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国内拍卖首页 > EDEN Fine Antiques Galleries > DAY-1 2016 AUTUMN ASIAN & EUROPEAN ANTIQUES > Lot 127

HUANG JUNBI (1898-1991) AUTUMN TREES CHINESE LANDSCAPE

佐治亚北京时间

2016年11月11日开拍

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拍品描述: Chinese landscape of ink and color on paper, depicting a water side landscape within misty mountainous scene, characterized with red leafy trees out grow within dense forest. Showing themed calligraphy inscriptions, followed by artist's iron-red signature seals on upper left, with further seal on lower right. Mounted on olive-green silk border.

LOT NOTES:
Huang Junbi was born in the then town of Nanhai, which is now a district of Guangzhou city. His talent for drawing and painting was formidable from a young age. He began studying classical Chinese painting from the master artist Li Yaoping when he was 22. Yaoping taught Huang in the traditional way, with strict obedience to the master and hours of copying masterpieces.
The study of Occidental art was encouraged by the Chinese government at this time, and Huang himself was most interested in learning about the styles and techniques. So he joined the Chu-Ting Art School that taught Western painting in 1922.

Huang joined the Gui Hai Painting Cooperative that had been formed by Deng Fen in Guangzhou in 1923. A few years later, in 1929, he became one of the co-founders of the Yue Society in the city. He concentrated on making landscapes during these years, and it was the intermingling of Western and Chinese styles that made his art quite unique at the time. His work was becoming more and more popular, and he was appointed to teach at the Chinese Painting Research Society in 1932. This was the beginning of a long teaching career.
In 1934, the Guangzhou municipal government decided to send Huang to Japan with the aim of learning art education. A few years later, he moved to Sichuan, and was appointed head of the Chinese Painting Department in Chongqing in 1942.

Huang decided to leave Mainland China in 1949, and moved to the newly created Republic of China, namely Taiwan. It was here that he really came into his own as an artist. He was immediately hired to teach at the National Taiwan Normal University when he arrived, and was a co-founder of the Department of Fine Arts of which he was the director for more than two decades.
Huang believed in training teachers in order to have better students. He spent a lot of time and effort in making sure that the quality of the teachers at the university was excellent, and academic research was encouraged. He had a system of five steps for teaching. It started with demonstrating personally what one wanted, followed by showing works to the students who were then given detailed explanations of the work they were being shown. The students were then expected to make their own sketches, and finally they were encouraged to be creative and innovative in their work.
Apart from teaching, Huang painted prolifically. According to his daughter, the artist Huang Xiangling, he painted every single day, and worked extremely hard for both the university and his students.
The Later Years
In 1957, Huang travelled to the United States for the first time. Three years later, he was invited to visit again, this time as a Fellow of the Brazil Arts Institute based in Houston, where he spent several months. He made a third trip in 1966, and a last one in 1969.
Huang retired from teaching sometime in the early 1970s, by which time he himself was more than 70 years old. The artist fell ill and died in Taipei in 1991.

Dimension: 65" L x 20"W
---以下为第三方软件翻译，仅供参考---

品相报告: Please Note: EDEN Fine Antiques Galleries provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client, and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.
---以下为第三方软件翻译，仅供参考---

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