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国内拍卖首页 > 888 Auctions Inc. > 波普艺术、现代书画与亚洲古董艺术品 > Lot 17

Tamara de Lempicka Polish-French Art Deco Charcoal

加拿大北京时间

2019年07月19日开拍

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拍品描述: Charcoal on paper. Featuring a nude. Signed T. Lempicka on the lower right corner. A signature and two illegible stamps on verso. Attributed to Tamara de Lempicka (Polish-French, 1898-1980). 13.25 x 19 inches (33.7 x 48.3 cm). PROVENANCE: Private estate (Perugia, Italy)

Tamara de Lempicka (1898-1980) was a Polish painter known for her distinctive Art Deco style. In her self-portraits and depictions of chic figures, Lempicka simplified volume and space into tubular and crystalline forms. “My goal is never to copy, but to create a new style, clear luminous colors and feel the elegance of the models,” she once explained. Born Maria Górska on May 16, 1898 in Warsaw, Poland (then part of the Russian Empire) to a wealthy family, she spent much of her childhood in Switzerland and Italy where she was influenced by the works of Renaissance and Mannerist masters. Living in St. Petersburg during the 1917 Russian Revolution, she and her husband fled to France to escape the Bolsheviks. During the 1920s, Lempicka became an integral part of the Parisian avant-garde scene and was acquainted with Pablo Picasso, Jean Cocteau, and André Gide. It was here that she invented her new persona Tamara de Lempicka, while studying under both Maurice Denis and André Lhote. In 1939, the artist fled the impending threat of World War II for the United States, settling in Los Angeles and later New York. Though she stopped painting for a number of years, a renewed interest in her works during the mid-1960s led her to resume. Lempicka died on March 18, 1980 in Cuernavaca, Mexico. Today, her works are held in the collections of the Metropolitan Museum of Art in New York, the Musée des Beaux-Arts de Nantes in France, and the National Museum of Women in the Arts in Washington, D.C., among others.
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品相报告: All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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