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国内拍卖首页 > Christie's UK > 伊斯兰与印度世界艺术品包括东方地毯 > Lot 36

AN ALBUM PAGE

英国北京时间

2020年06月25日开拍 / 2020年06月23日截止委托

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拍品描述: THE PAINTING SCHOOL OF REZA 'ABBASI, SAFAVID IRAN, 16TH CENTURY, THE CALLIGRAPHY SIGNED MUHAMMAD SALIH AL-HUSAYNI, 17TH CENTURY Opaque pigments heightened with gold on paper, the youth standing beneath gold and polychrome illuminated spandrels, laid down on card within gold-illuminated peach borders with six panels containing verses in nasta'liq, gold-illuminated green outer borders, margins illuminated in gold with birds and foliage, the reverse with 5ll. of black nasta'liq in clouds reserved against gold ground, signed, within similar borders, margins illuminated in gold with birds and scrolling foliage Painting 6 3/8 x 3in. (16 x 7.5cm.); calligraphy 5 7/8 x 3 ?in. (14.9 x 8.8cm.); folio 15 3/8 x 10 ?in. (39 x 25.9cm.) Full-length portraits of young men, women and couples became a popular subject in Safavid miniature painting in the late 16th and 17th centuries. The theme was popularized by Reza ‘Abbasi and his contemporaries, foremost among them Muhammad Qasim. Our elegant youth is attributable to the school of Reza ‘Abbasi. The features of this Safavid youth are closely comparable to a number of signed works by Reza, in particular his 'Youth Offering Fruits to an Old Man', circa 1595 (Muse du Louvre, Paris, inv. no. 7113, see Canby, 1996, cat.21) and Man in a Fur Lined Coat, circa 1600 (Metropolitan Museum of Art, inv. no. 55.121.39, see Canby, 1996, cat.32). Although in these examples the subjects are seated rather than standing, both figures bear a generous full face and a finely pencilled Safavid turban which is more prominent at the front. The execution of the soft curls around the face and turban and the delicately drawn nose done by a single brush stroke extending to two faint lines that highlight the upper lip are further distinguishable similarities. A closely comparable portrait of a Safavid youth signed by Reza sold in these Rooms, 8 October 2015, lot 50. Another example was sold more recently in these Rooms, 10 May 2018, lot 1007. For a discussion on the 17th century calligrapher Muhammad Salih on the verso see Bayani vol.3, 1348 sh, p.778.
---以下为第三方软件翻译，仅供参考---

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