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廖國核 Liao Guohe b.1977 元寶 The Gold Sycee
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
壓克力彩 畫布
Acrylic on canvas
二〇〇九年作
Painted in 2009
50 × 60 cm. 19 3/4 × 23 5/8 in.
款識 元寶(右中)核(畫背)
Titled in Chinese on middle right; signed in Chinese on the reverse
展覽 2016年1月30日至31日,「淘金熱」,Paramount Ranch 博覽會,洛杉磯 來源 上海Bank畫廊 現亞洲重要私人藏家直接購自上述來源 以幽默品味現實百態 廖國核經典《元寶》首現 「我知道的、我喜歡的、現在唯一有意思的『壞』畫家是廖國核!直率、簡練、辛辣!」 ——藝術家毛焰 1977年生於印度加爾各答的廖國核,2001年畢業於美國聖塔芭芭拉加州大學。他關注社會現實,畫風融合黑色幽默的狂放與不拘小節,具強烈的反叛風格,和上世紀60年代的德國新表現主義、70年代美國「壞畫」(Bad Painting)遙相呼應。「壞」不代表技藝的缺失,而是對於原始天真的回歸、對於既定規訓的跨越。其作反映對時弊的諷刺揶揄、對故作高深的抨擊,打破傳統桎梏構築出屬於自己的藝術王國。他曾於洛杉磯、雪梨、米蘭、北京、上海等多地舉辦個展,作品受香港M+博物館、澳洲白兔美術館等收藏。 妙趣橫生的「淘金」劇場 黃金作為財富的象徵,具強大吸引力,不論是19世紀美國的「淘金熱」,還是現今一路猛漲的黃金市場,它已然成為一種符號和信仰,作為人們在不確定的世界中尋求的保障。是次呈現的《元寶》創作於2009年,曾發表於廖國核2016年洛杉磯「淘金熱」個展,幽默地訴說對於追求財富的慾望。 畫中,他以孩童般稚拙的筆觸畫出藍天綠草,而一個穿著簡樸、赤腳的拾荒者背對觀眾。他右手提了一個巨大的麻袋,正探出左手於垃圾桶內搜尋。像極了上世紀的淘金者,以運氣做賭注,鍥而不捨地相信可獲得從天而降的財富。而有趣的是,桶內竟真有一塊金光萬丈的大元寶靜靜躺在底部!廖國核用如X光的透視畫法,詼諧地為觀者打開「上帝視角」,揭露金元寶所在之處,或言說了他者棄如敝屣之物或為另一人之珍寶,而社會上兩極的價值觀:善惡、是非、貴賤,端看立場所在,意味深長。
EXHIBITED 30 - 31 Jan 2016, Gold Rush, Paramount Ranch, Los Angeles PROVENANCE Bank Gallery, Shanghai Acquired directly by present important private Asian collector from the above The Humours of Life The Debut of Classic Work The Gold Sycee by Liao Guohe Born in 1977 in Calcutta, India, Liao Guohe has been passionate about the Arts since a young age. Upon graduating from University of California, Santa Barbara in 2001, Liao dived into finding his artistic voice and uniqueness. In short, layered brushwork, Liao's works are filled with black humour and wavering freedom. Liao's rebel styled works have strong references with stylization in the 60's, such as German Expressionism, and Bad Painting that was captivating the United States in the 70's. While general impressions of such style suggest rebel and of riot in nature,and Liao is in fact very attentive to society happenings. The notion of "Bad" may be perceived as lack of talent in the world of dictionary standards, however, it is a return to our truest self, a return to naivety, a breakthrough from societal rules and regulations. Liao's oeuvre reflects the irony and ridicule of many times, breaking the restraints of tradition, and reconstructs his own artistic kingdom. Among his prolific works, Liao held solo exhibitions in Los Angeles, Sydney, Milan, Beijing and Shanghai, and has been collected by renowned institutions, including M+ Museum, Hong Kong and the White Rabbit Museum in Australia. The Dynamic "Gold Rush" Threatrics Since the age of civilization, gold as a symbol of wealth is constantly a source of attraction. From Gold Rush in the United States in the 19th Century, to the soaring gold market in modern times, it resembles more than monetic value, as it has become a symbol and belief. In the upcoming auction, The Gold Sycee, completed in 2009 was exhibited in Liao's solo exhibition, titled Gold Rush in Los Angeles in 2016. In the painting, Liao reverts back to his childhood sense of wonder. In a sky blue and nurtured grass in sight, a homeless individual has his back towards the viewers. In simple clothing and in bare feet, he holds a large linen bag in his right hand while he searches in the trash bin. The subject's gesture mimics gold miners in the last century, where people from poor communities would try their luck digging, mining, in hopes to find gold, an opportunity given by the divine. In the perspective of the homeless subject, the bin reveals a large piece of treasured gold. Using an x-ray perspective, the reveal not only excites viewers, but also suggests God's perspective. As the saying goes, "one's trash may be another's treasure." There are often two polarized perspectives. It all depends on where you stand and view from, as each has its merit and meaning.

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价格信息

拍品估价:40,000 - 60,000 港币 起拍价格:40,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

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