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A PAIR OF LARGE LONGQUAN CELADON PHOENIX TAIL VASES, YEN YEN, LATE MING DYNASTY
奥地利 北京时间
04月11日 下午5点 开拍 /6天2小时
拍品描述
China, 15th-16th century. Heavily potted, the baluster body rising from a spreading foot to a cylindrical neck and flaring rim, the body finely carved and incised with large lotus blooms amongst foliage, with horizontal ribbing to the upper neck and vertical ribs to the lower body. The glaze stopping just above the foot rim, revealing the ware. (2) Provenance: Collection of Joseph Rondina. Zacke, Vienna, 9 March 2023, lot 83, sold for EUR 5,850 or approx. EUR 6,100 (adjusted for inflation at the time of writing). Collection of Dr. John Bannard (1941-2023), Nottingham, United Kingdom, acquired from the above and thence by descent. Joseph Rondina (1927-2022) was born into a first-generation Florentine-American family in Auburn, upstate New York. Returning to the U.S. after being stationed in Berlin at the end of the Second World War, he studied at the Whitman School of Design before opening Joseph Rondina Antiques on Madison Avenue in Manhattan's Upper East Side in 1957. In the beginning, his interests focused primarily on European 18th-century decorative arts and furniture, over time developing to include Chinese, Korean, Indian, Thai, Cambodian, Persian, and Japanese art, bringing a more esoteric and exotic style to the market. His clientele included stars of the stage and screen, royalty, notables, dignitaries, and denizens of the social register from the United States and abroad. Dr. John Bannard (1941-2023) was a British scientist who started his career at Nottingham University, then moving to The University of Limerick to found the faculty of Industrial Chemistry. He later started his own company, holding patents for the invention of laser activated inks, and the development of medical sterilization inks. His true passion, however, was collecting paintings and works of art, and it was his lifelong ambition to open his own gallery upon retirement, a dream he sadly was never able to realize as he retired at the ripe age of 82. Condition: Excellent condition with expected old wear, traces of use and shallow surface scratches. Firing flaws include minor kiln grit, dark spots, glaze recesses and irregular glaze pooling. The foot rims and bases of both vases partially burnt to orange in the firing.Weight: 6.1 kg and 6 kg Dimensions: Height 49.5 cm (each)Literature comparison:A closely related example was included in the exhibition Chinese Celadons and Other Related Wares in Southeast Asia, National Museum, Singapore, 1979, cat. no. 207. A group of yen-yen vases in the Topkapi Saray Museum, Istanbul, is illustrated in Regina Krahl, Chinese Ceramics in the Topkapi Saray Museum, London, 1986, vol. I, fig. 206, p. 289. Another good example is illustrated in the National Palace Museum of Taipei, an Exhibition of Longquan Wares, cat. no. 78, pages 154-155 (fig. 1).Also compare a closely related Longquan celadon vase, dated to the 14th century, 45.7 cm tall, in the Victoria and Albert Museum, accession number 713-1883.Auction result comparison: Type: Related Auction: Christie's New York, 14 September 2017, lot 702 Price: USD 87,500 or approx. EUR 107,000 (for one) adjusted for inflation at the time of writing : A Carved Longquan Celadon 'Phoenix-Tail' Vase, Late Yuan-Early Ming Dynasty, 14th Century Expert remark: Compare the closely related form and finely carved and incised floral decoration. Note the size (45.4 cm) and earlier dating.
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拍品估价:750 - 1,500 欧元 起拍价格:700 欧元  买家佣金: 35.00% 服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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