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MAKUZU KOZAN I: A BLACK GLAZED STUDIO PORCELAIN ‘SNOWY PLUM’ CHAWAN (TEA BOWL)
奥地利
06月12日 晚上7点 开拍 / 06月10日 下午3点 截止委托
拍品描述
MAKUZU KOZAN I: A BLACK GLAZED STUDIO PORCELAIN ‘SNOWY PLUM’ CHAWAN (TEA BOWL)

By Makuzu Kozan I (1842-1916), signed Kozan and Makuzu
Japan, c. 1916

The bowl of irregular form with an indentation to support the thumb while holding, covered in a lustrous black glaze stopping well above the foot, a blossoming branch of plums painted in white and covered in snow wraps around the exterior. Signed to the side KOZAN and impressed to the base MAKUZU.

LENGTH 12.5 cm

Provenance: From a private collection in Japan. Lesley Kehoe Galleries, Melbourne, 1996. Private collection of Eva and Aubrey Sweet, Melbourne, Australia, acquired from the above. A copy of the invoice from Lesley Kehoe Galleries, Melbourne, Australia, dated 15 August 1996, addressed to Dr & Mrs A Sweet, and stating the purchase price of AUD 16,000 or approx. EUR 21,000 (converted and adjusted for inflation at the time of writing), accompanies the lot. Eva and Aubrey Sweet devoted over six decades to the formation of a distinguished private collection of Asian art, with particular strength in Chinese jade, Japanese lacquer, and netsuke. Their collecting began in the 1950s and was refined through sustained travel, scholarship, and long associations with leading dealers, curators, and artists internationally. Aubrey, a Melbourne physician who also studied acupuncture in Beijing, and Eva developed a discerning connoisseurship that balanced intuitive appreciation with systematic study, supported by an extensive reference library and active participation in scholarly circles. They acquired works of historic importance as well as contemporary pieces by artists such as Susan Wraight and Unryuan (Kitamura Tatsuo), demonstrating a commitment both to tradition and to the continuity of craft. The collection, housed in their Melbourne residence and affectionately referred to by the family as “the Museum,” stands as a testament to their lifelong dedication to the aesthetic and cultural values of Asian art.
Condition: Excellent condition.

With a shikibako and shifuku (fabric bag). The shikibako inscribed by Kozan II to the cover: 茶碗chawan [tea bowl] and to the interior of the cover, 乾山意、黒釉白梅絵、故香山最近造作、應栗園居士之嘱、大正六年四月、真葛香山Kenzan i, Kokuyu hakubai e, saikin zosaku su, Ritsuen Koji kore o tanomi ojite, Taisho rokunen shigatsu, Makoto Kozan [After the design of (Ogata) Kenzan, with a motif of white plum blossoms in black glaze. This piece was made recently by the late Makuzu Kozan I (1842–1916), commissioned by the priest (Adachi) Ritsuen. It was inscribed and attested in the fourth month of Taisho 6 (1917) by Makuzu Kozan (Kozan II)] with two seal marks 真葛香山Makuzu Kozan and 帝室技芸員Teishitsu Gigeiin [Imperial Household artist] and the side of the box with an English label reading, Kozan tea bowl.

Makuzu Kozan I (1842-1916), also known as Miyagawa Kozan, was a potter who moved his ceramics studio from his hometown of Kyoto to the port city of Yokohama in 1870. His early works copying styles and forms derived from earlier Japanese and Chinese ceramics soon found favor with Western buyers and his business quickly expanded. Kozan’s work was also much admired within Japan and achieved special notoriety after the Meiji Emperor touched one of his vases at the First National Industrial Exhibition in 1877.

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拍品估价:1,500 - 3,000 欧元 起拍价格:1,500 欧元  买家佣金:

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