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傅慶豊 Alixe Fu b.1961 藍調 Blues
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩 畫布
Oil on canvas
二〇〇四年作
Painted in 2004
92 × 73 cm. 36 1/4 × 28 3/4 in.
款識 Alixe Fu' 04(右下) Alixe Fu 傅慶豊 藍調 2004 Alixe Fu(畫背) 出版 2015年,《SIGN ME/臉譜》,麗娜藝術機構,巴黎,第213頁
Signed in English and dated on bottom right; signed in English and Chinese, titled in Chinese and dated on the reverse LITERATURE 2015, SIGN ME/Hybrid Portrait, LYNA Art, Paris, p.213
展覽 2015年6月6日至28日,「SIGN ME/臉譜」,藝境畫廊,台北 來源 台北藝境畫廊 現亞洲私人藏家直接購自上述來源 附:台北藝境畫廊開立之藝術家親簽作品證書 夢幻中詩意的棲居 傅慶豊的浪漫世界 「傅慶豊拒絕血腥冰冷的顏色,而是使用像亞洲音樂,所有抑揚頓挫的各種發揮,就像多重變奏而開鑿出一個整體性的音聲。在輕盈細緻的軌跡裡,色彩蠱惑著空間,繪畫因之顫動。」 ——法國藝評家洛貝根(Christian?Noorbergen) 法籍華裔藝術家傅慶豊1961年出生於台灣,1985年畢業於文化大學美術學系,1987年旅居法國,於巴黎美術學院進修,接觸到當時盛極法國的超現實、立體主義等流派。他如饑似渴地吸納著前衛的藝術理念,在油畫及雕塑上卓有建樹。其創作探討的是內心深處的真實,結合了法國哲學家柏格森(Henri Bergson)的「直覺論」與弗洛伊德(Sigmund Freud)的「潛意識論」,讓形變的主體無限流動、疊加、分散,構築宛如夢境的奇幻世界,充滿豐沛的情緒感染力。正應和了畫家馬蒂斯(Henri Matisse)所言:「畫家不用再從事於瑣細的單體描寫,攝影是為了這個而存在的。我們對繪畫有更高的要求,它服務於表現藝術家內心的幻象」。1991年,傅慶豊榮獲法國文化部認可,獲巴黎梵高國家畫室永久駐村資格。其作曾在巴黎大皇宮、法國龐畢度中心、法國布盧瓦古堡美術館、北京今日美術館等各地展覽。 90年代開始,傅慶豊就著手於融合人、動物、植物,實現客體在同一環境中的對話。1997年,他發展出其最具代表性的「植物人、動物人」系列,自成一派地畫出物種跨越融合的超現實情境,進而擴大至對人類生命狀態的探索。他像是徘徊於內在時空的音樂家,以色彩為音符,找尋隱藏在實體之下萬物之間細膩的關聯。是次呈現完成於2004年的《藍調》(拍品編號87),正是「植物人、動物人」系列中的代表,曾亮相於其2015年「SIGN ME/臉譜」巡迴展。而另一立體作品《蜻蜓點水》(拍品編號88)出自傅慶豊2006至2022年持續16年的雕塑系列「Sign Me」。2008年,藝術家以此作等比放大的同名白色雕塑曾亮相法國巴黎奧維爾市的傅慶豊個展,以供觀者簽名塗鴉。這場由藝術家及公眾共同完成的行為藝術式展覽一時轟動法國。而是次拍品則為施以絢爛的壓克力彩的小型作品,曾展出於其2022年之回顧展「麥田的呼喚」,極具代表性。 青綠中浮現的面龐,迷離中誕生的真實 《藍調》中,主人公如畢加索(Pablo Picasso)「藍色時期」代表作《綠衣女子》中的女性一般,穿著西式高領裙,秀髮向上梳起,在青、綠、黃之間不斷轉變的衣裙與迷離的藍綠背景融為一體,具富有動感的虛幻美。在她身上,還多了一層東方詩歌的縹緲:鵝蛋臉上分明的烏黑眼眸、秀氣的柳葉眉、朱紅櫻桃小口,是獨屬於東方女性的面龐。她的秀髮漂浮在空中,曲線柔軟的軀體似無重量一般在風中擺動,好像幻境中蹁躚而至的仙子,又彷彿夏卡爾(Marc Chagall)畫作中漂浮的人像輕盈地飛升。 她的身軀上,透現傅慶豊標誌性的立體主義狂想:在不同色彩分割出的幾何塊面上,女性胸部和一張張面龐在水波狀的紋理中交疊浮現,如同軀體和記憶共同譜寫的一曲藍調,在舒緩的節奏中穿梭不同維度空間,如同植物一般蔓延,自主角衣裙中生長,攀上了她戴著婚戒的手指,像是其多重身份無意識地交疊滲透,激發引人入勝的聯想。背景處,傅慶豊選用了西方古典肖像畫中常見的風景題材,卻以抽象的筆觸繪出:綠松石色大面積暈染天空,棕色鋪設大地,天地交界處,僅有幾條深色線條勾勒出天際線,再以淺綠象徵青山,留下好似水墨中「留白」的呼吸空間。傅慶豊以一曲「藍調」譜寫出時間、空間的疊加,在物象的凝聚、飄散之中塑造不可思議的心相世界。 飛躍碧水的紅蜻蜓 「傅慶豊用這些人物塑像擁抱世界。真實世界的他,在成長過程中嚐遍孤單與邊緣的苦楚,在藝術中,他找到了失落主體的依歸。」 ——亞洲文化協會台灣基金會執行長張元茜 《蜻蜓點水》中,傅慶豊用立體主義手法,以多重角度雕刻人體,融合為一奇幻主角。他屹立在猶如一灣碧水的綠色圓底上,伸展著手臂,踏出螺旋形狀的右足,如若從充滿夢幻感的平面繪畫中走出。其上身被繪以絢爛的橙紅色彩,好似紅蜻蜓徐徐展開雙翼,並逐漸過渡下身的黃、綠色彩,直至上下融為一體。他的面龐戲劇性地分裂開來,如浮生若夢,捕捉不斷轉變的剎那瞬間。其右腿至腳趾化為藤蔓般的螺旋、長出眼睛,展現傅慶豊結合人與自然的經典語語彙。從身後望去,人物的手臂舞出柔軟的波浪,延伸至後背雕刻的團團水花,猶如溫柔的水波劃過肢體,接著綿延至右足,形成曲折而柔潤的線條,如同天真無邪的靈魂舞者,正讚頌著自然的奇跡。 正如藝術家譚平所言:「他的造型和色彩的感覺,與生俱來,獨特而敏感,並具豐富的想像力。」傅慶豊用夢幻的筆觸和造型描述超越軀殼之外的靈魂,若隱若現的人體疊加、奇妙的肢體形變,如同視覺化了人類面對自我時複雜而矛盾的心緒,彷彿在與另一世界的自我溝通,詮釋不願被框架禁錮的自由,進而為創作無限再生出全新的意義。
EXHIBITED 6 – 28 Jun 2015, SIGN ME/Hybrid Portrait, ARTDOOR Gallery, Taipei PROVENANCE ARTDOOR Gallery, Taipei Acquired directly by present private Asian collector from the above This work is accompanied by a certificate of authenticity issued by Taipei ARTDOOR Gallery signed by the artist A Poetic Dwelling in Dreams The Romantic World of Alixe Fu Born in Taiwan in 1961, the Chinese-French artist Alixe Fu graduated from the Department of Fine Arts of the Chinese Culture University in 1985 and has lived in France since 1987, where he studied at the école des Beaux-Arts in Paris. His creations explore one's inner truth, combining the French philosopher Bergson's theory of Intuition and Freud's theory of unconscious, where the metamorphosising subjects flow, overlap, and disperse, constructing a dream-like fantasy world filled with rich, emotional energy. In 1991, the French Ministry of Culture recognised his work and awarded him a studio in Cité Van Gogh, Auvers-sur-Oise in Paris. His works have been exhibited at the Grand Palais, the Centre Pompidou, the Chateau Royal de Blois in France, and the Today Art Museum in Beijing, among others. In 1997, Fu developed his most representative series,?Plant Man-Animal Man, portraying the surrealist crossing and merging of species boundaries, then broadening his exploration to the living state of human beings. Completed in 2004,?Blues (Lot 87)?is representative of this series and appeared in his exhibition?Sign Me/Hybrid Portraits, which toured in 2015.?Dragonfly (Lot 88)?is from Fu's sculpture series?Sign Me, which he developed over 16 years since 2006. In 2008, a white sculptural work with the same title was exhibited in Auvers-sur-Oise, on the outskirts of Paris, France, proportionally enlarged for the visitors to sign and doodle on it. This performance art-like exhibition became a sensation in France. The sculpture in this auction is a brilliant acrylic work that was part of his 2022 retrospective exhibition,?Wheatfields' Whisper. A Face Emerging from the Green, a Truth Born out of Unconsciousness In?Blues, the protagonist wears a Western-style high-necked dress with her hair worn upwards, just like the woman in Picasso's "Blue Period" masterpiece,?Woman in Green. Her dress that shifts between turquoise, green, and yellow merges into the blue and green background, presenting a dynamic and illusory beauty. Her dark eyes, delicate willow-leaf eyebrows, and cherry-red mouth on an oval face exude the sense of ethereality of Oriental poetry. Her floating hair and softly curving body sway weightlessly in the wind like the figures who lightly soar in Chagall's paintings. The woman's body reflects Fu's iconic Cubist imagination: what seems to be her breasts undulate and overlap with faces among the chromatic geometric shapes, like a blues piece composed of body and memories, travelling through different dimensions in a soothing rhythm. Fu employs a landscape background commonly seen in Western classical portraiture but executes it with abstract brushstrokes, leaving a "white space" like that in traditional ink paintings. The artist composes the overlapping of time and space in a song of blues, creating an incredible mental world from the cohesion and dispersion of physical forms. A Red Dragonfly Soaring over Green Water In Dragonfly, with a Cubist perspective, Fu sculpts the human body from multiple angles and fuses them into a single fantastical figure. The figure stands on a green disk, like a pool of water, extends his arms and steps forward with his right foot, which has a spiralling form, as if he is stepping out of a flat, dream-like picture. His upper body is painted in brilliant orange-red like a red dragonfly spreading its wings, which gradually transition and merge into the yellows and greens of his lower body. His face splits dramatically, capturing life's fleeting, ever-changing moments, as if expressing the proverb that reads, "The floating life is like a dream." His right leg and toes turn into a vine-like spiral from which an eye grows out, showcasing the combination of man and nature, a common visual vocabulary in Fu's works. When viewed from behind, the figure's dancing arms emulate gentle waves, extending into the water ripple carvings on his back and then toward his right foot, forming sinuous and tender curves, like an innocent dancer who summons up his soul in the celebration of nature's wonders.

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