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許漢超 Hee Hon-Chew 1906 - 1993 勞動者 Coolie
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩 畫布 裱於木板
Oil on canvas mounted on board
約一九六〇年代作
Painted approximately in 1960s
89.5 × 39.3 cm. 35 1/4 × 15 1/2 in.
款識 H. C. Hee(左下)
Signed in English on bottom left
來源 美國私人收藏 2013年4月6日,香港蘇富比春季拍賣會,拍品編號522 現亞洲重要私人藏家直接購自上述來源 陽光海島的勞作之樂 華人之光許漢超的中西大成 傑出美國華裔現代藝術家許漢超1905年出生於夏威夷,其父為孫中山的革命戰友、著名學者許蟄辰。童年時其隨母親回到故鄉廣東中山生活,15歲返美,後於1929年入讀舊金山加州藝術學院(California School of Fine Arts),與朱沅芷同門,在學期間於校內藝術競賽中屢屢脫穎而出、榮獲獎學金。1949年他負笈巴黎,拜立體派及機械主義大師雷捷(Fernand Léger)與德國表現主義大家格羅茲(George Grosz)門下,使他於其後發展出東西融匯的許氏美學。 許漠超自1959年在夏威夷大學執教,桃李滿門,美國前第一夫人賈奎琳(Jacqueline Kennedy)更曾為其學生。而如今夏威夷火努魯魯機場仍懸掛許漢超受政府妥託創作的大型壁畫,足見他在藝壇的地位。是次呈現的《勞動者》,為其完成於1960年代創作成熟時期的經典。 披星戴月,綽影之舞 許漢超擅長取材於生活與過往經歷,通過立體派的精神對幾何圖形的解構與重組,表達自我對景物的觀察,在《勞動者》中,藝術家以四種精煉的交錯色塊展現人物與環境,揉雜寫意之風、抽象表現繪出主角輪廓及身處的場景。全畫大膽地以磚紅、橙黃為主調,畫面上半部以深色為背景,拱形結構搶眼地被置於中央,猶如在月光下仍歡快勞作的夏威夷原住民,飽和的色塊在黝黑夜空下尤顯人物的動感。值得一提的是,藝術家採用不規則幾何元素,如半圓、消解的三角形描繪出人物倒影,畫面右側出現如東方之「鼎」或隧道的梯形結構,與曲線表達相互平衡。創作未被立體派的風格所拘,強烈光暗色塊結合下,完美蘊藏東方「陰陽相生」的美學氣韻。 畫面筆觸細膩,若細看,畫布肌理在層疊的色塊下仍被清晰保留,豎直的編織紋路與曲直的畫中線條映襯,增添了肌理感。正如許漢超自言:「一位好的藝術家必須是要有想法和想像力的,並切可見超乎物像的美,他必須將內心對於外在事物的反芻與想像世界的結晶表現於畫布之上,而這結晶並且結合了東方的陰陽韻律與西方的美學思維。」而本作無疑是對其理念的極佳詮釋,亦是許氏屹立於現代藝術史的不二體現。
PROVENANCE Private Collection, U.S.A 6 Apr 2013, Sotheby's Hong Kong Spring Auction, Lot 522 Acquired directly by present important private Asian collector from the above Sunlit Isle of Labour's Joy Hee Hon-Chew's Mastery of Eastern and Western Renowned Chinese-American modern artist Hee Hon-Chew was born in 1905 in Hawaii, the son of Hee Jackson, a revolutionary comrade of Sun Yat-sen and a renowned scholar. After childhood in Guangdong, China, he returned to the United States at the age of 15. In 1929, he enrolled at the California School of Fine Arts in San Francisco, studying alongside Yun Gee. During his studies, he consistently excelled in on-campus art competitions and received scholarships. In 1949, he moved to Paris, studying under Cubist and "Machine Art" masters Fernand Léger and German Expressionist George Grosz. This laid the foundation for his eclectic aesthetic. Teaching at the University of Hawaii since 1959, Hee Hon-Chew even had former First Lady Jacqueline Kennedy as his student. His significant position in the art world is evident, with a large mural commissioned by the government still hanging at the Honolulu International Airport. The presented artwork,?Coolie?is a classic from his mature period in the 1960s. Under the Stars, a Dance of Grace Hee Hon-Chew, skilled in drawing from life experiences, deconstructs and reassembles geometric shapes through Cubist principles. In?Coolie,?he uses four intersecting blocks of colours to depict figures and environments, blending realism and abstract expression. The upper half of the bold composition features brick-red and orange hues against a dark background, with an arch-shaped structure at the centre. Hawaii's indigenous people joyfully toil under the moonlight, the saturated colours emphasizing their dynamic presence against the dark night sky. Notably, irregular geometric elements like half-circles and dissolving triangles portray reflections, and a trapezoidal structure reminiscent of an Eastern "Ding" on the right balances with curving lines. Unrestrained by Cubist constraints, the artwork perfectly encapsulates the aesthetic charm of Eastern "yin-yang twins" in the interplay of intense light and shadow. The strokes are delicate, and upon close inspection, the canvas texture is preserved beneath layered colours. Vertical weave patterns and contrasting curved and straight lines add a rare dimension. As Hee Hon-Chew stated,?"A good artist must have ideas and imagination, seeing beyond the physical to capture the beauty within. This crystallization, combining Eastern yin-yang rhythms with Western aesthetic thinking, must be expressed on canvas."?This piece undoubtedly serves as an excellent interpretation of his artistic philosophy, embodying Hee's unwavering presence in modern art history as a representative of the Chinese.

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拍品估价:30,000 - 50,000 港币 起拍价格:30,000 港币  买家佣金:
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