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A BRONZE FIGURE OF A STANDING BUDDHA IN A SHRINE, THAILAND, 12TH-13TH CENTURY
奥地利 北京时间
04月10日 下午5点 开拍 /4天21小时
拍品描述
A BRONZE FIGURE OF A STANDING BUDDHA IN A SHRINE, THAILAND, 12TH-13TH CENTURYFinely cast standing in samabhanga atop a waisted lotus pedestal raised on a tiered rectangular base, both palms facing outward displaying vitarka mudra. He is crowned and bejeweled with a collar necklace and ornamental girdle around the waist, his long monastic robe (sanghati) and his lower garment (dhoti) hugging the contours of his body and falling in gently overlapping pleats at his ankles.The deity stands in a matching bronze shrine which consists of an intricately cast flaming aureole inserted into a stepped base. (3)Provenance: From a noted private collection.Condition: Good condition, commensurate with age. Old wear and casting irregularities. Small nicks, minor warping, minuscule losses, encrustations. The bronze covered in a rich patina with vibrant malachite encrustations. The mandorla with minor patina touchups. A photograph of the mandorla before the aforementioned touchups is available upon request.Export license: A copy of an export license issued by the government of the Kingdom of Thailand, no. E8-2543/2024, accompanies this lot.Weight: 3,323 gDimensions: Height 49.3 cmFrom the mid-tenth up until the thirteenth century, the Khmer empire controlled a large swathe of territory in present-day Thailand, which was strategically positioned along trade routes. Thus, the three hundred and fifty years of Khmer influence, particularly in the Dvaravati province, with its capital centered in Lopburi, largely dominated the art and architecture of the region. Both Mahayana Buddhism and Hinduism flourished at various times and alongside one another under the Khmer rulers, with associated monuments hewing close to the prevailing Khmer esthetic style, as evidenced in temples such as Buddhist Prasat Phnom Phimai and Shaivaite Prasat Phnom Rung.Portable images of the Buddha in the form of votives and altars were ubiquitous during the reign of King Jayavarman VII (r. 1181-1218), who had decreed Mahayana Buddhism as the state religion in Angkor, and who had directly linked himself to the image of the Buddha seated on a naga. Altars such as the present sculpture were typically cast in separate parts, the body, aureole and plinth which were joined using metal pins. Portable images, such as these, served as a significant part of the practice for Mahayana Buddhists during this time.Literature comparison: Compare a related Thai bronze figure of a standing Buddha, dated 12th-13th century, 49 cm high, in the National Museum of Asian Art, Smithsonian Institution, accession number F1976.11a-e.Auction result comparison: Type: Closely relatedAuction: Sotheby's New York, 20 September 2021, lot 376Estimate: USD 30,000 or approx. EUR 33,500 converted and adjusted for inflation at the time of writing: A fine copper alloy figure of a standing Buddha, Thailand, circa 13th centuryExpert remark: Compare the closely related modeling and similar attire, ogee, and expression. Note the size (35.3 cm). 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
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拍品估价:7,500 - 15,000 欧元 起拍价格:7,500 欧元  买家佣金: 35.00% 服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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