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凱瑟琳.布拉福德 Katherine Bradford b.1942 泳者與棕櫚樹 Swimmers and Palm Tree
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
壓克力彩 畫布
Acrylic on canvas
二〇二二年作
Painted in 2022
40.6 × 50.8 cm. 16 × 20 in.
款識 K.Bradford 2022(畫背)
Signed in English and dated on the reverse
來源 柏林Haverkampf Leistenschneider畫廊 亞洲私人收藏 註:畫背貼有柏林Haverkampf Leistenschneider畫廊標籤 千人千面,叛逆人生 布拉福德的泳池萬花鏡 「成為全職藝術家從來不是一個驚人的決定,回頭看,是每個一小步一小步的影響。」 ——凱瑟琳.布拉福德(Katherine Bradford) 美國藝術家布拉福德的藝術旅途極為特殊:出生於書香門第的她,在1965年畢業於賓州布林莫爾女子學院,嫁入銀行世家走上他人眼中順遂的道路。其後她隨在佛蒙特大學擔任教授的丈夫搬到了緬因州,逐漸融入了當地的藝術團體,與美國當代藝術重要人物多德(Louis?Dodd),雅奎特(Yvonne?Jacquette)交流甚篤,在其鼓勵下開始創作,並參與組織緬因州視覺藝術家聯合會、經常在《緬因時報》上發表藝評,成為當地活躍的藝術人。1979年,時年37歲的她鼓起勇氣至紐約逐夢,成為全職藝術家。不僅在1987年取得紐約州立大學視覺藝術碩士,更在紐約、芝加哥、波士頓等地舉辦個展,作品為大都會美術館、布魯克林美術館收藏。儘管「半路出家」,她亦曾以講師的身份任教於紐約時裝設計學院、耶魯大學藝術學院等,並曾多次獲古根漢基金會、米歇爾基金會(Joan Mitchel Foundation),美國藝術與文學學院表彰,完美演繹了反叛「傳統」的中產女性在當代藝術界大放異彩的傳奇。 幽默與孤獨:經典「游泳」系列現身 美國藝評家約翰.邱(John?Yau)認為布拉福德之作不受限於傳統的常規,她通過簡練的人物線條與背景的呼應,呈現出一種獨特的幽默感和內在邏輯。2015年,布拉福德發表名為「懼浪」的個展,作品藉渺小的泳者與自然巨浪間的鮮明對比,將自然萬物的深不可測以溫暖而幽默的視角表達,當海水以一種排山倒海之勢流入人潮,水成為孤獨的表徵,反映當代社會中人們表面相互依存,卻依舊感到寂寞的現象。此大獲好評的展覽令其開始專注創作「游泳」系列,並將畫面背景自海灘拓展到湖畔、泳池等地。是次呈現的《泳者與棕櫚樹》即為該系列特出之作。 致敬經典:戲劇性的池畔 此作畫面以海水的藍與棕櫚樹的綠左右分割:左邊著黑泳褲的男子躍入泳池,飛揚的雙臂奮力向下,舒展的四肢展現動態的美感;而右邊的男子則坐在池畔,與身後的棕櫚樹為伴,若猶豫著是否該下水—此構圖令人聯想到霍克尼(David?Hockney)的名作《泳池與兩個人》。然而相較於霍氏精緻的敘事場景,布拉福德以簡練而刻意抹去細節的筆觸渲染出人物間微妙的情緒流動,以主角的姿態與面部方向交代情節,一方「毫不猶豫」,一方「徘徊不定」,隱晦展現人性的多變與脆弱。並以如羅斯科(Mark Rothko)般純粹的色塊刻畫場景,綠色的棕櫚樹象徵生機與活力,與如夜色般沈澱的藍色池水相呼應,喻示人類流動的情感,引人共鳴。 如今年過耄耋的布拉福德仍創作不懈,其筆下一個個渺小而篤定的人物既千人一面,又獨一無二,以無畏的姿態捍衛著各自內心的秩序,正如都市萬花鏡下的你我,各自精彩。
Provenance Haverkampf Leistenschneider Gallery, Berlin Private Collection, Asia Note: a label from Haverkampf Leistenschneider Gallery, Berlin is affixed on the reverse Thousand Faces, Rebellious Life Bradford's Pool Kaleidoscope "It wasn't a leap to be an artist. It was one step after another." ——Katherine Bradford The artistic journey of American artist Bradford is truly unique: born into a literary family, she graduated from the prestigious Bryn Mawr College in 1965, married into a banking family, and followed what seemed like a smooth path. Later, she moved to Maine with her husband, a professor at the University of Vermont. There, she immersed herself in the local art community, and began creating art. She actively participated in the Maine Art Collective, wrote art critiques for the?Maine Times. In 1979, Bradford courageously moved to New York and became a full-time artist. She earned a Master of Fine Arts from the State University of New York in 1987, held solo exhibitions in New York, Chicago, and Boston, and had her works exhibited at the Museum of Modern Art, New York and the Prospect New Orleans Biennial, her works are in the collections of the Metropolitan Museum of Art and the Brooklyn Museum. Despite her unconventional path, she also taught at institutions like the Fashion Institute of Technology in New York and Yale University. Bradford received recognition from prestigious foundations and academies, embodying the rebellious spirit of a middle-class woman leaving a mark in the contemporary art world. Humour and Solitude: the Classic?Swimming?Series Emerges In 2015, Bradford showcased an exhibition titled?Fear of Waves, where the contrast between tiny swimmers and massive waves expressed the profound and humorous perspective on the unpredictable nature. This successful exhibition led her to focus on creating the?Swimming?series. The featured work,?Swimmers and Palm Tree?is a standout piece from this series. Paying Tribute to Classics: Dramatic Poolside Scenes The composition of this artwork divides the scene into the blue of the sea and the green of palm trees. On the left, a man in black swim trunks leaps into the pool with outstretched arms, displaying a dynamic beauty. On the right, a woman in red sits by the pool, contemplating whether to take the plunge, accompanied by palm trees. This composition evokes thoughts of David Hockney's masterpiece,?Pool with Two Figures. However, unlike Hockney's detailed narrative scenes, Bradford uses simple and deliberately vague strokes to render subtle emotional fluctuations between the characters. With one character decisively leaping and the other hesitating, she subtly portrays the variability and vulnerability of human nature. The scene is depicted with pure colour blocks reminiscent of Mark Rothko, where the green palm trees symbolize vitality, echoing the deep blue pool water like the night, symbolizing the fluidity of human emotions and creating a sense of resonance. As Bradford, continues to create tirelessly, each small yet resolute character she paints is both universal and unique, fearlessly defending their inner order. Just like the diverse reflections in the urban kaleidoscope, each of us is leading our own splendid lives.

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拍品估价:100,000 - 150,000 港币 起拍价格:100,000 港币  买家佣金:
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