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黃本蕊 b. 1959 今天吹東南西北風 Huang Benrei Bunnies Don't Fly, Wind Makes Them
香港 北京时间
2023年04月06日 开拍
拍品描述
壓克力彩 畫布
二〇一三年作
款識 Benrei H. 2013(右下) 出版 2013年12月,「夢想大拍賣」展覽海報,誠品畫廊,台北 2013年,《黃本蕊》,誠品股份有限公司,台北,第44及119頁 2017年,《黃本蕊》,中國民族攝影藝術出版社,北京,第103頁
展覽 2013年12月25日至2014年1月26日,「夢想大拍賣」,誠品畫廊,台北 來源 台北誠品畫廊 現亞洲私人藏家直接購自上述來源 附:台北誠品畫廊開立之藝術家親簽作品證書 生命點滴,純真赤忱 黃本蕊的兔子尼尼 「黃本蕊的作品中反覆出現的兔子尼尼外型溫和脆弱,牠時而身處天空、大地,時而暗夜或海底,表情不多,但黃本蕊讓所有的情緒在牠周圍發生,藉由尼尼,詮釋內心的人文意涵,有時是感動,有時是擔憂,有時也有對生命的體悟。」 ——《自由時報》記者凌美雪 1959年出生於台灣,畢業於師範大學美術系的黃本蕊,1986年赴美就讀於紐約視覺藝術中心插畫研究所,後長期旅美,從事童書編繪逾二十年。然而,日漸濃烈的藝術追求使她不拘泥於插畫,在2009年她投身於純粹的藝術創想,於是一隻憨態可掬的兔子就此誕生。黃本蕊的母親屬兔且姓「倪」,她將筆下雪白柔軟的兔子命名為「尼尼」,讓牠具有母親一般的包容及溫暖。以尼尼為主角的畫作以明快的用色、簡潔的構圖講述一個個生命故事。同時,黃本蕊也將尼尼塑造成立體雕塑,讓她走入生活。至今,尼尼已陪伴黃本蕊度過十餘年的時光,為異鄉漂泊的她連結了童年、幻想與記憶,也帶給觀者溫暖與療癒力量。其作品曾先後於台北誠品畫廊、紐約456畫廊等地的個展展出,獲東西方觀眾的喜愛。是次呈現的繪畫作品《今天吹東西南北風》(拍品編號14)、《自作自受》(拍品編號16)為其2013年「夢想大拍賣」個展的重要代表作,連同雕塑作品《尼尼》(拍品編號15)一道,多角度展現出生命點滴的方方面面,使尼尼打破媒材的限制,陪伴我們徜徉宇宙,直抵心靈。 隨風而動,隨遇而安 《今天吹東西南北風》作為黃本蕊2013年個展「夢想大拍賣」的門面之作,特被選為該展宣傳海報圖像,足見其標識與代表性。畫面中見雪白的尼尼們輕盈如雲彩,舉著如同彎月一般的小黃傘,前後上下顛倒地飛舞,好似風中的蒲公英,在迷濛柔軟的灰藍色雲層背景之中左右飄搖,戲劇而詼諧地展現狂風中身體不由自主的運動,令人會心一笑。此作在一定程度上亦呼應藝術家旅居海外的身份背景,以一種輕鬆豁達的方式反映出她的漂泊心境:尼尼們如同乘風而行的蒲公英種子,睜大黑色的眼睛,帶著幾分純真的期待及自適,在遼闊的天地間隨遇而安,隨機應變,展現一種幽默而正向的力量,引發觀者強烈的共鳴。 自我對話,掙脫牢籠 「黃本蕊的畫作以令人會心一笑的小小溫暖、幽默,提醒人們生命總有徬徨迷惘的時刻,但不能遺忘的是堅強勇敢的信念。穿越苦澀之時,別忘了放輕腳步,靜靜傾聽自我心底的聲音,讓迎面的一切風景,都成為療癒心靈的智慧良藥。」 ——藝評人張晴文 在黃本蕊的尼尼創作中,「影子」為一重要的元素,尼尼的虛影與實體主角相伴相生,不僅印證了尼尼的自我存在,二者間更進行對話和博弈。是次呈現的《自作自受》便是箇中代表,只見畫面左下方尼尼交叉雙手背過身去,其影籠罩了身後大面積的牆壁。牆上塗鴉內容若是尼尼身後小黃鴨用散落一地的畫筆所繪製二人間的爭吵埸面,而巨大的影子叉腰舉手對尼尼說教。尼尼雖然背對牆壁,卻忍不住回過頭去瞥看塗鴉的內容,像是好友之間爭吵後的反思,暗合標題的「自作自受」。灰色的影子介於黑白之間一躍成為畫面主體,一方面為故事罩上了一層朦朧的薄紗,給予觀者自由的想像空間;另一方面以一種皮影劇般的幽默增添畫面的意韻。對於黃本蕊而言,其作看似簡單輕鬆,實際上都是對於人生哲學的影射。她曾說:「人生不是非黑即白的世界,人生是灰階的。」而這種對於人生的細膩思考最終成為了一種養分,反哺她的創作,使其作不僅僅是溫馨美好的可愛形象,也有對生命和人生的深刻體悟。 如約而至,經典再現 回顧黃本蕊首現拍場之作,為2018年由嘉德香港呈現的《尼尼》雕塑;是次經典重現,再續前緣。此作中的尼尼微微垂耳,攏手靜坐,黝黑瑩潤的眼睛看著觀眾,倒映出一個又一個不同的臉龐,像是一位極具耐心的聽眾聆聽我們的煩惱或幸福,不禁令人卸下防備,託付真心。正如黃本蕊所說:「每位觀賞者看到尼尼,因當下的心情而產生不同的體會,這正是我所追求的『與觀者之間的對話和共鳴』」。尼尼的造型簡潔,光滑圓潤而純白無瑕,如同一純真的孩童般令人喜愛,又彷彿一個大道至簡的世外高人,真誠地和每個人對話。這種不可思議的純潔澄澈,使人的心靈忘卻了俗世的嘈雜,傳遞出溫暖堅定的療癒力量。
Acrylic on canvas
61 × 51 cm. 24 × 20 1/8 in.
Painted in 2013
Signed in pinyin and dated on bottom right LITERATURE 2013, Dreams for Sale exhibition poster, Eslite Gallery, Taipei 2013, Benrei Huang, The Eslite Corp, Taipei, p.44 & 119 2017, Benrei Huang, China National Photographic Art Publishing, Beijing, p.103
EXHIBITED 25 Dec 2013 – 26 Jan 2014, Dreams for Sale, Eslite Gallery, Taipei PROVENANCE Eslite Gallery, Taipei Acquired directly by present private Asian collector from the above Note: This work is accompanied by a certificate of authenticity issued by Taipei Eslite Gallery signed by the artist The Purest Sincerity from Little Things in Life Huang Benrui's Rabbit Nini Born in 1959 in Taiwan, Huang Benrei graduated from The Department of Fine Arts at National Taiwan Normal University. In 1986, she went to the United States to study at The Department of Illustration at The School of Visual Arts in New York. Although she has been engaged in children's book compilation for more than 20 years, her artistic pursuit has grown increasingly so that she does not stick to illustration. In 2009, Huang began to devote herself to pure artistic expressions, and then a charming rabbit “Nini” was born. Up to now, Nini has been accompanying Huang Benrei for more than ten years, connecting her childhood, fantasy and memory when she was wandering in a foreign land and also bringing warmth and healing power to viewers. Her works have been exhibited in Eslite Gallery in Taipei, Gallery 456 in New York and other places, winning the love of both eastern and western audiences. The paintings Bunnies Don't Fly, Wind Makes Them (Lot 14), and Back Fire (Lot 16) are the important representative works of her solo exhibition Dreams for Sale in 2013. Together with the sculpture Nini (Lot 15), Nini breaks the restriction of media and shows the delicate feelings in life, accompanying us to wander in the universe and reach our hearts. Go with the Wind and Settle Down Bunnies Don't Fly, Wind Makes Them was selected as the poster image of Huang Benrei's solo exhibition Dreams for Sale, which shows its representative position among her oeuvre. White Ninis are as light as clouds in the painting, holding small yellow umbrellas like a meniscus. They fly in different directions, like dandelions in the wind, swaying left and right in the misty soft grey-blue cloud background. The depiction of them dramatically and humorously shows the involuntary movement of the body in the wind. This work also echos the artist's identity background of living abroad to some extent. It reflects her wandering experience in a relaxed and open-minded way: Ninis are like dandelion seeds that travel with the wind, opening their big black eyes to look around with naive expectation and relaxation. They are at ease in the vast world, showing positive power with a heart full of humour. Breaking the Cage by Making Self-Dialogue In Huang Benrei's oeuvre, “shadow” is an essential element. The shadow of Nini accompanies the protagonist, and they carry on dialogues or play games. Back Fire is a representative work of this topic. In the lower-left of the painting, Nini crosses its hands and turns its back while its shadow covers a large area of the wall behind. The graffiti on the wall is about a quarrel between Nini and a yellow duck behind Nini, who probably drew it with scattered crayons. A giant shadow with one arm akimbo is preaching to Nini. Although Nini is back to the wall, it can't help glancing back at the graffiti, like showing regret after a quarrel between friends, which echos to the topic. The grey shadow in the centre covers the story with a layer of hazy gauze, giving the viewer free imagination space. What's more, it adds a sense of humour like shadow play theatre. For Huang Benrei, her works seem relaxed and straightforward, but in fact, they are allusions to the philosophy of life. She once said: “Life is not black or white but in greyscale.” This kind of delicate thinking about life eventually became a kind of nutrient, feeding her creations, making them not only lovely images of warmth and beauty but also symbols of profound understanding of life. Response to the Invitation: The Reappearance of Classic Nini Huang Benrei's first auctioned work is the sculpture Nini presented by China Guardian Hong Kong in 2018. This time, we are delighted and honoured to bring the classic back to respond to our customers' trust. In this work Nini, Nini sits quietly with its hands put together. Its dark eyes look at the audience and reflect different faces, like a patient listener listening to our troubles or happiness, which makes one trust Nini from the heart. The shape of Nini is smooth and simple. At the same time, the colour of it is pure white, just like an innocent child or a hermit on the moon who will sincerely make dialogue with everyone. This incredible purity makes the human mind forget the world's noise and delivers warm and firm healing power.

本场其它拍品

  • Lot 11
  • Lot 12
  • Lot 13
  • Lot 14
  • Lot 15
  • Lot 16
  • Lot 17
  • Lot 18
  • Lot 19
  • Lot 20
  • 竞价阶梯
  • 快递物流
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价格信息

拍品估价:55,000 - 85,000 港币 起拍价格:55,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%
服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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