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賀慕群 1924-2012 藍蘋果 Hoo Mojong Blue Apple
香港 北京时间
2023年04月06日 开拍
拍品描述
油彩 畫布
一九八二年作
款識 MOJONG(右下) 出版 2001年,《賀慕群》,山美術館,高雄,第38至39頁
展覽 2001年3月10日至5月13日,「賀慕群作品展」,山美術館,高雄 2001年6月2日至7月1日,「賀慕群作品展」,鳳甲美術館,台北 2015年7月4日至8月9日,「摯簡:賀慕群油畫展」,山藝術空間,北京 來源 亞洲重要私人收藏 註:畫背貼有「賀慕群作品展」之展覽標籤 生命頌歌,春華秋實的詩意棲居 賀慕群超現實情味 靜物畫作首現 「賀慕群的藝術單純、簡約、稚拙、質樸、大氣、寧靜而深厚,沉鬱而有力量。她的畫,以極強的形式感顯示出特有的視覺張力,雖然取材都是極普通的生活場景或事物:常見的一盤水果、一盆花、一個人,然而,它們所具有的視覺強度一點不亞於那些大題材或大場面,她畫出了平凡生活的厚重感。」 ——國家一級美術師賈方舟 在20世紀中後期,有一批先鋒華人藝術家在海外求藝,他們憑藉多面的創作脈絡構築了中國近現代美術史在海外又一章的璀璨星圖,其中的女性藝術家屈指可數,曾於1968年獲得巴黎「婦女沙龍桂冠」,自26歲起藝術足跡遍至台灣、巴西、西班牙與法國,終生為藝術理想奮鬥的賀慕群,便是如賈方舟所言繼「潘玉良之後最值得關注的傑出女性藝術家」。 1924年出生於寧波的賀慕群,青少年時期適逢1931年開始的日本侵華長達十年戰爭,舉家遷居上海,白天在工廠打工幫助家計,晚上於夜校學畫,而此勞動經驗,也影響她日後繪畫的主題、以同理心看待勞動階級與素樸的價值觀。1940至1950年代她先後於台灣與巴西生活,並曾於聖保羅知名路易士畫廊舉辦個展,後於1965年移居巴黎,開啟長達三十年的旅法生活,在大茅屋學院自由學習,三年後在巴黎沙龍獲得大獎,聲譽日隆。1970年法國文化部贈予其畫室,支持她的創作與生活,此顯見其藝術獲官方與藝界的高度認同。賀慕群一生在創作上不受彼時盛行的畫派潮流所影響,她摒棄浮華和矯作,始終保持真我,以最質樸簡單的食物、勞動者、家居生活景物為創作主題,喚起觀者對生命本質之美的崇敬與感動。其作曾獲巴黎國立圖書館、法國文化部、中國美術館、上海美術館等重要機構收藏。 珍稀超現實藍蘋果繪畫 《藍蘋果》為賀慕群八十年代最為重要的「水果系列」中相當獨特、帶有超現實意味的作品,她畢生描繪水果多以物象的真實色彩作畫,其描繪的蘋果雖多,但藍色彩者僅有四件,最早見於1969年《玩具系列》,是次上拍的《藍蘋果》更為四件之中蘋果最多的一件,且為其中最大的兩件之一,顯其特出難得。作品並曾於2001至2015年於藝術家三個標誌性的展覽中曝光,來源有序。 在畫作中,藝術家以大刀闊斧的色塊鋪展,呈現一派繁榮豐收的景象,在咖啡色堅實的沃土上,兩籃盛裝的蘋果從籃中滾出,展現了自然的律動和音韻,藝術家以大膽的藍綠色彩畫出若處於明艷陽光下的蘋果小山,以陰影的藍黑色塊突出主角,並施以黃綠亮色線條描繪蘋果的輪廓線與高光,當中飽滿的物體輪廓、極致的明暗對比流露出毫不拖泥帶水的暢快與乾脆,正畫如其人地展現藝術家自身大巧若拙、果敢堅定、寬厚包容的性格。帶著藍綠奇彩的蘋果和大地色彩呈現撞色,在耐人尋味中拉開戲劇性的張力。正如上海美術館策展人江梅所言:「賀慕群作品中的靜物被還原了原來的屬性,同時又被賦予了生命的靈性與力量。他們是平凡的,也是超凡的。」作品充滿踏實敦厚的具象造型,又蘊藏創想,源於現實而高於現實。 勞動者在場,生命的禮讚 賀慕群在此不以西方古典傳統靜物繪畫常見的精緻器具承托水果,而用心描繪了農民摘採果物時所用最簡樸的竹筐,其中在筐籃的描寫上特別用心,見其紋理與常年使用發光透亮的竹枝,奠定了鏗鏘厚重、別具生活氣息的基調。藝術家以獨特的視角突出果物在剛採摘後的一景,突出了勞動者在場的證明與作物生產的過程,雖辛苦但見諸眼前一個個如寶石晶燦的果實,又令人感受到生命的希望與光明。正如德國詩人荷爾德林(H?lderlin)所言:「人充滿勞績,但還詩意地安居於大地之上」。作品在靜謐中展現著對生命的歌頌、對平凡的勞動成果賦予最真誠的禮讚,打動著每一個看畫者的心。
Oil on canvas
114 × 146 cm. 44 7/8 × 57 1/2 in.
Painted in 1982
Signed in English on bottom right LITERATURE 2001, Hoo Mojong, Mountain Art Museum, Kaohsiung, p. 38-39
EXHIBITED 10 Mar - 13 May 2001, The Works of Hoo Mojong Exhibition, Mountain Art Museum, Kaohsiung 2 Jun - 1 Jul 2001, The Works of Hoo Mojong Exhibition, Honggah Museum, Taipei 4 Jul - 9 Aug 2015, Selected Oil Paintings of Hoo Mojong Exhibition, Mountain Art Space, Beijing PROVENANCE Important Private Collection, Asia Note: an exhibition label of The Works of Hoo Mojong Exhibition is affixed on the reverse An Ode to Life, Man Dwelling Poetically in Spring and Autumn Premiere of A Surreal Still Life Painting By Hoo Mojong “Though all her themes are ordinary scenes or objects in life, such as a plate of fruit, a pot of flowers, or a person, however, their visual tension are never less than those big themes or scenes, as she conveys the heaviness of daily life.” ——Jia Fang Zhou, National First Class Artist In the mid-to-late 20th century, a number of pioneering Chinese artists sought art overseas. Hoo Mojong, who had been awarded the gold prize at the Salon des Femmes in Paris in 1968, and since the age of 26 had travelled to Taiwan, Brazil, Spain, and France in a lifelong struggle for her artistic ambitions, as Jia Fangzhou said, is the most notable female artist after Pan Yuliang. Hoo Mojong was born in Ningbo in 1924. At her teenage time, Hoo Mojong and her family moved to Shanghai during Second Sino-Japanese War. She worked in a factory during the day and studied painting at night, forming an empathetic view of the working class and simple values. She lived in Taiwan and Brazil from the 1940s to the 1950s and had a solo exhibition at the prestigious Galerie Louise in S?o Paulo before moving to Paris in 1965 to study freelance at the Ecole du Grand Cottage. Three years later she was awarded at the Salon de Paris and in 1970 the French Ministry of Culture presented her with a studio. Hoo Mojong was not influenced by the prevailing trends of the school of painting and used the simplest of food and labourers as the main themes of her works, evoking the viewer's reverence and emotion for the beauty of the essence of life. Her works have been collected by the National Library of Paris, the French Ministry of Culture, the National Art Museum of China, the Shanghai Art Museum and other important institutions. Rare and Surrealistic Blue Apple Painting Blue Apple is a work from Hoo Mojong's important Fruit series of the 1980s with some surreal taste, Although she depicted many apples, there are only four in blue, the first of which was in 1969 in the Toy Series. Blue Apple in this auction is one of the two largest of the four, and has the most apples in the painting. The work was also exposed in three of the artist's iconic exhibitions between 2001 and 2015. The artist uses bold colour blocking to present a scene of prosperity and abundance. Two baskets of apples roll out of a basket on a fertile coffee-coloured soil, showing the rhythm of nature. The artist uses bold blue and green colours to paint the apple hills as if they were in bright sunlight, highlighting the protagonists with shadowy black blocks and applying bright yellow and green lines to the contours and highlights of the apples. The full-bodied contours of the objects and the extreme contrast between light and dark reveal an unobtrusive, crisp and uncompromising style, reflects the artist's own bold and determined character. Labourers in the Field, A Tribute to Life Instead of the traditional still life with elaborate implements to support the fruit, Hoo Mojong carefully depicts the simplest of bamboo baskets used by farmers to pick the fruit. The artist's unique perspective highlights the scene just after the fruit has been picked, implicating the present of the labourers and the process of crop production. Despite the hard work, the jewel-like fruits gives us a sense of hope and light in life. As the German poet H?lderlin said, “Full of merit,yet poetically, man dwells on this earth”. The artwork is a quiet celebration of life and a sincere tribute to the fruits of ordinary labour, which touches the heart of every viewer.

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价格信息

拍品估价:450,000 - 650,000 港币 起拍价格:450,000 港币  买家佣金:
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5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%
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