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A QINGBAI LOBED JAR AND COVER, SOUTHERN SONG-YUAN DYNASTY
奥地利
04月17日 下午5点 开拍 /15天2小时
拍品描述
China, 1127-1368. Finely potted, the ovoid body divided into eight lobes and supported on a tall foot, surmounted by a subtly tapering neck terminating in a broad, circular mouth, fitted with a slightly domed cover molded as a six-petaled flower topped by a bud-form finial. The jar covered overall with a transparent glaze of pale blue tone, stopping unevenly above the foot to reveal the white ware, the cover glazed at the top leaving the underside unglazed.Provenance: Paul Champkins Oriental Art, London, 2001. The Mark and Elizabeth Harding Collection, Kimberley, South Africa, acquired from the above. The interior of the cover with a label from Paul Champkins Oriental Art, inscribed '2012 6'. Mark and Elizabeth Harding were prominent private collectors with a particular interest in Asian and modern art. They began building their collection in the late 1960s, notably acquiring works by Vladimir Tretchikoff in 1969, and developed a close personal relationship with the artist, selecting studio works during visits to Cape Town in the early 1970s. Their collection has been featured in international and South African auctions, including significant Asian works such as netsuke and ceramics.Condition: Very good condition with minor wear and firing irregularities, including small glaze lines and kiln grit to the underside. Few minuscule chips to the rims and cover.Weight: 142.3 gDimensions: Height 8.5 cmQingbai ware, or 'green-white' porcelain, represents a major category of Chinese ceramic production during the Song and Yuan dynasties. It is characterized by a translucent glaze that imparts a restrained bluish-green tone. Manufacture was concentrated in Jiangxi province, most notably in Jingdezhen, and Qingbai constituted the earliest instance of porcelain produced on a truly large scale in China.Produced from a refined white body, this ceramic type was coated with a glaze that, when fired, produced a distinctive bluish-green hue. Pine wood served as kiln fuel, creating a reducing atmosphere that played a crucial role in the optical qualities of the glaze. Production addressed funerary contexts, export demand, and domestic consumption across a broad social spectrum, resulting in considerable diversity in form and execution.Literature comparison:Compare a closely related Qingbai lobed jar and cover, dated to the Yuan dynasty, 1271-1368, 8.3 cm high, in the Asian Art Museum of San Francisco, object number B60P117+.a-.b. Compare a closely related Qingbai lobed jar and cover, dated to the Southern Song dynasty, 8.5 cm high, in the Museum of Far Eastern Antiquities, Stockholm, accession number OM-1974-0988.Auction result comparison: Type: Closely related Auction: Christie's New York, 28 September 2022, lot 60Price: USD 3,276 or approx. EUR 3,000 converted and adjusted for inflation at the time of writing : A small molded Qingbai lobed jar and cover, Southern Song dynastyExpert remark: Compare the closely related form and glaze. Note the size (6 cm).Auction result comparison: Type: Closely related Auction: Christie's New York, 18 July 2018, lot 12Price: USD 2,750 or approx. EUR 3,000 converted and adjusted for inflation at the time of writing : A small Qingbai jar and cover, Yuan dynastyExpert remark: Compare the closely related form, glaze, and size (8.3 cm).

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拍品估价:500 - 1,000 欧元 起拍价格:500 欧元  买家佣金:

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