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BY éDOUARD LIèVRE, PARIS, CIRCA 1870 In the neo-Renaissance style, the spreading pediment with Vitruvian scroll-fitted frieze, centred by an urn and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centred by portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), each opening to an adjustable shelf, flanking a statuette of 'The Belvedere Hermes’, the base fronted by five open arches centred by a pair of columns with Corinthian capitals, above a spreading platform, on bun feet 71 ? in. (181 cm.) high; 59 in. (150 cm.) wide; 23 ? in. (57 cm.) deep
This cabinet, ‘Crédence en noyer enrichie de bronzes’, is Lièvre’s defining piece in the Renaissance style. Its importance is underlined by it being retained in Lièvre’s own collection until the sale of his personal property at H?tel Drouot in March 1887 following his death. It recalls Franco-Flemish cabinets-on-stands of the early 17th century such as the ‘Marie de Medici cabinet’ in the V & A (W.64:1 to 3-1977), which Lièvre might have seen at Mentmore Towers, Buckinghamshire, where it was from circa 1855 in the collection of Baron Mayer Amschel de Rothschild (d. 1874).