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馬蒂亞斯.桑切斯 牧羊人 油彩 畫布 二〇一五年作 Matías Sánchez b.1972 Pastor de Overjas Oil on canvas Painted in 2015
香港
2023年10月08日 开拍
拍品描述
size:55 x 46 cm. 21 5/8 × 18 1/8 in.
款識 MS(右下) Matías Sánchez Sevilla. 2015 Pastor de overjas (畫背)
Signed in Spanish on bottom right; signed, titled with the location in Spanish and dated on the reverse
來源 德國瓦爾德基興Zink畫廊 現亞洲私人藏家直接購自上述來源 附:德國瓦爾得基興Zink畫廊開立之作品證書 註:畫背貼有德國瓦爾德基興Zink畫廊標籤 一曲田園牧歌,領略四季幻彩 桑切斯致敬戈雅之作 「我從不對我的畫施加條條框框,對我而言,探險性是必要的,如果我預先得知和規劃好一切,那麼一切都將變得乏味。繪畫理應是一場有趣的遊戲,而非通過冗長而刻板的模式費盡心機達成目標。」 ——桑切斯(Matías Sánchez) 生於德國的藝術家桑切斯自小受到良好的藝術教育,在畫家父親豐富的藝術圖書館裡,他博覽書中從達芬奇(Leonardo da Vinci)極具諷刺意味的怪誕肖象,到「最後一位古典大師」戈雅(Francisco Goya)令人震撼、充滿現代意識與狂想的繪畫,自藝術巨匠的實踐中汲取養分,自成一派。其作如一個生動的劇場,妙手偶得地攝取誇張化的人像、日常小物和風景入畫,架構出一幕幕無拘無束、狂野的盛大歌劇,令人為其想象力所折服。其極具內蘊又富現代精神的作品廣受藏家喜愛,並獲藏於西班牙馬拉加現代藝術博物館、南加州大學藝術博物館。 《牧羊人》是桑切斯最具代表性的肖像畫,此令人聯想起對他影響最深的藝術家——戈雅的作品《牧人吹笛》。畫面中心,主角穿著純白的長袍,坐在廣闊的原野上,心滿意足地翹著腿抽煙。藝術家以粗獷的棕色線條勾勒出其筆下人物標誌性的「大鼻子」、碩大的眼睛。而在耳朵的刻畫則跳脫傳統透視,以「近小遠大」、「近高遠低」的奇趣風格畫出。而其嘴巴被戲劇性地塗紅並放大,甚至延伸至臉部之外,他咧嘴而笑,露出參差不齊的牙齒,滑稽逗趣,若愜意地享受閒暇時光。 在西班牙安達盧西亞的小鎮度過青少年時光的桑切斯,從對家鄉風景的寫生中找到了色彩運用的真諦。正因如此,其作大多以戶外為場景,《牧羊人》即為一明例。有別於戈雅畫中晨光微熹的寫實風貌,桑切斯以厚塗顏料、抽象筆觸再現自然風光絢爛而豐富的色彩,以創新致敬經典。只見牧人身下,粗獷的筆觸畫出綠茵茵的草叢,而右側,示現幾叢棕灰色的乾枯秸稈,展現自然隨時節更替的「一歲一枯榮」。而背景天空由右至左依次可見晨光破曉時泛起的魚肚白,逐漸轉變為中區若午時湛藍高遠的藍天,而至最右側,又搖身一變為夕陽映照下赤紅的火燒雲……光陰的流轉、四季的變換,全部被納入這一方畫布,令人沉醉於這一首永不落幕的田園牧歌。
PROVENANCE Galerie Zink, Waldkirchen, Germany Acquired directly by present private Asian collector from the above This work is accompanied by a certificate of authenticity issued by Gallery Zink, Waldkirchen Germany Note: a label of Galerie Zink, Waldkirchen, Germany is affixed on the reverse< A Pastoral Tune that Captures the Colours of the Seasons Sanchez Pays Tribute to Goya's Work Sanchez was born in Germany, received a good art education from a young age. In his painter father's rich art library, he immersed himself in works ranging from Leonardo da Vinci's satirical and grotesque portraits to Francisco Goya's shocking, modern-conscious, and fantastical paintings. He draws nourishment from the practices of artistic masters and pioneers to develop his own unique style. His works resemble vivid theatres, ingeniously incorporating exaggerated portraits, everyday objects, and landscapes in a way that constructs wild and unrestrained grand operas showcasing his imagination. His works, rich in depth and modern spirit, are highly favoured by collectors and are housed in the CAC Málaga, Spain and the USC Fisher Museum of Art. His autumn auction work, Pastor de Overjas, is the most representative portrait by Sanchez and evokes memories of Francisco Goya's work, Shepherd Playing A Dulzaina. In the centre of the composition, the protagonist sits on the vast plain, dressed in a pure white robe, sitting with legs crossed while smoking, feeling content. The artist uses rough brown lines to outline the character's distinctive big nose and large eyes. The depiction of the ears deviates from traditional perspective, employing a quirky style of “small when close, large when far” and “ high when close, low when far.” The mouth is dramatically painted red, even extending beyond the face, as the character grins, revealing uneven teeth, creating a comical and amusing effect. He seems to enjoy leisure time in a carefree manner, conveying a positive emotion. Sanchez, who spent his teenage years in a small town in Andalusia, Spain, found the essence of colour application through sketching his hometown's scenery. As a result, many of his works are set outdoors, including Pastor de Overjas. Unlike Goya's realistic depiction of the soft glow of dawn, Sanchez uses thick paints and abstract brushstrokes to represent the vibrant and rich colours of nature, paying innovative homage to the classics. In the painting, the shepherd is shown sitting on a bed of green grass with rough brushstrokes, while on the right, several clumps of dry straw are depicted in shades of brown and grey, revealing the “ebb and flow” of nature in different seasons. The background sky transitions from a pale fish belly white at the right side, gradually turning into a bright blue sky in the middle, and finally shifting to a fiery red sunset on the far right... The passage of time, the changing of seasons, are all captured on this canvas, immersing viewers in an everlasting pastoral symphony that never ends.

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