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井上有一 Yuichi Inoue 1916-1985 蝶 Chō
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
墨 紙本
Ink on paper
一九七二年作
Painted in 1972
30.5 × 45.5 cm. 12 × 17 7/8 in.
款識 藝術家鈐印(右下) 出版 1996至1998年,《井上有一全書業》第二冊,Unac Tokyo出版社,東京,編號72153
Stamped with one artist's seal on bottom right LITERATURE 1996-1998, YUICHI INOUE: catalogue raisonné of the works 1970-1976 Vol 2, Unac Tokyo, Tokyo, No.72153
來源 海上雅臣舊藏 東京兒嶋畫廊 亞洲私人收藏 註:畫背貼有海上雅臣開立之Unac Tokyo工作室標籤 至善之境,忠於本心 井上有一唯一一件「蝶」字首現 「在我看來,井上有一無疑是?20?世紀下半葉為數不多的偉大藝術家之一。他是我心目中所謂?『本質』的傑出畫家,在『已經放棄了講故事』的現代藝術中,沒有比他更高的理想了。」 1987年,美國抽象表現主義藝術家馬瑟韋爾(Robert Motherwell)在一封致日本藝評家宇奈上正美的信中如此寫到。作為抽象表現主義畫派的重要成員,馬瑟韋爾一眼就看出了井上有一書法作品中的特色,讚其在紙墨間中捕捉了人類敘事和情感的核心本質。彰顯了有一之作早已超越了東方「書法」?的範疇,而成為一種真正的藝術形式,被納入象徵前衛的國際藝術潮流之中,打破文化、地域疆界,當之無愧的被東西方文化視為「書道」?巨擘。 井上有一1916年出生於東京,在美術師範學校畢業後,曾擔任中學美術老師,1941年決心轉向書藝探索,師從上田桑鳩學習書法,而其求藝所得於1957年第四屆「聖保羅國際美術展」完整呈現,震撼藝壇。1966年,50歲的他赴寒川中學任職教務主任,遇見了時年28歲、在該校擔任美術老師和書道部顧問的佐藤繭乃,兩人經常因書法有所交流,有一逐漸對她產生傾慕之情。但面對感情態度十分保守的他將這份情感苦苦壓抑至終。自彼時起,有別於早期充滿力量的貧、愚、徹等字,他開始頻繁撰寫意象上更為柔軟、唯美的詞彙,如愛、花等,筆法更由原本的「放肆」?轉為「克制」,含蓄表達心中的思念與愛意。是次呈現完成於1972年的《蝶》,更是藝術家生平2000多件作品中,唯一一件「蝶」?字之作,珍稀性不言而喻。 馭繁於簡,舉重若輕 作品以接近方正的結構,將蝶字的「虫」與「枼」以近乎均等的比例書寫,有別於早期的大開大合、激昂有力的筆觸,「蝶」字以較為方正、規整的整體造型,予人以端正、清新的感受。左半的「虫」字以濃墨暈染,中間的兩個口全部被填滿,在視覺上形成了焦點;而右半的「枼」則上為世、下為木,以較為細窄的筆觸,一筆筆、認真的完成。藝術家在此摒棄了「用身體而書寫」的口號,而是有節奏的釋放身體的能量。觀看作品,可想見其端坐於桌前、一席硯台、一方和紙……鄭重寫下一筆一劃,懷著對近乎「恭敬」的謙卑之心,將修度一世的志與業展現於人前,顛覆其予人過去「強烈」、「張揚」的印象,馭繁於簡,舉重若輕。 不僅僅是「人與字的格鬥」,井上有一在《蝶》中,以細膩與精準的筆觸構築內心世界,以對藝術的熱忱重塑文字的精髓,展現出忠於本心、不負人格的「人之書」,和至善之境的「書道之美」。
PROVENANCE Original Collection of Masaomi Kaikai Gallery Kojima, Tokyo Private Collection, Asia Note: a label of Unac Tokyo studio founded by Masaomi Kaikai is affixed on the reverse The Pinnacle of Virtue: True to the Heart Debut of the Only "Chō" Work by Yuichi Inoue in Auction Yuichi Inoue was born in 1916 in Tokyo. After graduating from the art normal college, he worked as a high school art teacher. In 1941, he decided to explore the art of calligraphy and became a student of Ueda Sanku. His artistic achievements were fully showcased at the 4th S?o Paulo Art Biennial in 1957, leaving a lasting impact on the art scene. In 1966, at the age of 50, Inoue took on the role of head of academic affairs at Samukawa Junior High School. It was there that he met Mayuno Sato, a 28-year-old art teacher and calligraphy club advisor. The two frequently exchanged ideas on calligraphy, leading Inoue to develop an admiration for her gradually. However, due to his conservative approach to relationships, he suppressed these feelings until the end. Starting from that particular time, Inoue's writing style underwent a significant change. He moved on from his previous forceful themes like poverty, ignorance, and clarity and began incorporating softer and more aesthetic imagery in his works. He frequently used symbols like love, flowers, and butterflies to express his feelings. His brushstrokes also transformed from being "unrestrained" to "restrained," delicately conveying his emotions of longing and affection. The artwork titled Chō, created in 1972 was his only Chō work among his 2000 pieces that have created over the years, demonstrated its precious meaning to the artist. Simplicity's Art: Graceful Mastery The artwork has an almost square structure that portrays the components of the "butterfly" character - "虫" and "枼" - in nearly equal proportions. Unlike the previous bold and vigorous strokes, the character "蝶" has a more square and orderly overall shape, giving a sense of tidiness and freshness. The left half of the "虫" character is shaded with dense ink, with both mouth components in the middle filled to create a visual focal point. On the right side, the "枼" character is executed with narrower brushstrokes and completed stroke by stroke with meticulous attention to detail. In this piece, the artist abandons the slogan of "writing with the body" and instead rhythmically releases the energy of the body. Viewing the artwork, one can imagine the artist sitting upright at a table, with an inkstone set and a scroll of paper, solemnly recording each stroke. With a humble and almost "reverent" attitude, the artist presents a lifetime of dedication and artistic pursuit, subverting the previous impression of being "strong" and "bold," adeptly handling complexity with simplicity and lifting weight effortlessly. In his work Chō, Inoue Yuichi carefully created a vivid and detailed inner world through his calligraphy. He was passionate about art and uses his skill to express the true essence of words, creating a script that is authentic to oneself and aligned with one's character. This is not just calligraphy but a representation of the beauty of ‘Shodō,' which reaches a state of virtuosity.

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