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MAKUZU KOZAN I: A BLACK GLAZED STUDIO PORCELAIN ‘JUROJIN AND CRANE’ CHAWAN (TEA BOWL)
奥地利
06月12日 晚上7点 开拍 / 06月10日 下午3点 截止委托
拍品描述
MAKUZU KOZAN I: A BLACK GLAZED STUDIO PORCELAIN ‘JUROJIN AND CRANE’ CHAWAN (TEA BOWL)

By Makuzu Kozan I (1842-1916), signed Kozan and Makuzu
Japan, c. 1916

The bowl with deep sides supported on a tall circular foot, covered in a lustrous black glaze with a reserve to the front featuring Jurojin holding a large fan accompanied by a white crane. Signed to the side KOZAN and impressed to the base MAKUZU.

LENGTH 12 cm

Provenance: Lesley Kehoe, Melbourne, Australia, 2003. Private collection of Eva and Aubrey Sweet, Melbourne, Australia, acquired from the above. Eva and Aubrey Sweet devoted over six decades to the formation of a distinguished private collection of Asian art, with particular strength in Chinese jade, Japanese lacquer, and netsuke. Their collecting began in the 1950s and was refined through sustained travel, scholarship, and long associations with leading dealers, curators, and artists internationally. Aubrey, a Melbourne physician who also studied acupuncture in Beijing, and Eva developed a discerning connoisseurship that balanced intuitive appreciation with systematic study, supported by an extensive reference library and active participation in scholarly circles. They acquired works of historic importance as well as contemporary pieces by artists such as Susan Wraight and Unryuan (Kitamura Tatsuo), demonstrating a commitment both to tradition and to the continuity of craft. The collection, housed in their Melbourne residence and affectionately referred to by the family as “the Museum,” stands as a testament to their lifelong dedication to the aesthetic and cultural values of Asian art.
Condition: Excellent condition with minor wear.

Makuzu Kozan I (1842-1916), also known as Miyagawa Kozan, was a potter who moved his ceramics studio from his hometown of Kyoto to the port city of Yokohama in 1870. His early works copying styles and forms derived from earlier Japanese and Chinese ceramics soon found favor with Western buyers and his business quickly expanded. Kozan’s work was also much admired within Japan and achieved special notoriety after the Meiji Emperor touched one of his vases at the First National Industrial Exhibition in 1877.

Auction comparison:
Compare a related chawan bearing a similar design, dated 1917, at Bonhams, Fine Asian Works of Art, 18 December 2007, San Francisco, lot 4015 (part lot, sold for USD 3,600 or approx. EUR 5,000 converted and adjusted for inflation at the time of writing).

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拍品估价:1,500 - 3,000 欧元 起拍价格:1,500 欧元  买家佣金:

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