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A RARE FLAMBE-GLAZED VASE, MEIPING, QIANLONG MARK AND PERIOD
奥地利 北京时间
04月10日 下午5点 开拍
拍品描述
China, 1735-1796. Finely potted with elegantly curved sides rising to a broad rounded shoulder, surmounted by a gently waisted neck with a lipped rim. The exterior covered with a finely crackled and vibrant purplish-red glaze with lavender streaks thinning to mushroom around the mouth, the base covered in a mottled mushroom-brown wash. The recessed base incised with a six-character seal mark da Qing Qianlong nianzhi and of the period.Provenance: From an important private collection in Montreal, Quebec, Canada. An in situ image shows several Imperial pieces from this collection.Condition: Superb condition with minor wear and manufacturing irregularities including a small smoothened area to the edge of the foot, the glaze with intentional crackling, minor pitting, and few burst bubbles. Weight: 2,449 g Dimensions: Height 29.8 cmThe elegant form of this vase, with its gently swelling shoulders and tapering body, provides a perfect canvas for showcasing the striking hues of the streaky flambe glaze. Jun wares of the Song dynasty were held in high regard by countless generations, including at the Manchu court of the Qing dynasty. The Yongzheng and Qianlong Emperor were particularly attracted by this glaze and commissioned the then Superintendent of the Imperial kilns in Jingdezhen, Tang Ying (1682-1756) to create copies. The technical ingenuity and high level of experimentation of the potters working at the imperial kilns in Jingdezhen is evident in the successful revival of Song glazes. Tang Ying is known to have gone to considerable lengths to emulate this glaze, even sending his secretary, Wu Yaopu and selected craftsmen to Junzhou in 1729, in order to work with local potters and obtain the recipe for reproducing Jun wares. The official list from 1735 on the Taocheng jishi bei ji (Commemorative stele on ceramic production), inscribed by Tang Ying, records no less than nine varieties of Jun glazes, of which five were based on Song originals that had been sent from the palace in Beijing to the Imperial kilns in Jingdezhen. The stunning glazes that were created at Jingdezhen in imitation of Jun wares were considered by contemporaries even more attractive than the original. Lan Pu in his Jingdezhen tao lu (Account of ceramics in Jingdezhen), published in 1815, exclaims: ''the glaze is multi-coloured and has 'hare's fur' markings. The best is red like cosmetic rouge, then comes blue-green like spring onions or kingfisher feathers and purple like ink black… Jun ware red pieces that the ancients made were composed of rough, coarse-grained clay tinged with yellow, and though the glaze colour is lively they are not fine pieces. Today, Jingdezhen selects clean, fine, white clay to mould the body, and then applies red glaze. In this way the red colour has a much richer appearance'' (Rose Kerr, ''Jun Wares and their Qing Dynasty Imitation at Jingdezhen'', The Porcelains of Jingdezhen. Colloquies on Art & Archaeology in Asia No. 16, London, 1992, p. 155).Lan Pu notes the great difference in appearance between Song dynasty Jun glaze and its Qing copy, and in fact the two diverge in their composition. While the opalescent glaze of Song Jun wares was achieved by a chemical reaction that happened in the kiln during firing, the vibrant and thick flambe glazes of the Qing dynasty were created by the application of three differently coloured glazes. Furthermore, the use of a fine porcelain body enhanced the luminosity of the glaze.Literature comparison:Compare a closely related flambe-glazed meiping, 36.4 cm high, dated to the Qianlong period, in the National Palace Museum, Taipei, object number 中瓷004459N000000000.Auction result comparison: Type: Closely relatedAuction: Sotheby's Hong Kong, 3 April 2019, lot 3653Price: HKD 4,735,000 or approx. EUR 637,000 converted and adjusted for inflation at the time of writing: An exceptional flambe-glazed vase, Meiping incised seal mark and period of QianlongExpert remark: Compare the closely related form and similar glaze. Note the larger size (34.9 cm). Auction result comparison: Type: Closely relatedAuction: Christie's New York, 19 March 2013, lot 206Price: USD 137,000 or approx. EUR 179,000 converted and adjusted for inflation at the time of writing: A rare flambe-glazed vase (meiping), Qianlong seal mark and periodExpert remark: Compare the closely related form and glaze.Auction result comparison: Type: Closely relatedAuction: Sotheby's Hong Kong, 8 April 2011, lot 3023Price: HKD 475,000 or approx. EUR 83,500 converted and adjusted for inflation at the time of writing: A flambe-glazed Meiping Vase, Qing dynasty, 18th centuryExpert remark: Compare the closely related form and glaze.

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拍品估价:15,000 - 30,000 欧元 起拍价格:15,000 欧元  买家佣金: 35.00% 服务费:本专场服务费按成交价(含佣金)的1.5%收取,最低200元

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