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AN ASSEMBLED FAMILLE JAUNE GARNITURE SET
纽约 北京时间
09月16日 晚上9点 开拍 / 09月14日 下午3点 截止委托
拍品描述
PROPERTY FROM A CALIFORNIA REVOCABLE TRUST AN ASSEMBLED FAMILLE JAUNE GARNITURE SET The censer and candlestands Qianlong/Jiaqing; the beaker vases Late Qing/early Republic period Composed of a censer, two pricket candlestands and two beaker vases, each decorated with 'Eight Buddhist symbols' set amidst a network of fronted lotus flowers and radiating foliate tendrils on a pale yellow ground, the globular censer raised on three cabriole legs and set with paired S-shaped handles embellished with bats and lotus flanking a keyfret-banded rim enclosing the six-character Qianlong mark, the pricket candlestands each supported on a bell-shaped base tapering in to a bulb-form band below a circular tray with flared sides under a smaller cup-form folder, the later beaker vases with similar foot supporting a compressed central band below and bulb-form foot under a long flared neck, all embellished ensuite, and with six-character Qianlong marks in a rectangular reserve. censer 9 7/8in (25.2cm) high; candlestands 11in (28cm) high; beaker vases 10 1/4in (26.1cm) high (5). Footnotes 清乾隆/嘉慶 粉彩黃地纏枝蓮紋五供香爐 粉彩黃地纏枝蓮紋五供燭臺成對 清末/民國 粉彩黃地纏枝蓮紋五供觚形花尊成對 The set is often known as "the Five Offerings" wugong and used in family and clan halls in ceremonies to seek protection from the gods and to perform acts of filial piety. This tradition stemmed from ceremonies involving ritual vessels in the Shang and Zhou period; the censer and beaker forms present in the current lot are reminiscent of archaic ding and gu vessels. Magnificent sets of archaic bronze vessels were cast for ritual use and burial purposes commencing in the Shang (1500 BC-1050 BC) to the Han dynasty (206 BC- 220AD), employing a variety of vessels including large censers ding, beakers gu, wine vessels jue, food vessels gui, with later forms incorporated in the Western and Eastern Zhou period (1050 BC - 221 BC). See the large set of Late Shang and early Western Zhou ritual bronzes on display at the Metropolitan Museum of Art (24.72-1-14) formerly in the collection of Duan Fang, said to be unearthed from a tomb in 1901 and acquired by the Museum in 1924. Altar sets became more standardized in number and type beginning in the late 17th century, when Chinese porcelain was imported to the West through the East India Company (VOC), introducing new ceramic shapes, often in pairs, to a hungry market. The Delft craftsmen began imitating these shapes, creating groups of three, five or seven pieces for display on a mantel piece, thus the garniture as is commonly known. By the 18th century, sets based upon archaic bronze shapes were crafted in the workshops of Guangzhou and Beijing in porcelain and cloisonne enamel for both export and imperial use. For one of the earliest imperial porcelain examples of a five-piece garniture or altar set, see the famous five-piece fahua set, Jiajing mark and period, at the Guimet Museum, accession G3848, n1-5. A five-piece altar set dated to the Qianlong period is published in Evelyn Rawski and Jessica Rawson, China: The Three Emperors (1662-1795), London, Royal Academy of Art, 12 November 2005 - 17 April 2006, p. 139, no. 44. See also See Claudia Brown, Chinese Cloisonné: The Clague Collection, Phoenix, 1980, pl 41, p. 96, dated to the Qianlong period. See Through the Prism of the Past: Antiquarian trends in Chinese Art of the 16th to 18th Century, Taipei, 2003, no. 11-1, p. 90 and in cloisonné ibid., 11-47, p. 179. Five-piece porcelain garnitures have rarely remained together, and this assembled suite is no exception. Most often, individual pieces, once part of these sets will appear on the market. For one example, see a larger but closely related famille rose 'bajixiang' tripod incense burner of larger size, Jiajing mark and period, sold in our London rooms 8 November 2018, lot 160. Another iron-red and gilt-decorated censer was sold in these rooms September 18, 2023, lot 69. A full Jiaqing mark and period five-piece lime-green-ground famille rose 'lotus and bajixiang' garniture set sold at Sotheby's, New York, 16 March 2016, lot 308; and another sold at Christie's, Hong Kong, 3 June 2015, lot 3021. See one formerly in the Meiyintang collection, sold at Sotheby's Hong Kong, 4 April 2012, lot 50; and another at Sotheby's London, 17 December 1980, lot 677 and again sold 11 May 2011, lot 230. For further information about this lot please visit the lot listing

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拍品估价:20,000 - 30,000 美元 起拍价格:20,000 美元  买家佣金:
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1,000,000 - 6,000,000 21.00% + VAT
6,000,000 - 以上 14.50% + VAT
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