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周碧初 1903-1995 芳華 Zhou Bichu Chrysanthemum
香港 北京时间
2023年04月06日 开拍
拍品描述
油彩 畫布
款識 碧初(左下)
來源 亞洲重要私人收藏 秋菊有佳色,盡現生命情態 周碧初靜物代表作《芳華》 「作畫應師造化,以大自然為師。」 ——周碧初 周碧初在二十世紀眾多留洋先驅畫家中獨樹一幟。他不僅是中國現代藝術家中對光和色最為敏感並最擅長點彩畫法者,亦為著名美術教育家、理論家。他於1925年赴法,先在著名的朱利安美術學校(Académie Julian)學習,後又考入巴黎高等美術專門學校。與徐悲鴻、林風眠、吳大羽等人師出同門,來往鴻儒,都有著向西方取經、振興中國美術的宏大志向。其創作吸收了莫內(Cloude Monet)、雷諾瓦(Pierre-Auguste Renoir)等印象派大師在光學理論和實踐上的成就,將豐富多彩的外光引入繪畫,畫面充滿光與色的律動,加入個人的情感與對景物的體察進行新創,成就了自我的創作。歸國後,周碧初先後任教於杭州國立藝專、新華藝專,1936年出版了《西畫概論》,1942年發表論文《近代法國畫派之源流》,對中國美術教育理論體系的構建具重要貢獻。而在藝術活動方面,他不僅加入龐薰琹等人創立的決瀾社,更於1939年,與朱屺瞻、陳抱一等人一同於上海大新公司舉辦名噪一時的「五人聯合油畫展」, 此展是中國抗日「孤島」時期一次藝術救國活動,意義重大。其作曾為上海美術館、江蘇省美術館等收藏,而1992年,周碧初藝術館更於福建落成,彰顯其在現代美術史上的重要地位。 沉著而富激情,曖曖內含光 周碧初之作以「暖暖內含光」的平和儒雅而別具一格。在當代浮躁與匆忙的生活中,愈加顯得平和而具有蘊藉之力,正如著名評論家邵大箴所讚揚「沉著而富有激情」,作品備受藏家喜愛。2022年,其風景作品《上海宋慶齡故居》在中國嘉德以逾350萬港幣成交,印證了其堅實的市場基礎。而在眾多繪畫主題中,「靜物」是周碧初最為鍾愛的題材,從六十年代開始他創作了一系列背景幽藍、帶有強烈點彩式筆觸的靜物油畫,是次春拍呈現的《芳華》即為箇中精品。 在作品深沉的靛藍背景上,十朵帶著「十全十美」喻意的花兒居中於青花瓷瓶內綻放。菊花以黃、白、紅、粉為主色調,「暗暗淡淡紫,融融冶冶黃」,全部盛開,欣欣示人,展示生命中最美好的時刻。藝術家細膩地描繪花蕊,細軟的花瓣猶如迎風搖曳,各自生姿,盡情展現生命的各式情態。而掩映其中的綠葉暗示旺盛的生命力,亦體現出藝術家圓滿、完熟的生命境界。 而在背景的描繪上,周碧初以靛藍點彩鋪陳,突顯前景花兒繽紛明亮的用色。除外,他並著重光影明暗的處理,如畫面由左至右由淺至深,瓶身於桌上所留下的狹長陰影均顯示光線射入的軌跡,暗喻光陰的流逝,與那歲月靜好。而菊花由秋天可開入寒冬的特性,更呼應了詩人元稹筆下「不是花中偏愛菊,此花開盡更無花」,當百花盡謝,唯菊花經歷風霜而無懼凋零的堅貞品格,為周碧初賞之惜之,付之筆下。 周碧初曾在其著作中寫道:「油畫的色彩講到底很微妙,有意想不到的效果,變化很寬廣,差一點效果都不同……繪畫最終目的是自由地表現出自己的畫意來。」此正道出《芳華》的精妙色彩意境,他通過清晰的色彩層次和結構,刻畫出菊花含蓄雋永的物象,表現出物件的質感與厚實感,營造出悠遠的懷古氣氛,為其對色彩傑出駕馭能力及藝術造詣的完美體現。
Oil on canvas
46 × 53 cm. 18 1/8 × 20 7/8 in.
Signed in Chinese on bottom left
PROVENANCE Important Private Collection, Asia Autumn Chrysanthemums Showing the Mood of Life Zhou Bichu’s Still-life Masterpiece?Chrysanthemums Zhou Bichu is unique among the many pioneer painters who stayed abroad in the 20th century. He is not only the most sensitive one to light and colour among modern Chinese artists and the most skilled in pointillism but also a famous art educator and theorist. He and Xu Beihong, Lin Fengmian, and Wu Dayu, who came from the same school, had the grand ambition to learn from the West and revitalize Chinese art. His creations absorbed the achievements in the optical theory and practice of Impressionist masters such as Cloude Monet and Pierre-Auguste Renoir, and added his personal emotions and new creations to the scenes. After his return to China, Zhou Bichu made important contributions to the construction of the theoretical system of art education in China. His works have been collected by the Shanghai Art Museum and the Jiangsu Art Gallery, and in 1992, the Zhou Bichu Art Museum was completed in Fujian, highlighting his important position in the history of modern art. Be Calm and Passionate, Holding a Warm Light Within Zhou Bichu’s works are distinctive for their calm and elegant “warm inner light”. In contemporary frenetic life, it appears more powerful than ever. In 2022, his landscape?Soong Ching-ling Memorial Residence (Shanghai)?sold for over HK$3.5 million at China Guardian, confirming its solid market foundation. Among his many painting subjects, still-life is Zhou Bichu’s favorite subject, and?Chrysanthemum?in this spring auction is one of the best. On the deep indigo background of the work, the chrysanthemums are coloured yellow, white, red, and pink, showing the most beautiful moments of life. The artist delicately depicts the stamens and the soft petals, showing the various beauty of life, while the green leaves in the background suggest vigorous vitality. Zhou Bichu uses indigo for the background to highlight the bright and colourful flowers. He also focuses on the treatment of light and shade, and the narrow shadows on the bottle show the trajectory of light entering, alluding to the passage of time and the peacefulness of life. When all the flowers are gone, only the chrysanthemum withstood the frost without fear of withering, which is the character appreciated and cherished by the artist. Zhou Bichu once wrote in his book, “The colour of oil painting is very subtle, with unexpected effects and wide variations. ...... The ultimate goal of painting is to freely express one’s own intention.” This is the perfect embodiment of his outstanding mastery of colour and artistic skill applied in?Chrysanthemum.

本场其它拍品

  • Lot 51
  • Lot 52
  • Lot 53
  • Lot 54
  • Lot 55
  • Lot 56
  • Lot 57
  • Lot 58
  • Lot 59
  • Lot 60
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价格信息

拍品估价:150,000 - 200,000 港币 起拍价格:150,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%
服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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