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国内拍卖首页 > Lempertz > 亚洲艺术 > Lot 238

A softwood figure of a rakan. Edo period

德国

12月12日晚上6点开拍 /1天23小时

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拍品描述: Description
Seated in meditation with his left foot visible, dressed in monk's robes that leave his emaciated chest exposed, the kesa gathered below his left shoulder with an agraffe, the face with “Indian” features, bushy, long eyebrows, and a bulbous nose. The white primer (gofun) is covered with a layer of red pigment, mostly flaked off. Eyes of reverse painted glass. Hands missing. Rakan (Sanskrit: arhat) are disciples of the Buddha who have attained enlightenment. They are depicted with “Indian” or Chinese features, but always with individualised facial characteristics suggestive of an ascetic lifestyle. As role models for Zen monks, they are sculpted in groups of 16 or 18, but also 500, and placed on the upper floor of the main entrance gate or in separate halls of Zen Buddhist temples. As the hands are missing from this figure, the rakan cannot be identified on the basis of the attribute he originally held. However, it is highly likely that this statue represents the rakan Binzuru (Sanskrit: Pindola), who was worshipped in Japan as a deity who heals physical ailments, thus occupying a special position among the rakan. His statues are placed on a large chair in the vestibules of temples so that believers can walk around them and touch the parts of the sculpture that correspond to the parts of their own bodies that are afflicted with illness. Especially in cases of headache and shoulder pain, people would touch the corresponding area, which is why the figures are worn in the face. The present statue was originally painted entirely in a matte red over white gesso (gofun), and the robes are left plain and do not feature any patterns or other details. The eyes of reverse-painted glass (gyokugan), and the open mouth contribute to the expressiveness of the rakan’s face. The sculpture follows the realistic style of the Kamakura period established by Unkei.
Dimensions
Height 51.5 cm
Literature
Cf. a very similar sculpture featuring its attributes in the collection of the Musée Guimet, Paris, inventory no. MG 2986, published in: Bernard Frank. Le panthéon bouddique au Japon-Collections d'Emile Guimet. Paris 1991, p. 304
Provenance
Private collection, Rhineland, Germany, acquired at Kyoto Gallery, Brussels, 23.9.2023 (invoice available)
Notes
VAT: Margin scheme
---以下为第三方软件翻译，仅供参考---

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14. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.
Henrik Hanstein, sworn public auctioneer.
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Buyers Premium
A premium of 29 % calculated (24% + 5% live bidding fee) on the hammer price plus 19 % value added tax calculated on the surcharge only is levied (margin scheme). On the lots which are characterized by an *, the buyer shall pay a premium of 29% (24% + 5% live bidding fee) on the hammer price; onto this (hammer price and premium) the statutory VAT of 19% will be added. (Regelbesteuerung = regular scheme). For original works of art and photographies whose author died after 31.12.1945, a charge of 1.8% on the hammer price will be levied fort he droit de suite.