| 中文版 English

具体要求

其它要求

-
关闭
吳冠中 Wu Guanzhong 1919-2010 蘇州網師園 The Wangshi Garden of Suzhou
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
鋼筆 墨 紙本
Ink on paper
一九八三年作
Painted in 1983
28.8 × 40 cm. 11 3/8 × 15 3/4 in.
款識 八三年 荼 藝術家鈐印(右下) 出版 1988年,《吳冠中速寫集》,四川美術出版社,成都,第37頁 2007年,《吳冠中全集:第一卷》,湖南美術出版社,長沙,第210頁
Signed and dated in Chinese with an artist’s seal on bottom right LITERATURE 1988, Collection of Wu Guanzhong’s Sketches, Sichuan Fine Arts Publishing House, Chengdu, p.37 2007, The Complete Works of Wu Guanzhong, vol. I, Hunan Fine Arts Publishing House, Changsha, p.210
來源 2020年7月9日,香港蘇富比中國書畫拍賣會,拍品編號2754 現亞洲重要私人藏家直接購自上述來源 滿園春色關不住,遊人熙攘燕歸來 吳冠中之蘇州園林妙品 「為了探求生活中和大自然中的美感,數十年來我幾乎年年背著畫箱走江湖,用繪畫來表現對祖國的情意。我畫過西藏高原、玉龍雪山……但我最愛畫,而且年年想畫的還是江南故鄉。」 ——吳冠中 「從藝六十年,寫生六十年」的吳冠中,究其一生都將「素描寫生」作為探索藝術的重要方式。而其寫生時不以西方常用的炭筆或鉛筆為材,多用流利的鋼筆偶輔以墨水筆創作,憑藉敏銳的眼、心與手運籌帷幄、旋風下筆,不僅記錄了彌足珍貴的旅行見聞,更在和自然的親密接觸中不斷磨礪敏銳的捕捉能力、陶冶美學情操。可以說,正是因對素描寫生的堅持,吳冠中才得以在藝術道路上攀越高峰、成就一代宗師。 1979年,隨著創作環境的放鬆和經濟條件的改善,其創作進入「爐火純青的成熟」階段,而其紙上速寫也如藝評家水天中所言,進入一個「最值得研究和關注的時期」,作為獨立的藝術「完全形成成熟風格」。而1983年,恰逢「吳冠中作品展」在江蘇美術館舉行,他除返鄉辦展外,亦於家鄉遊歷寫生,於江蘇園林流連忘返。是次呈現的《蘇州網師園》即成於該年,方寸之間再現巧奪天工的詩情畫意。 山水如畫,妙現天工 蘇州四大名園中,以「網師園」最為精緻小巧、以佈局精妙譽滿四海。如紐約大都會博物館內一座中式「明軒」即以其為藍本,足見代表性。網師園融合自然意象和建築,凝聚中華千年的美學精粹,一步一景、美不勝收,正如明代造園家計成所言:「雖由人作,宛自天開」。在該園諸景中,吳冠中尤愛那經典的主池「彩霞池」東岸。《蘇州網師園》一作所繪,即為從「月到風來亭」欣賞「彩霞池」東岸的景象,畫境可見左側「半山亭」四角飛檐、向上昂揚如大鵬展翅;而中心處他以狂草一般帶有粗細變化的抽象筆觸,畫出錯落有致的遒勁方形黃石,石塊古樸嶙峋,層層疊疊如小山一般和池水相映成趣,正展現吳冠中所言:「各個生命有各自的特殊形象,無生命的石頭也具獨特的風骨」;此外,背景處高聳的「觀音兜山牆」如同兩座巍峨遠山,在天際遙遙矗立,此獨特的風光在江南園林中僅此處可見,層次分明的景緻如若「高山流水」,極具標識性。 早在1973年,吳冠中在「蘇州園林」系列的開山之作油畫《蘇州網師園》中,便曾以側面角度同繪此景,正如「橫看成嶺側成峰,遠近高低各不同」,藝術家以不同角度對於此景的反復描寫,證明了他深沉的喜愛,亦精妙概括了蘇州園林從精微之處見廣大的美學價值,令其流連忘返。而究其畢生創作,其以「網師園」為題的鋼筆速寫作品僅有2張,並僅有本作被收錄在其全集出版中,突出了作品的珍稀性。 春回大地的和諧盛景 此作中,吳冠中不僅畫出了蘇州園林佈局的精妙,更一展「春回大地」的醉人場景。他發揮「搬家寫生、移山倒海」的手法構圖,戲劇性地放大岸邊隨風擺動的柔美嫩柳、古樸的松樹,及觀音兜山牆後探頭的新芽,令它們向中心匯聚延伸,烘托出萬物復甦的氛圍。植被的葉片以極簡的墨點表達,惟妙惟肖地展現萌芽初生、嬌嫩欲滴的特點,僅憑墨色即傳遞出蓬勃的綠意想像。左側亭中,人們熙熙攘攘地踏青,好不熱鬧,幾筆寫意的墨線畫出池中成群的遊魚、空中成雙成對的飛燕,無不突顯春回大地、和諧美滿的衷情禮讚,反映出吳冠中對故鄉久別重逢的激動之情,及其生活和創作條件改善後,胸中豐沛喜悅、對未來充滿信念的心境。 吳冠中師法造化,加之以感性的浪漫,展現了網師園內人文與自然、遊人與動物的和諧天成,詮釋了古典園林中兼容並蓄的深刻內涵,及傳統文化傳承中「天人合一」的大智慧。作品記錄了時節之美、天倫之樂、流動之景,令畫面活了起來,引人入勝!
PROVENANCE 9 Jul 2020, Sotheby’s Hong Kong Fine Chinese Paintings Auction, Lot 2754 Acquired directly by present important private Asian collector from the above The Vibrant Hues of Spring Cannot be Contained, as Bustling Visitors Herald the Return of Swallows Wu Guanzhong’s Masterpiece of a Suzhou Garden "I have painted the Tibetan Plateau and the Yulong Snow Mountain... but what I love to paint the most, and what I yearn to paint every year, is still my hometown in Jiangnan." ——Wu Guanzhong Throughout his life, Wu Guanzhong considered "sketching from life" an important way for artistic exploration. With a discerning eye, a passionate heart, and skilled hands, he effortlessly captured life’s nuances with his pen. His sketches not only documented cherished travel experiences but also refined his acute ability to capture details and nurtured aesthetic sensibilities through intimate encounters with nature. It is precisely this commitment to capturing life’s essence that propelled Wu Guanzhong to the pinnacle of his artistic career, earning him the status of a master in his generation. By 1979, with a more relaxed creative environment and improved economic conditions, Wu Guanzhong’s art had reached a stage of maturity. As art critic Shui Tianzhong observed, his sketches on paper had evolved into independent artworks with a "completely mature style". In 1983, during the Wu Guanzhong Art Exhibition at the Jiangsu Art Museum, he returned to his roots, immersing himself in the splendour of Jiangsu’s gardens. It was during this time that he completed The Wangshi Garden of Suzhou, capturing the exquisite beauty of nature with remarkable vividness. A Testament to Divine Craftsmanship and Picturesque Landscapes Suzhou’s Wangshi Garden stands out as the most delicate and renowned among the city’s four famous gardens. Notably, the Chinese-style "Mingxuan" in the Metropolitan Museum of Art in New York draws inspiration from Wangshi Garden, underscoring its global significance. Wu Guanzhong’s The Wangshi Garden of Suzhou depicts the scene from the Yue Dao Feng Lai Pavilion, where one can marvel at the Caixia Pond on the east bank - a sight cherished by the artist. From the pavilion’s eaves soaring like birds to the abstract brushstrokes resembling wild grass and the meticulously arranged square yellow stones in the centre, every detail is imbued with a sense of awe. The towering Guanyindou gable in the background adds a unique touch, reminiscent of distant mountains standing tall in the sky, a sight found only in the Jiangnan gardens. As early as 1973, Wu Guanzhong had depicted the scene of Suzhou’s Wangshi Garden in his pioneering oil painting series Suzhou Gardens, showcasing his enduring affection for the place. Throughout his lifetime, he produced only two pen sketches of Wangshi Garden, with this particular piece being the sole inclusion in The Complete Works of Wu Guanzhong, highlighting its rarity and significance. The Harmonious Grandeur of Spring’s Return to Earth In this masterpiece, Wu Guanzhong not only captures the meticulous layout of Suzhou’s gardens but also conveys the intoxicating beauty of spring’s return to earth. From the graceful sway of willows and ancient pine trees to the tender shoots peeking out behind the gable, every element converges towards the centre, evoking a sense of harmony and renewal. With minimalistic ink dots, he brings to life the vibrant greenery, while bold ink lines depict lively scenes of people enjoying the spring and schools of fish swimming in the pond, mirroring the joyous harmony of nature. This artwork reflects Wu Guanzhong’s profound connection to his hometown and his optimism for the future, fuelled by improvements in his life and creative conditions. Infused with romantic sensibility and reverence for nature, Wu Guanzhong’s masterpiece celebrates the innate harmony between humanity and the natural world within Wangshi Garden. It embodies the profound cultural heritage of classical gardens and the timeless wisdom of "the unity of heaven and humanity", inviting viewers to immerse themselves in its beauty and contemplation.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
1,000
10,000
2,000 5,000 8,000
100,000
10,000
200,000
20,000 50,000 80,000
1,000,000
100,000
2,000,000
200,000 500,000 800,000
10,000,000
1,000,000
+

价格信息

拍品估价:500,000 - 600,000 港币 起拍价格:500,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

拍卖公司

中国嘉德(香港)国际拍卖有限公司
地址: 中国香港金鐘道89號力寶中心一座五樓
电话: 852-28152269
邮编: 10000
向卖家提问