名作《空白簽名》不謀而合,在多元空間之中,畫中的馬匹互為表裡、相映成趣。 儘管二者在視覺的交錯下狀似偶遇,實際上卻隔著不同維度的距離,恰如兩條平行線,無法達到真正意義上的交匯。生於鄉村的張英楠在搬往北京後,看似憑藉發達的通訊技術而產生了更多人際交往,但身處大都市的他,內心深處卻愈發孤單,他若藉此作隱喻人們與投影、相片、電子屏幕等一系列二維產品之間親密卻抽離的二元關係,撩動當代社會中一眾熱鬧又寂寞的靈魂,扣人心弦。
EXHIBITED 17 – 19 Jan 2020, Taipei Dangdai 2020, Soka Art, Taipei PROVENANCE Soka Art, Taipei Acquired directly by present important private Asian collector from the above A Surreal Glass Phantasmagoria Zhang Yingnan's Magic in the Window Zhang Yingnan enjoys utmost popularity as one of the emerging contemporary artists. He is good at exploring physical and mental space with restrained, rational geometrical composition and delicate use of colour, meanwhile expressing the solitude and disquiet in life, the anticipation for the future, and the nostalgia for his hometown. He stands out with a personal style that is both realistic and surreal, communicating the emotional within the rational and touching people's hearts deeply. In recent years, the artist has gained recognition through frequent solo exhibitions that sold up at impressive rates. Zhang Yingnan's works are based mainly on architectural forms and human or animal figures rarely appear. Encounter is one of the only two by him that take up the subject of animals, more specifically, horses, highlighting the work's uniqueness. A Poem that Interweaves Sense and Sensibility Encounter showcases the artist's signature geometric, surrealist composition. Standing at the centre of the image is a brown wall that is inlaid with a glass window and its blue frame. Behind it, another wall reveals itself among bushes and trees. The window does not open to the indoor, but continues the green of the garden, blurring the boundary between the interior and exterior to create a sense of unreality. A visual sophistry is therefore set for the viewer, from whom the work arouses immeasurable fascination through calm, orderly geometric structures. Since antiquity, the horse head has symbolized power and conquest. Yet, to go aginst such tradition, Zhang Yingnan deliberately conceals the head and depicts the animal's posterior, which introduces a layer of mystery to the work. In the painting a horse emerges from the garden on the right whilst another within the window frame comes from the left, the two appearing to be running up against each other via a dimensional crack. The artist's play of space coincides with the Surrealist master René Magritte's work, The Blank Signature. Zhang Yingnan was born in rural Shaanxi Province. After relocating to Beijing, although having experienced extended social relations due to the development of communicational technology, the artist felt his inner loneliness increase. With Encounter, he seems to express a metaphor for the intimate but simultaneously detached relationships that people establish with two-dimensional items such as photographs and electronic screens, strucking a chord among the dynamic yet lonely souls of contemporary society.

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