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王濟遠 Wang Chiyuan 1893-1975 幽香 Delicate Fragrance
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩 畫布
Oil on canvas
一九四一年作
Painted in 1941
46 × 38 cm. 18 1/8 × 15 in.
款識 Wang. Chiyuan 1941 (左下) 濟遠寫(畫背)
Signed in English and dated on bottom left; signed in Chinese on the reverse
來源 2004年5月16日,北京華辰拍賣會,拍品編號18 現亞洲重要私人藏家直接購自上述來源 清香閒自遠 王濟遠融貫中西的動人雅韻 王濟遠是中國現代美術史先驅之一。1893年出生於江蘇的他,19歲從江蘇第二高等師範學校畢業,隔年進入上海圖畫美術學院(今上海美專)進修,畢業後被延攬留校任職長達十二年。1919年,王濟遠以精通水墨、水彩及油畫名聲鵲起,他與潘玉良、張大千、常玉、徐志摩等名家過從甚密,更是潘玉良啟蒙的老師。1920年他與劉海粟創立「天馬會」,三〇年代加入中國最早、最重要的現代藝術團體「決瀾社」,成為推動中國現代藝術發展的前鋒。在1920年代末至1930年代初,他曾多次到訪日本及歐洲多國進行寫生及舉辦個展,以寫意描繪風景、花卉、肖像主題見長,將中國傳統水墨的精神與西方寫生相結合,為國畫注入新風。1941年他因戰亂赴紐約定居,二年後在紐約大都會博物館參與了《中國現代繪畫展》,揚名美國藝壇。1947年後,他在美創辦「華筆書畫學院」,傳授中國書畫,並受邀在紐約雪城大學(Syracuse University)講課,桃李滿園,窮盡一生為中西藝術的交融與傳播立下汗馬之功。其作品獲藏於芝加哥美術館(The Art Institute of Chicago)、故宮博物院、台北歷史博物館、北京中國美術館。 凝香幽韻,光彩絕塵 「我們看到宇宙萬物的色彩,已不是物體的本色,而是一種光的幻變。」 ——王濟遠 綜觀藝術家過去逾三十年間於拍賣場出現的作品絕大多為紙本及水彩,赴美後他甚少以油彩畫布創作。是次春拍呈現的油畫《幽香》完成於藝術家甫赴美的1941年,彼時其繪畫技法已進入成熟階段,實為藝術家畢生難得油彩瓶花之寫。瓶花題材在西方最早見於1600年,藝術家將稍瞬即逝的花期永恆定格於畫布之上,以留住世間美好。王氏早年以水彩畫聞名,遊歷歐洲後更注重油畫技法及立體感,畫面用彩更厚實,本作兼備東方文人畫的清雅悠遠,與西方油畫的點刷之美。作品構圖精簡凝練,藝術家以俐落的線條及深淺不一的翠綠構畫出花莖,它們錯落有致地靜置於通透的淺藍色琉璃瓶中,瓶中由水折射而放大的花枝被藝術家以白、綠之色重疊而淋漓展現。瓶中插著百合、鈴蘭與凌霄花,粉色的嬌嫩、藍白色的沉靜、橙色的跳躍清透、夢幻,在王氏酣暢的線條下綺麗和諧。作品以相互垂直的線條構建室內空間,背景被多彩的霧藍及厚重的褐紫色一分為二,與桌面上的兩色融合相互呼應,以此明暗對比闡述物體與空間的量感,與塞尚提倡的「以自由色塊組合體現物像體量感」相吻合。花枝生命力頑強,無限向上生長,左側花蕊較右側更多,繁華錦簇卻不爭不搶,各自盛開,而右側花簇稀疏,在紫色背景下尤為安靜,寵辱不驚,一片悠然。王氏不僅通過油彩的獨特質感實寫花與物的型態,再以澄淨的用色和素雅的線條演繹獨具東方神韻與性格恬靜的百花,流光瞬息裡,寧靜致遠。
PROVENANCE 16 May 2004, Hua Chen Beijing Auction, Lot 18 Acquired directly by present important private Asian collector from the above Delicate Fragrance from Afar: Wang Chiyuan’s Alluring Fusion of East and West Wang Chiyuan is one of the pioneers in the history of modern Chinese art. He was born in Jiangsu in 1893 and graduated from Jiangsu Second Normal School at the age of 19. The following year, he enrolled at the Private Shanghai Academy of Fine Arts for further studies. Upon graduation, he stayed on as a faculty member for twelve years. In 1919, Wang Chiyuan gained fame for his proficiency in ink washing, watercolour, and oil painting. In 1920, he co-founded the "Tianma Society." From the late 1920s to the early 1930s, he made multiple visits to Japan and several European countries for sketching and solo exhibitions and adeptly merged the essence of traditional Chinese ink painting with Western life sketching. In 1941, due to the wartime situation, he settled in New York, and two years later, he participated in the Chinese Modern Painting Exhibition at the Metropolitan Museum of Art, gaining recognition in the American art scene. After 1947, he established the School of Chinese Brushwork in the United States, through which he promoted Chinese art for twenty years. His works are housed in prestigious collections. Capturing Essence: a Delicate Fragrance and Subtle Radiance "We perceive the colours of the universe not as inherent qualities of objects, but as a play of light, a mesmerizing transformation." ——Wang Chiyuan In the retrospective view of the artist’s works in the auction market, the majority has been comprised of works on paper and watercolours. The featured oil painting, Delicate Fragrance, was completed in the year the artist arrived in America. At that time, his painting technique had entered a mature stage, making it a rare example of the artist’s lifelong portrayal of floral motifs in oil. The work harmoniously blends the slight distance of traditional Eastern literati painting with the beauty of Western oil painting brushwork. The composition of the piece is simple and refined, using crisp lines and varying shades of emerald green to depict flower stems. They are artfully arranged within a translucent light blue glass vase. The flowers within the vase, refracted and magnified by water, are vividly presented by the artist through overlapping layers of white and green. Three types of flowers are arranged in the vase, showcasing delicate pink, serene blue-and-white, and vibrant orange colours. The artwork features a plain wall as the background, constructed with mutually perpendicular lines, with the background divided into two parts by colourful misty blue and rich brown purple, echoing the two colours on the tabletop. This contrast of light and shadow illustrates the sense of volume between objects and space, aligning with Cézanne’s advocacy for "expressing the volume of objects through the free combination of colour blocks." Wang not only captures the form of flowers and objects through the unique texture of oil paint but also interprets the distinct Eastern charm and calm character of flowers with pure colours and elegant lines. In the fleeting moments of flowing light, serenity extends infinitely.

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价格信息

拍品估价:250,000 - 350,000 港币 起拍价格:250,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

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