尺寸:85.1*97.8*48.9cm*2 【来源】1. 前吴彬《十面灵璧图卷》藏家 Tamsen Ann Ziff 旧藏。 2. 马科斯·弗拉克斯(Marcus Flacks)旧藏 【参阅】 1. 马科斯.弗拉克斯[我们的春季展览亮点] - 2008 年 3 月,第 14 页8. 半桌成对,榆木制。桌面向外探伸,形成喷面,面板攒边打槽。侧做冰盘沿,上沿平直,而后凹进,收以窄平线。有束腰,束腰下接牙板。牙板上饰宽皮条线,中间打洼平缓,呈现出丰富的光影变化,又绵延不绝在转角处与腿足皮条线交汇。牙板与腿足内轮廓处均起阳线,转角处挖出圆角,使得交圈呈圆浑之形,勾勒出优雅和谐的内部空间。内翻马蹄顺此势而出,结合腿足上的宽皮条线的线脚来看,正是如中锋行锥而画沙中,其曲折圆而有力又若折钗股,尽得书法之妙。张辉在《明式家具器型研究》中提出早期方桌的牙板与四腿相交处多为圆角,沿袭了大漆柴木家具的特点。此例虽为细木长桌,亦可为参照。 腿足间使用勾挂垫榫纳霸王枨,枨上端以销钉固定于穿带,承载了整个桌子的稳固。霸王枨曲而上弯,又圆中带方,呈方折之势。明晚期版画上常见此式,如明崇祯刻本《清夜钟》插图中的霸王枨条桌。 PAIR OF ELM WOOD SIDE TABLES 18th Century This exquisite pair of elm tables features a gracefully extending tabletop that forms a sprout surface with a finely grooved panel. The sides are elegantly finished with an ice plate edge, and the straight upper edge gracefully curves inward to a delicate narrow line. The waist connects seamlessly to a panel adorned with wide leather strips, while the central area’s gentle concavity creates stunning variations in light and shadow. Rounded corners and raised lines enhance the overall harmony of the design. The inward-curving horseshoe shape, paired with the leather strips, beautifully captures the flowing elegance of calligraphy. This refined design is a hallmark of late Ming artistry. Provenance 1. The Tamsen Ann Ziff Collection former owner of Wu Bin's 10 Views of a Rock Masterpiece 2. MD Flacks Ltd Bibliography 1. MD Flacks Ltd [Our Spring Show Highlight] - March 2008. Page 14 8