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魏樂唐 John Way 1921-2012 尊貴的藍 Noble Blue
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩 畫布
Oil on canvas
一九九三年作
Painted in 1993
76 × 56 cm. 29 7/8 × 22 in.
款識 John Way 93(右下)
Signed in English and dated on bottom right
來源 亞洲重要私人收藏 穿梭如風,藝兼東西 魏樂唐的激越與新創 出生於上海書香門第的魏樂唐自十歲起學習書法,其後精研甲骨文、金石書法與篆刻,積累了深厚的中國傳統文化修養。甫十六歲便在上海大新畫廊舉行個展,張大千、劉海粟等名家在到場觀展後均留下美評。1949年移居香港,開始接觸西方現代藝術。1956年旅美後投身抽象繪畫。他將書法的靈感融入西方抽象表現主義手法之中,開創出他獨樹一格的創作。1965年,其作品在波士頓現代美術館所舉辦名為「不用畫筆的畫作」大展中與美國大師級藝術家沃荷(Andy Warhol)、波洛克(Jackson Pollock)等人同台展出;2000年,其油畫作品被瑞士「國際美術名人錄」出版公司選用為慶祝千禧年之郵票,隔年獲邀至上海美術館舉辦「魏樂堂八十回顧展」,作品曾為史丹佛美術館及舊金山美術館等典藏。 《尊貴的藍》一展藝術家將美國抽象表現主義的格局,和中國書法的氣韻有機融合的典型創作特色。作品以象徵自由民主的藍,與表達生命和火焰的紅為主色,大筆一刷分成上下兩個天地。而黑色磅礡如草書的線條在其間塑造出一如龍捲風的動勢,將中國書法中「起承轉合」的韻味、線條生動的表情展現得淋漓盡致,在縱橫之間戲劇性地串連起兩個空間,展現生命脈動的光彩。正如中國知名藝評家水天中所言:「書寫性結構與色彩的結合,在魏樂唐九十年代初期創作中趨於完美,強而有力的褐色筆劃融入浩瀚的天宇,或冷寂或溫柔的色彩,以各種表情追趕並且打破了平靜的黑色過客。這一切都顯得高貴典雅。」而《尊貴的藍》即為其創作成熟時期的最佳藝術典範。
PROVENANCE Important Private Collection, Asia Lines Flowing Like the Wind, Fusing East and West John Way's Excitement and Innovation John Way who was born in Shanghai studied calligraphy since the age of ten and later researched oracle and epigraphic scripts and seal carving, which laid his solid foundation of Chinese traditional culture, and planted the seed for his adoption of both Chinese calligraphy and the Western avant-garde art. In 1956, he immigrated to the U.S., where he followed the trend of Abstract Expressionism by devoting himself to the abstract painting creation. This experience has made him one of the pioneers of contemporary overseas Chinese artists who first experimented with abstract art. Way is inspired by the Chinese epigraphic calligraphy and embodies his artwork with the Western Abstract Expressionism, to create an unparalleled art form of "calligraphic abstract" which is hardly mimicked by others. In 2000, his work was selected by the publisher of Who's Who in International Art Edition for the Swiss postage stamp series celebrating the new millennium. The following year, he was invited to the Shanghai Art Museum to hold the John Way Retrospective - 80 Years exhibition. His works have been in the collections of the Stanford Art Museum, the San Francisco Museum of Art and more. Noble Blue is a typical example which presents the artist's seamless integration of the composition of American Abstract Expressionism and the artistic conception of Chinese calligraphy. The main colours of the work are blue, which symbolizes freedom and democracy, and red, which expresses life and fire. Huge brushes divide the work into the upper and lower parts. The black majestic lines like cursive writing create a tornado-like movement in the space, fully revealing the lasting charm of calligraphy "start, write, twist and finish". The brushstrokes dramatically connect the two spaces, demonstrating the pulse of life. Just like the famous Chinese art critic Shui Tianzhong said: "In John Way's art, the combination of calligraphic construction and colour has reached the peak during the nineties. Powerful black lines break through the great space of cool or tender colours, which keep and break the lines with all kinds of expressions. Everything seems so noble and elegant." Noble Blue is a perfect example of the art in his mature period.

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