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歐陽春 Ouyang Chun b.1974 觀星車 Stargazing Auto
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩 畫布
Oil on canvas
二〇〇六年作
Painted in 2006
205 × 205 cm. 80 3/4 × 80 3/4 in.
款識 OYX 2006 (右上) 觀星車 歐陽春2006(畫背) 出版 2006年,《璀璨:歐陽春》,星空間,北京,第316至317及321頁
Signed in English and dated on upper right; signed and titled in Chinese and dated on the reverse LITERATURE 2006, Luminescent - Ouyang Chun, Star Gallery, Beijing, p.316-317, and 321
來源 北京星空間 台北Gallery J. Chen畫廊 現亞洲重要私人藏家直接購自上述來源 奔赴璀璨的星辰大海! 歐陽春以群星書寫的生命熱忱 「記得仰望星空,別老是俯視腳步,試著為你眼前的事物尋找意義,驚嘆這宇宙如何形成。請記著要保持好奇心。無論生命歷程有多艱難,你也有機會有所成就,重點是不要放棄。」 ——英國物理學家霍金(Stephen Hawking) 1994年畢業於西安美術學院現居北京的歐陽春,是目前備受關注的中國當代領銜藝術家之一。其創作由對生活和社會現實的細膩體察中尋找題材,抒發自我對於循規蹈矩的「叛逆」。他摒棄矯揉造作的窠臼,大膽地擺脫傳統技巧及常規,而以充滿拙趣、熱烈、率性幽默的畫風,開創了屬於他的一片天地。當中濃烈厚重的油彩、瀟灑飛揚的筆觸都是他的武器,構築其內心真實而直白的「理想世界」。他的「本能繪畫」表達了不被世俗磨滅的詩意想象,帶領觀者找尋、重見存在於已心的那個「孩子」,令他在藝術界脫穎而出。其曾受邀於奧地利國家美術館、德國柏林收藏家美術館、北京炎黃美術館舉辦個展,為70後首位在歐洲重要美術館舉辦個展的中國藝術家。 「金色時期」重磅代表作現身,力與彩的狂歡 是次上拍的《觀星車》完成於2006年,為歐陽春藝術事業騰飛階段飽含才情的重要表徵。回顧2004年,他發表了首次個展,次年即獲北京星空間畫廊的賞識相惜,並迎來此後的創作爆發期。如同魚龍從狹窄的池塘一躍而出,他開始如饑似渴、日以繼夜地創作。歐陽春曾形容當時的心境為:「通宵達旦地畫著,如同狂歡」。由此,開啟由2005直至2010年的「金色時期」,該時期其靈感如井噴泉湧進入關鍵的創作轉折期。他自此揮別此前的灰色基調,轉以絢爛的色彩和濃烈迅捷的筆觸,樹立了獨特的個人風格,奠定其如今在藝術界堅實地位的基礎。正如其於回憶錄所自言:「我後來的繪畫很多都是從這個時期的感覺中延伸出來的」,「金色時期」對於藝術家的重要性不喻自言。而《觀星車》正是他該時期宏偉的大尺幅代表作,並作為壓軸之作被收錄於其首部作品集《璀璨》。 畫作中,漆黑的夜空正上演一場輝煌的星樂交響,正如其啟蒙藝術家梵高(Vincent van Gogh)的《星夜》一般,歐陽春以誇張化的碩大金色星體層層密構,展現宇宙廣袤無垠的震撼天河。他以極簡而有力的畫筆直接蘸取具高飽和度的黃色顏料,勾勒出五角星的外形,彷彿在黑色絲絨上拋灑的鑽石,絢爛而光彩奪目,星體旁若無人、毫不扭捏地盛放著自身的光彩。而在星形外緣,極具速度感的亮黃線條擬作光纖向四方輻射,點亮整個夜空,如若星星張開雙手熱烈、歡快地和地面上的人們問好。而星體上疏密不一的短筆,巧妙地展現出自然中群星明暗各異、閃爍多變的情景,令每一顆星星獨一無二。此外透過星體大小的變化,除強化景深外,也為觀者產生忽遠忽近的獨特視覺感,及心理感知,提供了猶如凝望真實星空的趣味性和可讀性。而閃爍的星星如同一個個寄託與想望,在黑暗中燃亮熊熊的希望之光,?激動、砥礪人心! 返璞歸真的赤子之心 「孩童天真而善忘,一個新的開始、一個遊戲、一個自轉的旋,一個原始的動作,一個神聖的肯定。為了創造的遊戲,生命需要一個神聖的肯定,此刻精神有了自己的意志,世界的流放者乃又重回到自己的世界。」 ——法國哲學家尼采(Friedrich Nietzsche) 深受尼采影響的歐陽春曾自言:「在我看來,完美的人生就是從駱駝到獅子,從獅子到孩童,駱駝比喻人們在現實之中的負累和枷鎖,獅子代表雄偉的力量和勇猛反擊,孩童即返樸歸真。」他雖具學院派嚴格的訓練功底,但刻意選擇以孩童塗鴉一般純真的筆觸構築他的神聖的王國,言說著深入靈魂的生命體驗,令人感到反樸歸真的樂趣。在《觀星車》的畫面中下區,歐陽春以極簡的筆觸構畫出一輛如孩提時代玩具小汽車一般的紅色跑車,車體鼓著圓圓的肚子、打亮起金色的車燈,載著兩個成年男子在星空下馳騁。兩位觀星者抿著雙唇、微彎著眉、齊齊入迷地凝視著上空。他們的眼神中或是驚愕、或是震撼,或是迷惘,流露一絲淡淡的憂鬱,如若成人對於童年的懷想,天上的繁星在深夜中喚醒著曾經年少的自己,以及那些也許被生活磨平的想望,牽動著無數人的心。 歐陽春的童年時期經常和玩伴在郊外觀星,對自然有著深刻共鳴。在西安美院學習時,他不拘泥於學院派的成規,經常逃離至郊野,不論冬夏地成日在室外寫生。樊川之上、終南山旁純美的風土,是他的世外桃源,也讓他深深領悟了宇宙的純粹及攝人的美麗。而在獨自赴北京闖蕩的初期,他經歷了多次碰壁和迷茫的掙扎,但心中的「啟明星」始終指引著他,努力在浮躁的社會中保持本心,持續不斷地繪畫,終於成為如今中國當代藝術界的箇中翹楚。此作如若他以成人身份回溯童年觀星的記憶,在千帆過盡、驀然回首的時刻,從孤獨中誕生一種令人熱淚盈眶的浪漫。誠然,人類相比無垠的宇宙,或許只是滄海一粟,卻能被宇宙深深鼓舞,令人想起愛爾蘭知名文學家王爾德(Oscar?Wilde)的詩句:「即使我們深陷泥潭,但總有人在仰望星空。」 歐陽春以純粹的筆觸帶動濃烈的情感,以純真而直截的風格帶人捕獲心中對理想至死不渝的浪漫宣言。他以「觀星」表達對於生命的渴望、對藝術癡迷的熱愛、對理想的前仆後繼、在寒冷的夜晚燃亮了理想的光彩,帶給人奔赴前程萬里的勇氣及希望!
PROVENANCE Star Gallery, Beijing Gallery J. Chen, Taipei Acquired directly by present important private Asian collector from the above Heading for the Brilliant Stars and Sea Ouyang Chun’s Passion for Life Written in the Stars "Remember to look up at the stars and not down at your feet. Try to make sense of what you see and wonder about what makes the universe exist. Be curious. And however difficult life may seem, there is always something you can do and succeed at. It matters that you don’t just give up." —— British Physicist Stephen Hawking Graduating from Xi’an Academy of Fine Arts in 1994 and living in Beijing, Ouyang Chun is among the most recognized leading contemporary Chinese artists. His works are based on a sensitive understanding of life and social realities, expressing his rebellion against conformity. He boldly breaks away from traditional techniques and conventions and opens up his own world with a style full of childish charm, passion and humour. The rich and dense oil paints and the unrestrained and expressive brushstrokes are his weapons to construct a genuine and straightforward "ideal world", leading the viewer to seek and reunite with the "child" in one’s heart, making him outstanding in the art world. As one of the first Chinese artists born in the 1970s to hold a solo exhibition in major European art museums, he has been invited to hold solo exhibitions at the Kunsthistorisches Museum in Austria, the me Collectors Room in Berlin, Germany, and the Yanhuang Museum Art Museum in Beijing. A "Golden Age" Masterpiece Emerges A Celebration of Power and Colour Stargazing Auto?was completed in 2006 and is a representative of Ouyang Chun’s artistic career, which began with his first solo exhibition in 2004, followed by an appreciation from Beijing’s Star Gallery the following year, then a period of exploding creativity after that. From 2005 to 2010, he entered a golden age with endless creative inspiration and a critical turning point in his creative endeavours. Since then, he switched from the previous grey tones to colourful and swift brushstrokes, establishing a unique personal style and laying the foundation for his solid position in today’s art world.?Stargazing Auto?is a large-scale masterwork of this period and is the closing work of the artist’s first collective body of works,?Luminescent. The painting shows a brilliant symphony of stars in the night sky. Like?Starry Night?by?Vincent van Gogh, who is Ouyang Chun’s source of inspiration, the artist composes layers of exaggeratedly big golden stars to show the vast expanse of the universe. With minimalist yet powerful brushstrokes, he dips into highly saturated gold pigment and outlines the pentagon forms like diamonds scattered over a piece of black velvet. Brilliant and glittering, the stars shine unapologetically in their splendour. Exuding a sense of speed, golden lines on the outer edge of the stars radiate in all directions like rays of light and illuminate the night sky. The short, golden strokes on the bodies of the stars are sometimes applied densely and sometimes sparsely, cleverly demonstrating the stars’ different shades and ever-flickering nature, rendering each one distinctive and unique. The twinkling stars are like the manifestations of people’s wishes, igniting the light of hope in the darkness. Returning to the Basics with a Heart of Gold Although Ouyang Chun has academic training, he deliberately builds his sacred kingdom using innocent brushstrokes like the doodling of a child. With this, he speaks of the life experiences deep in one’s soul, bringing people the joy of returning to nature. In the lower middle section of Stargazing Auto, a red sports car that looks like a toy car carries two adult men under the starry sky. With pursed lips and slightly arched eyebrows, the two stargazers gaze upward in fascination. Their eyes communicate shock, amazement, or confusion, with a hint of melancholy like an adult’s nostalgia for childhood. The stars in the midnight sky call to their young selves and the sparks of aspirations that may have been put off by life, touching the hearts of countless people. During childhood, Ouyang Chun used to go stargazing with his friends in the countryside, which fostered a deep resonance with nature in him. In the early days of his solo stay in Beijing, he struggled with many setbacks and confusion. Still, the star in his heart always guided him to eventually become one of the leading figures in China’s contemporary art scene today. This work is like a flashback to his childhood stargazing memories as an adult. Indeed, human beings are just a drop in the ocean compared to the infinite universe, but we are ever so profoundly inspired by it. With simple brushstrokes that bring out strong emotions, he uses stargazing to express a longing for life, an obsessive love for art, and a dedication to his ideals, igniting his dreams in the cold of the night and giving people the courage and hope for the future.

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拍品估价:800,000 - 1,500,000 港币 起拍价格:800,000 港币  买家佣金:
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20,000,000 - 以上 14.00%

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