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村上隆 b.1962 禪圓相:無限 Takashi Murakami Zen Ensō: Mugen
香港 北京时间
2023年04月06日 开拍
拍品描述
壓克力彩 金箔 畫布
二〇一六年作
款識 TAKASHI 2016 ENSO(畫背)
來源 東京Scai the Bathhouse 畫廊 現日本私人藏家直接購自上述來源 註:畫背貼有東京Scai the Bathhouse 畫廊之標籤 圓融大境,萬物歸一 村上隆的頓悟之作《禪圓相:無限》 「圓相是對日本傳統真正的致敬,是一種更為自由的極簡主義實踐的回歸,是複雜的藝術和精神之路結出的碩果。」 ——法國貝浩登畫廊創辦人貝浩登(Emmanuel Perrotin) 提及21世紀最具代表性的日本藝術家,村上隆絕對在名單前列。1962年出生的他,自小便熱愛手塚治虫、宮崎駿等動漫大師,立志以藝術家為職志。1993年自東京藝術大學畢業後,他前往紐約闖蕩,見證彼時如火如荼的普普藝術(Pop Art)運動,並從迪士尼卡通等流行文化中獲得靈感,回國後決心以獨屬於日本的文化美學為根基,注入在美所獲得的啟發進行創作革新:2000年他提出「超扁平」(Superflat)理論,將日本卡漫、御宅族文化等帶入純藝術表現領域,一舉破除藝術的高低階級之分,以作品中易懂可親的可愛形象、無限增殖的重複性提出對當代世界的觀察及批判,而在2001年,他集結一眾藝術家,如奈良美智、其所創立的Kaikai Kiki畫廊旗下代表藝術家Mr.、青島千穗等於洛杉磯當代美術館舉辦「超扁平」大展,使此扁平、卡漫、萌的風格正式被納入國際視野,並成為當代藝術史脈絡中不可撼動的有力分支,在歐美及亞洲引起巨大轟動。其作曾為東京都現代美術館、巴黎凡爾賽宮、芝加哥當代藝術博物館等收藏。而在2002、2018年他先後與LV、Off-White時尚品牌進行跨界合作,打破藝術的疆界,使其迅速累積無數粉絲,其曾被盛讚為「平成時代最偉大藝術家」。 禪宗美學的匯融出新 「311後,我的創作加入了佛學元素…我預想藝術家的終極造詣是仙崖義梵或白隱禪師晚年時的禪畫所顯現的心境。」 ——村上隆 村上隆的作品看似手法大膽、與傳統背道而馳,實際上他對日本傳統藝術、美學全然嫻熟於心。如大學期間他便接受紮實的日本畫訓練;2009年起,其並和藝術史學家辻惟雄(Nobuo Tsuji)合作,開啟藉創作和日本古代經典作品的對話,生發出「雲中龍」系列。而在2011年日本311大地震、經濟泡沫、父親去世等創傷影響下,使其投入對於禪宗、佛學的探索,其創作產生關鍵性的巨變,他開始以佛教禪宗中的高僧、代表悟道的「圓相」等元素入畫。完成於2016年的《禪圓相:無限》即為該時期的經典之作。作品展現村上隆在人生經歷事業成功、低谷,親身經歷生離死別後,成熟的心境與其所體悟的終極感悟:「萬境歸空,流轉不息」。 生而平等,創造生命的輝煌 村上隆的藝術生涯與「骷髏」有不解之緣,他在1982年人生購藏<的第一件藏品便是德國藝術家楊森(Horst Janssen)的《有骷髏頭的自畫像》。楊森在畫中將其樣貌和骷髏連結,展現生死之間密不可分的關聯,警醒觀者珍惜轉瞬即逝的生命。此作對村上隆的影響是長遠而深刻的,2013年,村上隆首次於香港大館所舉辦名為「花與骷髏」的個展中,亦呈現大量以象徵生命的鮮豔花朵和象徵死亡的骷髏結合之作,從此,村上隆式的卡通「骷髏」成為其創作中的重要元素。 在《禪圓相:無限》耀眼的金箔背景中,其以壓印手法展現無數骷髏,顯現浮雕質感,隨著光線與觀看角度的變換或隱或顯。此處成千的骷髏有的眼睛向下傾斜似在發怒、有的睜大眼睛好奇探詢,聚集了喜怒哀樂各式情緒。骷髏在此也隱喻了當除去膚色、性別、五官、國籍後「赤裸的靈魂」,寓意生命和死亡平等降臨、彼此密不可分。而金燦的背景令人聯想到傳統日式金碧重彩的屏風,為畫作增加了另一層宏大的氛圍。在象徵著生命的榮耀、輝煌的金彩之下,暗藏象徵芸芸眾生的骷髏,若言說「把每一天都過的像人生的最後一天」、創造屬於自我的輝煌、把握當下的日本禪宗之道。 生生不息的圓相大境 「我認為海嘯災難讓日本知識份子停下來思考,我曾稱日本文化為超級扁,但現實卻沒這麼簡單,我開始思考這樣的想法或許太過表面,若人之間可以相互影響,那我能做什麼?」 ——村上隆 「圓相」起源於佛教禪宗,禪僧以拂塵、手杖在空中畫圓,表示真理、法性或眾生本具之佛性;或禪畫中以一個純粹的圓,像徵達摩祖師的智慧之眼。《禪圓相:無限》是村上隆對於禪學的致敬,傳統的圓相繪畫普遍以筆墨繪製,一氣呵成地一筆揮就,對於線條的把握需要極高講究,他以塗鴉中的白色噴漆,在金色背景之上噴出一個完美的圓形,象徵「生生不息」,「空故納萬境」的哲思。並特意在圓的收尾以噴漆留下半虛半實的缺口,令人留下一個懸念。正所謂「人有悲歡離合,月有陰晴圓缺」,接受生命中的不完美才使得以使之完整。圓相彷彿連結了大千世界的生命能量,得失、成敗、生死都在這個圓環中週而復始地流動,而此出口為所有金色的靈魂留下一個通往寧靜的大門,只要願意探求,隨時都可進入。作品具深層內涵,跳脫藝術家過往創作形象上可愛的表徵,為其再下一城的重要例證。
Acrylic and gold leaf on canvas
180 × 180 cm. 70 7/8 × 70 7/8 in.
Painted in 2016
Signed and titled in English, dated on the reverse
PROVENANCE Scai the Bathhouse, Tokyo Acquired directly by present private Japanese collector from the above Note: A label of Tokyo Scai the Bathhouse Galley is affixed on the reverse Harmony of Ensō, Togetherness of Everything Takashi Murakami's Work of Enlightenment: Zen Ensō: Mugen “The ensō is a true homage to Japanese tradition, a return to a more unfettered minimalist practice —— the result of a complex artistic and spiritual path.” ——Emmanuel Perrotin, the founder of Perrotin Gallery Takashi Murakami has been hailed as “the greatest artist of the Heisei Era”. Born in 1962, he was fascinated by the anime masters such as Osamu Tezuka. After graduating from the Tokyo University of Arts, Murakami travelled to New York for further adventure, during which time he witnessed the prosperity of the Pop Art Movement at that time. In 2000, he proposed the concept of “superflat”, bringing Japanese comics and otaku culture into pure artistic expression, eradicating the hierarchical division in art. Through the understandable and amiable lovely images and the infinite repetition in his works, Murakami delivered his observation and criticism of the contemporary world, which has become a powerful and unshakable branch in contemporary art history. His works have been collected by the Museum of Contemporary Art Tokyo, the Palace of Versailles, the Museum of Contemporary Art Chicago and other institutions. The Intersection and Innovation of Zen Aesthetics While Murakami's works seem to counter the traditions, he is familiar with Japanese traditional art as he studied Japanese painting at the university. Since 2009, he has collaborated with art historian Koreo Tsuji to produce the series Dragon in Clouds to involve ancient Japanese art. Under the influence of the 311 Japanese earthquake in 2011, the economic bubble and his father's death, he dedicated himself to exploring Zen and Buddhism, contributing to a critical transformation of his creation. Created in 2016, Zen Ensō: Mugen is one of the representatives in this period. Born Equal, Create the Brilliance of Life Takashi Murakami's artistic career is closely related to “skeletons”. His first personal collection piece is German artist Horst Janssen's Self-Portrait with Skeleton, in which Janssen connected his face with skulls to show the entanglement between life and death. In 2013 when Murakami held his first solo exhibition titled Flowers & Skulls at Central Police Station in Hong Kong, he also presented abundant works simultaneously containing bright flowers signifying life and skulls suggesting death. Since then, “skeletons” has become essential to his creation. Against the dazzling golden background of Zen Ensō: Mugen, he adopted the imprinting technique to add countless skeletons, showing a relief texture. The skeletons collectively metaphorize various emotions and imply the naked souls deprived of skin colours, genders, facial features, or nationalities. Simultaneously, the shiny golden background may remind the audience of the traditional Japanese gold screen, adding another layer of grandness and a sense of atmosphere to work. Under the splendour of golden colours symbolizing the glory of life, death follows like a shadow. Infinite Harmony of Ensō “Ensō” originates from Zen Buddhism, suggesting the monks with flywhisks or sticks drawing circles in the air to represent the truth, or the pure white circle in Zen Buddhism, symbolizing the Buddha's wise eye. The work is the artist's tribute to Zen aesthetics. He replaces the traditional ink with the white acrylic that creates a perfect circle against the golden background, signifying the philosophies of infinity and containing everything because of emptiness. The artist also deliberately left a half-vacuous and half-concrete gap at the end of the spray circle to state that accepting the imperfectness in life makes it complete. The profundity of the work exceeds the artist's previously lovely and amiable representations and becomes an important example of his next stage.

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价格信息

拍品估价:800,000 - 1,200,000 港币 起拍价格:800,000 港币  买家佣金:
落槌价 佣金比率
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5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%
服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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