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袁遠 真我 油彩 畫布 二〇一二年作 Yuan Yuan b.1973 Cool I Am Oil on canvas Painted in 2012
香港
2023年10月08日 开拍
拍品描述
size:125 x 108 cm. 49 1/4 × 42 1/2 in.
款識 COOL I AM Y. yuan 2012 袁遠(畫背) Y. yuan(畫布左沿折入處)
Titled in English, signed in Chinese and pinyin and dated on the reverse; signed in pinyin on the left of the canvas edge
來源 現亞洲重要私人藏家直接購自藝術家本人 光陰荏苒,氤氳如夢 袁遠的藍色泳池 「『替代時間』的概念以及了解永恆與當下的過程是我創作的核心。」 ——袁遠 生於1973年、2008年畢業於杭州中國美術學院油畫系的袁遠,以「建築空間」作為創作題材,事無巨細地描繪逼真卻寂靜無人的場景,帶來巨大的視覺震撼,令人聯想世界經濟高速發展、人口頻繁遷移中迅速興建又被棄置的城市空間。他以自中學接觸到的中國水墨技法在西式的油畫表現上,透過層層渲染的手法,製造意蘊朦朧的光影效果,將人類寄託於生活場景的細膩情感通過抒情的具象繪畫傳達,在時間的定格下展現「永恆和瞬間」、「現實與虛幻」的張力,引起廣泛共鳴。袁遠甫畢業即一舉獲得「羅中立獎學金」,並先後受上海小平畫廊、香港馬凌畫廊垂青,在國際舞台上嶄露頭角。其作曾於深圳何香凝美術館、柏林格羅皮烏斯美術館、義大利貝爾加莫特爾茲宮等地展出,並被納入澳洲白兔美術館、維也納POMERANZ、巴黎DSL等機構收藏。 袁遠對重複性的圖案極為癡迷,而「馬賽克」正是其最具特色的藝術語彙:從2009年開始的「泳池」系列到2010年的「汗蒸」、「憂鬱」系列、乃至2018年於義大利貝爾加莫特爾茲宮的個展作品,馬賽克圖案一直作為主脈貫穿其創作歷程。《真我》一作即屬袁遠早期代表性的「泳池」主題創作,甫一問世即被亞洲重要私人藏家珍藏,悉心保存逾十年,是次秋拍首次釋出,尤為難得。 記憶深處的瞬間泡影 《真我》一作充滿豐富的細節,水池中千萬塊細小的藍色馬賽克整齊地鋪設出一方天地,從深邃的靛藍過度到晶亮的淺藍,呈現光線折射下同種色彩在色階上的千變萬化。馬賽克之間的網格狀間隙、乃至邊緣的磨損,都以接近肉眼捕捉極限的超寫實手法展現出來,反映出光陰的痕跡。另一方面,袁遠創造性地使用了中國畫技法,稀釋油彩並層層上色,模糊了馬賽克銳利的邊角,並在池底畫出唯美的白色光纖,及如灑滿漫天星辰般的光點,製造陽光穿透水體的夢幻一幕,正如藝評家張宇凌所說,袁遠的畫作是「具象的夢境」。 畫面中心,具速度感的白點匯集成「大」字形水花,激昂而凝聚,記錄躍入泳池的一瞬,以戲劇性的片刻展現永恆的記憶,在空無一人的空間中體現人曾經存在的痕跡。剎那間,過去與現在、寫實與表現的邊界變得模糊不清,宛若昨日重現,銘刻在時光中的珍貴回想不曾磨滅,正如袁遠所自述:「我想盡可能的找出存留的痕跡,不是這地方現在有什麼,最好的是:這地方曾經有什麼持久的存留著,誰都無法帶走。而且是不可見的」。相較於其近作中靜態的場景,《真我》以簡練的構圖專注描繪流體泡影的動態定格,以更加浪漫抒情的方式激發觀者躍入泳池冥想和療癒的渴望。在水中,聲音從耳邊迅速消失,而視線也在氣泡升騰的波動中模糊不清,身軀上下浮現,只有依稀可見的藍色馬賽克閃爍著微光在黑暗中指引著前路,徜徉其中,人們回到了生命之源的懷抱,在呼氣吐息中專注於與自己的對話,尋找唯一的「真我」。
PROVENANCE Acquired directly by present important private Asian collector from the artist Time's Fickle Dance, Misty Reverie The Azure Pool of Yuan Yuan “The concept of ‘alternate time' and understanding the interplay between eternity and the present moment constitute the essence of my artistic creation.” ——Yuan Yuan Born in 1973 and graduating from the Department of Oil Painting at Hangzhou China Academy of Art in 2008, Yuan Yuan, with architectural spaces as his creative subject, depicts vivid yet deserted scenes that evoke immense visual impact, reminiscent of rapidly constructed and abandoned urban spaces amidst the rapid development of the world economy. Drawing upon the Chinese ink painting techniques he encountered since his secondary school days, he crafts enigmatic play of light and shadow, conveying the delicate emotions human beings invest in their living environments through lyrical and figurative paintings. Within the frozen moments of time, he unveils the tension between the eternal and the ephemeral, reality and illusion, arousing widespread resonance. Soon after graduation, Yuan Yuan achieved great recognition by being awarded the “Luo Zhongli Scholarship” and subsequently receiving attention from Shanghai Xiaoping Gallery and Hong Kong Kiang Malingue Gallery, making a name for himself on the international stage. His works have been exhibited in venues such as He Xiangning Art Museum in Shenzhen, Martin-Gropius-Bau Museum in Berlin, and Palazzo Terzi in Italy, and have been collected by institutions including White Rabbit Gallery in Australia, POMERANZ in Vienna, and DSL in Paris. Yuan Yuan possesses an ardent fascination with the repetitive patterns, and “mosaic” stands as the epitome of his distinctive artistic lexicon. From the inception of his Swimming Pool series in 2009 to his solo exhibition at the illustrious Palazzo Terzi in Italy in 2018, mosaic motifs have consistently permeated his creative odyssey. Cool I am representing an early and emblematic manifestation within Yuan Yuan's explorations of the Swimming Pool Series. Immediately upon its unveiling, it was cherished and safeguarded by a prominent private collector in Asia for over a decade, rendering its forthcoming debut at this autumn's auction a truly extraordinary and rare event. Echoes of Time's Vanishing Whispers Cool I am is replete with rich details, where a myriad of small blue mosaic tiles in the pool meticulously forms a realm of their own. Transitioning from deep indigo to shimmering light blue, they exhibit the myriad transformations of the same hue within the gradient when refracted by light. The grid-like gaps between the mosaics and even the worn edges are rendered with an ultra-realistic technique that approaches the limits of human perception, capturing the traces of time. Furthermore, Yuan Yuan creatively employs Chinese painting techniques, diluting oil pigments and layering them, blurring the sharp edges of the mosaic and painting exquisite white fibers at the bottom of the pool, along with scattered star-like dots, evoking a dreamlike scene of sunlight piercing through the water. As art critic Zhang Yuling aptly describes, Yuan Yuan's artworks are “elaborate scenes of a dream.” At the centre of the composition, there is a gathering of swiftly moving white dots forming a splash in the shape of the Chinese character “大” (big). It captures the fleeting moment of someone diving into the pool, presenting an eternal memory in a dramatic instant, embodying the traces of human existence within an empty space. In that moment, the boundaries between the past and the present, realism and expression, become blurred, as if yesterday is relived, and precious recollections engraved in time remain indelible. Compared to Yuan Yuan's more recent works featuring static scenes, Cool I am focuses on depicting the dynamic freeze-frame of fluid bubbles with a concise composition. It evokes a desire in viewers to immerse themselves in the pool, to meditate and heal in a more romantic and lyrical manner. In the water, people return to the embrace of the source of life, focusing on a dialogue with themselves through exhalation and inhalation, seeking their authentic selves.

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价格信息

拍品估价:130,000 港币 起拍价格:130,000 港币  买家佣金:
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5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

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