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關良 Guan Liang 1900-1986 上海蘇州河 Suzhou River of Shanghai City
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩 木板
Oil on board
一九五〇年代作
Painted in 1950s
26.6 × 28 cm. 10 1/2 × 11 in.
款識 良(左下)
Signed in Chinese on bottom left
來源 1998年5月10日,中國嘉德春季拍賣會,拍品編號1287 現亞洲重要私人藏家直接購自上述來源 滬上瑰寶,頌時代浪潮 關良上海主題經典鉅獻 「我們生動、我們自由, 我們雄渾、我們悠久, 火便是你、你便是我, 火便是他、火便是火, 翱翔、翱翔、歡唱、歡唱。」 ——文學家郭沫若 這是關良最喜歡的一首詩,字裡行間透露他對熱烈生命的嚮往與自由的渴望,更是其一生筆耕不輟的寫照。他於1917年赴東京太平洋美術學校學習西畫,展開現代主義的繪畫實踐,期間曾嘗試野獸派大膽奔放的畫風,並為印象派的光影變化所吸引,特別心儀兩派畫家的純粹,如高更(Paul Gauguin)的莊嚴肅穆、梵高(Vincent van Gogh)充滿張力的色彩,以及馬蒂斯(Henri Matisse)的單純美,他從中提取精粹並建立自我的畫風。1922年回國後,他先後任教於上海美術專科學校、新華藝專與杭州藝專等,期間得益於與黃賓虹、吳昌碩、潘天壽等水墨大師的頻繁來往,使他對書畫展開深入探索,在積極推動西畫運動的同時,立足於民族傳統文化,通過「拙簡」的造型強調個人情感的表達,以單純而瀲灩的色彩關係構成「中國人自己的意象油畫」,開闢出「油畫民族化」的革新面貌。 東方明珠的時代風貌 五〇年代中期,因政治因素關良離開彼時任教的杭州藝專,移居上海,並因此有更多時間投身創作。而作為中國油畫運動的發端之地,上海自古便為中國與域外文明交流的地理前哨,自19世紀以來,西方油畫伴隨著殖民者的政治力,在宗教傳播、商業往來過程中不斷發展,歷時八十餘載,在上海催生出大量中國近代西方藝術與新式教育的開拓者,從而開啟了美術發展的嶄新階段。隨著上海油畫院、上海美術專門學校等教育機構的建立,受到西方藝術大潮影響的傳統藝術也發生急劇變革,以劉海粟、關良、李超士、龐薰琹等人為代表的時代先鋒在中國新文化運動的前夜,率先拉開了一場美術運動的序幕。是次上拍的《上海蘇州河》即誕生於此時。據考據關良曾三度以「上海蘇州河」為主題作畫並以之命名,另二件構圖極為相似,皆以高空俯瞰的廣域視角描繪該地作為交通樞紐的全貌,唯是次上拍之作深入陸地,微觀地由岸邊一隅為視角切入點、細緻地描繪出在地人情、景物的豐富面貌,用色拙中帶巧,畫面活潑明快,獨到揭示出上海動人的都市風采。 暢遊海天一線 「他避免了油畫表面的富麗堂皇,而是自然淡雅,其畫味妙在生熟之間,稚拙、和諧、一氣旋轉,而混成天真。」 ——前上海美術館副館長丁羲元 作品構圖自陸地向河面呈「之字型」展開,以開闊的視野帶觀眾深入早晨忙碌、充滿生機的河岸盛景:前景以在河畔停泊等待乘船的人們之貨輪為分界,街上熙熙攘攘的人們談笑風生,關良在此雖未著重於人物面部的描寫,然而其氣魄聲容均活現如生,讓畫面增添了一絲質樸的日常生活情味。畫面中景則以明淨的湖泊為視覺中心,映襯上方蔚藍的天空。八艘大大小小的船舶航行其中,為此河水帶來生機。遠處的西式建築在地平線上拔地而起,粉、黃、白彩的淡雅色塊均勻地分割地平線,顯示出上海都市建築特有的西式現代結構美,並銜接遠處的外白渡橋,恍然間給人「海天一線」般的視覺享受。畫面整體由近及遠,由密至疏、再至密,既車水馬龍,又鬧中有靜,帶給觀者豐富而不失呼吸感的觀賞體驗。 縱覽歷史輝煌,欣欣向榮 蘇州河在元代以前為主要航運幹道,大型海上商船可經由此駛往蘇州府城。至20世紀上半葉,蘇州河成為上海的內河客運中心,沿岸碼頭林立,商船往來不絕。關良在此以個性化的視角描繪了這一車水馬龍的交通樞紐,更再現了新中國成立之初,萬物初始、整裝待發的勃勃生機。在創作時,他尤為喜愛在「深遠」的空間關係中,展現壯闊的時代風貌,此特色在《上海蘇州河》中表現得淋灕盡致。無論是近處的碼頭配備、密集的建築空間還是來回運駛的貨船,都藉由放射性的空間佈局延伸至畫面深處,使此作展現了強大的凝聚力與秩序感,此不僅與其後期風景繪畫中的壯闊視野形成呼應,更以寫意而精到的圖像表達顯示出珍貴的史料價值。畫中來往穿梭的工人,帶有關良人物典型——「小而形拙」、「神氣十足」的特色,以人物的形體反襯出船艙的宏大,而前景中央的工人談笑風生,顯得額外精神抖擻、朝氣勃勃,成為整個欣欣向榮的工業時代之縮影。時至今日,儘管這些貨運碼頭早已退出歷史舞臺,而這一時期的鮮活風貌卻在此作中得以留存,承載著半世紀的記憶,歷久而彌新! 在關良的畫作中,既可見簡單恣意的筆法,卻又同時展現嚴謹穩健的形體結構,色彩單純有力,卻能回歸平淡天真的境地,無論是民族建設的大國之本,還是百姓生活的小家之心,都在形與色的交織中融為一體,使其筆下人物展現出時代的脈象。正如《上海蘇州河》中人群與樓宇「生動、自由、雄渾、悠久」,川流不息地記錄著一個時代的輝煌,在其畫筆下「翱翔、歡唱」,滿腔熱血、無所畏懼的奔向前方。
PROVENANCE 10 May 1998, China Guardian Spring Auction, Lot 1287 Acquired directly by present important private Asian collector from the above Shanghai’s Radiant Treasure, a Chorus to the Waves of Time The Masterpiece of Shanghai Theme by Guan Liang Presented In 1917, Guan Liang went to the Taiheiyo Art Association in Tokyo to study Western painting, initiating the practice of modernist painting. During this time, he experimented with the bold and unrestrained style of the Fauvists and was attracted to the light and shadow changes of Impressionism. He extracted the essence from these influences and established his painting style. After returning to China in 1922, he frequently interacted with ink painting masters like Huang Binhong, Wu Changshuo, and Pan Tianshou, enriching his exploration of Chinese traditional painting and calligraphy. While actively promoting Western painting movements, he rooted himself in Chinese traditional culture, emphasizing the expression of personal emotions. He used simple and flowing colour relationships to create "Chinese imagery oil paintings," pioneering the "nationalization of oil painting" with an innovative face. The Era’s Charm of the Oriental Pearl In the mid-1950s, due to political reasons, Guan Liang left the Hangzhou Art College where he was teaching at that time and moved to Shanghai, allowing him more time for artwork creation. As the birthplace of the Chinese oil painting movement, Shanghai has long been a geographical outpost for the exchange of Chinese and foreign civilizations. Since the 19th century, it has given rise to numerous pioneers of modern Western art and new education in China, opening a new stage in the development of fine arts. On the eve of the New Culture Movement in China, pioneers of the time such as Liu Haisu, Guan Liang, Li Chaoshi, and Pang Xunqin initiated an art movement, laying the foundation for the development of fine arts. The artwork?Suzhou River of Shanghai City, featured in this auction, was born during this period. According to research, Guan Liang painted three times with the theme "Shanghai Suzhou River" and named them accordingly. However, the work up for auction this time delves into the land, using a corner of the riverbank as a focal point to intricately depict the rich scenes of local life. With skilful use of colour and lively brushstrokes, it uniquely reveals the charming urban style of Shanghai. Enjoying the Horizon of Sea and Sky The composition of the artwork unfolds in a "之" shape from the land to the river, offering a broad perspective that takes viewers deep into the bustling and vibrant scenes along the riverbank on a busy morning. The foreground is divided by cargo ships waiting for passengers by the riverbank, with people bustling about on the streets. The middle ground features a clear lake as the visual centre, complemented by the azure sky above. Distant Western-style buildings rise from the horizon, with delicate pastel blocks of pink, yellow, and white evenly dividing the skyline, showcasing the unique modern architectural beauty of Shanghai. The view seamlessly connects to the distant Garden Bridge, providing a visual enjoyment reminiscent of the "sea and sky in one line." The overall composition transitions from near to far, from dense to sparse, creating a vibrant and dynamic yet serene visual experience for the viewer. The Glorious History Flourishing with Vitality By the first half of the 20th century, the Suzhou River became the inland passengers’ transport centre of Shanghai, with numerous wharves along its banks and constant traffic of merchant ships. Guan Liang portrayed this bustling transportation hub from a personalized perspective, capturing the lively scenes of a vibrant new China in its infancy. Whether it is the close-up view of the wharf facilities, the dense architectural spaces, or the cargo ships shuttling back and forth, the spatial layout radiates through the depth of the painting. This not only echoes the expansive views in his later landscape paintings but also presents valuable historical material with expressive and refined imagery. The grandeur of the ships is accentuated by the figures in the foreground, while the workers in the central foreground appear spirited and full of vitality, serving as a symbol of the prosperous industrial era. Although these freight docks have long exited the stage of history, the lively scenes of this period are preserved in this artwork! In Guan Liang’s paintings, one can observe a simple and unrestrained brushstroke style, combined with a rigorous and stable structural form. The colours are simple yet powerful, returning to a plain and innocent state. Whether it is the foundation of a great nation’s construction or the essence of everyday life, the intertwining of form and colour unifies under his brush, revealing the pulse of the times in his depictions of characters.

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价格信息

拍品估价:1,000,000 - 2,000,000 港币 起拍价格:1,000,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

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