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国内拍卖首页 > 888 Auctions Inc. > 现代艺术品与亚洲古董 > Lot 230

Alexej von Jawlensky Russian Abstract Gouache

加拿大北京时间

2019年05月24日开拍

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拍品描述: Gouache on paper, framed. Russian Expressionist School. Featuring a portrait. Signed A. Jawlensky on the lower left corner. Attributed to Alexej von Jawlensky (1864-1941, Russian). 22 x 20.5 cm (8.7 x 8.1 inches), frame: 35 x 35 cm (13.8 x 13.8 inches). PROVENANCE: Southern Ontario estate

Alexej von Jawlensky (Russian, 1864-1941) was born in Torzhok, a town in Tver Governorate, Russia, as the fifth child of Georgi von Jawlensky and his wife Alexandra. He moved to Munich in 1894, where he studied in the private school of Anton Azbe. In 1905 Jawlensky visited Ferdinand Hodler, and two years later he began his long friendship with Jan Verkade and met Paul Serusier. Together, Verkade and Serusier transmitted to Jawlensky both practical and theoretical elements of the work of the Nabis, and Synthetist principles of art. In Munich he met Wassily Kandinsky and various other Russian artists, and he contributed to the formation of the Neue Kunstlervereinigung Munchen. His work in this period was lush and richly coloured, but later moved towards abstraction and a simplified, formulaic style. Between 1908 and 1910 Jawlensky and Werefkin spent summers in the Bavarian Alps with Kandinsky and his companion, the painter Gabriele Munter. Here, through painting landscapes of their mountainous surroundings, they experimented with one another’s techniques and discussed the theoretical bases of their art. Following a trip to the Baltic coast, and renewed contact with Henri Matisse in 1911 and Emil Nolde in 1912, Jawlensky turned increasingly to the expressive use of colour and form alone in his portraits.?
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品相报告: All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name]: In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name]: The work is by the artist.

Attributed to [Artist Name]: The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name]: The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name]: The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name]: A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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