| 中文版 English

具体要求

其它要求

-
关闭
村上隆 Takashi Murakami b.1962 圓相:死亡象徵 藍與紅 Ensō: Memento Mori Red on Blue
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
壓克力彩 畫布
Acrylic on canvas
二〇一五年作
Painted in 2015
100 × 100 cm. 39 3/8 × 39 3/8 in.
款識 TAKASHI 2015 O(畫背)
Signed in English, titled and dated on the reverse
來源 洛杉磯Blum & Poe 畫廊 洛杉磯私人收藏 亞洲重要私人收藏 致敬生命的終極感悟 村上隆「圓相」的當代示現 「我希望能達到的境界是筆在紙上自由描繪,而無貪無慾;在這種境界中,我因無法掙脫生存的欲求,轉而作畫以此慰藉。我希望在介於人和靈體之間的狀態作畫,而這一次,我也許接近了這種禪定的狀態,也很幸運能成功畫出『圓相圓』。」 ——村上隆 骷髏頭、彩色笑臉花朵、小怪獸一般的DOB先生……這些為人所熟知的經典符碼是日本前衞藝術家村上隆的代表性語彙。作為「超扁平」(Superflat)藝術概念的提出者,他將日本御宅族的卡漫文化帶入藝術殿堂,打破了二者的隔閡,透過看似浮華繁複的畫境指涉著社會現實的深刻內涵。 村上隆在當代藝壇的地位舉足輕重,粉絲遍佈世界,在歐、美、亞洲市場均具強大影響力。他於2003年起,連續十一年入選英國《藝術觀察》(ArtReview)雜誌「當代藝術年度百大人物」。其作曾為紐約現代藝術博物館、巴黎凡爾賽宮、芝加哥當代藝術博物館等無數重要機構收藏。而其創辦的Kaikai?Kiki畫廊更是作為日本知名的「藝術家孵化機」,成功發掘了Mr.、高野綾等當紅藝術家,使村上隆被譽為日本當代藝術「教父」。 而這位將「超扁平」和「幼稚力」發揚光大的明星藝術家,卻也是第一位獲得東京藝術大學日本畫博士學位者。他對日本傳統藝術了若指掌,在其後的創作中,並提取日本禪宗、佛教的精萃,將之轉化為個人語言,以幽默童真的特出卡漫風格,傳遞歷久彌新的人間之理。尤其在2011年他經歷日本311大地震及其父親去世的打擊,促使其創作轉變,進一步往生命哲理深探——「羅漢」、「圓相」等元素在此時成為其創作的重要主題,他將日本傳統和當代普普卡漫相結合,打破刻板印象,為古老的哲思尋找新的普世意義。《圓相:死亡象徵?藍與紅》正是村上隆2015年開啟的「圓相」系列中特出的一幀,結合了禪宗思想中的重要意象「圓相」和其標誌性的「骷髏」二大元素,反映對於生死觸及靈魂的深刻感悟。同年在此作完成後,村上隆更以此為原型進一步創作版畫,足見其對作品的高度滿意及重視。 東西方哲思的現代碰撞 「一切生者皆為死者的復生,練習哲學就是練習死亡。」 ——希臘哲學家蘇格拉底(Socrates) 「圓相」的觀念起源於宋代的禪學,以一個圓形代表從本我出發、行至極遠、再以大徹大悟回歸本我的歷程。它隨禪宗傳入日本,發展為古代日本「禪畫」藝術中的經典主題。其中,十七至十八世紀著名的禪師白隱慧鶴就在「圓相」禪畫上具極大貢獻,他畢生竭力傳達禪的真義、捨己度人、並留下了一萬多件水墨禪畫。而「圓相」即為代表白隱大師以內心修煉突破頓悟境界的重要主題。村上隆曾言:「我預想藝術家的終極造詣是仙崖義梵,或白隱禪師晚年時的禪畫所顯現的心境。」因之表現在此作中,村上隆以當代的壓克力噴漆媒材,在繁複的骷髏構圖之上噴出一個完滿的圓,留下自然的滴流,並在圓相中心噴以星星點點的白漆。點滴噴漆若融匯為銀色長河,在流動和濺射中塑造出夢幻神聖的氛圍,若一展無數生命的靈魂的光點從下方骷髏所象徵的肉體凡胎中抽離、匯聚,示現生命轉世輪迴的軌跡,將觀者帶入禪修的空靈境界中,為傳統的禪學經典做出全新的當代詮釋。 而作品名中的「死亡象徵」(memento?mori)則是西方中世紀一句格言,它提醒人們人生終有一死,但不應被浮華和享樂迷惑雙眼,應保持清醒的頭腦,將每一日當做生命中的最後一天,時刻珍惜光陰而有所作為,便能無懼無憾。此觀點早在古希臘、羅馬時代即被哲學家提出,後續隨著基督教義成為了西方盛行的概念。由古至今,不少以此概念為主題的名畫誕生,並配以象徵性的骷髏,成為了西方藝術重要的意象。村上隆在此特別援引了「死亡象徵」為題,並結合他標誌性的骷髏元素,以當代的普普潮流重塑西方經典哲學格言。 在此畫中,村上隆大膽地以如火焰、熱情的紅彩,及如大海、天空般沉澱包容的藍彩為主色,製造冷暖色調的碰撞。在深淺藍彩交疊的骷髏中,幾抹紅、金色彩若隱若現,如若冰火合奏,歌頌著一曲跌宕起伏的生命之歌。千萬骷髏形態各異、密集地團聚在一起,好似眾生百相,在神秘而縹緲中被圓相聯結,不論前世恩怨糾葛、富貴或貧賤,均平等地面對死亡、無分彼此。而觀者可透過中心那猶如黑洞的「圓相」,如若開啟「天眼」,得以審視其後浮華盡褪的世界,如同以靈魂的高維角度一窺天機。此番結合東、西方生命哲學的景象激發出強烈的視覺衝擊,震撼人心!
PROVENANCE Blum & Poe, Los Angeles Private Collection, Los Angeles Important Private Collection,Asia An Homage to the Ultimate Understanding of Life Takashi Murakami’s Contemporary Manifestation of "the Ensō" "I would like to reach the point where my brush would move with a life of its own, where I would have no greed or desire. Or perhaps where I would retire to the act of painting precisely because I cannot escape the desire to live. That is, I would like to become an existence that cannot be identified either as a human being or a ghost, and to paint wanderingly in that state. This time I think I may have come close to that state of wandering. And I was lucky enough to successfully paint the ensō motif." ——Takashi Murakami As the originator of the concept of "Superflat" art, Takashi Murakami is a significant figure in the contemporary art world and has fans worldwide. He has been selected as one of the "Top 100 Contemporary Artists of the Year" by ArtReview for eleven consecutive years since 2003. His works are collected by the Museum of Modern Art in New York, the Palace of Versailles in Paris, the Museum of Contemporary Art Chicago and many other major institutions. His company, Kaikai Kiki, has also successfully discovered celebrated artists such as Mr. and Aya Takano, giving Murakami the title, the "Godfather" of Japanese contemporary art. Apart from being the celebrity artist who carries forward "Superflat" and "kawaii", Murakami was also the first to receive a doctorate in Japanese painting from the Tokyo University of the Arts. He is knowledgeable in traditional Japanese art, which he transforms into a personal artistic language in his subsequent works. In 2011, the devastating experience of the Tōhoku Earthquake of March 11, 2011, and the death of his father prompted him to turn and delve deeper into the philosophy of life - elements such as rakan (Arhats) and ensō (circle) became important themes in his works at this time.?Ensō: Memento Mori Red on Blue?is one of the special works in the?Ensō?series that Murakami began in 2015. In the same year, after completing this work, Takashi Murakami used it as a prototype to create prints, showing how much satisfaction and importance he attaches to the painting. A Modern Collision of Eastern and Western Philosophies "All the living are the resurrection of the dead, and the practice of philosophy is the practice of death." ——Greek Philosopher Socrates The concept of ensō?originated in Zen Buddhism during the Song Dynasty. As Zen Buddhism spread to Japan, it became a classic theme in Zen paintings, an essential art genre in ancient Japan. The prominent Zen master of the 17th and 18th centuries, Hakuin Ekaku, spent his life trying to convey the true meaning of Zen, sacrificing himself to help others and leaving behind more than 10,000 paintings.?Ensō?is a crucial theme representing Hakuin’s cultivation of his inner world to reach the state of enlightenment. An admirer of Hakuin, Murakami uses contemporary acrylic paint to spray a perfect circle on top of an intricate composition of skulls, leaving behind natural drip lines, and splashes the centre with dots of white paint. The drops of sprayed paint merge into silver streams, as if the lights from countless souls are withdrawing from the flesh and bone of the earthly body symbolized by the skulls below, converging and demonstrating the reincarnation of life. "Memento mori," in the title, is a Medieval phrase that reminds people of life’s inevitable end of death, that one should keep a clear head and live each day as if it were their last. Since antiquity, many renowned paintings have been born out of this concept. In these paintings, the symbolic skull motif has become an essential imagery in Western art. Takashi Murakami combines this theme with his iconic skulls to reinvent the classic Western philosophical concept in a contemporary Pop art style. In this painting, Takashi Murakami boldly uses red, which is as passionate as fire and blue, which is as tranquil and tolerating as the sea and the sky, as the primary colours, creating a collision of warm and cold tones. A few splashes of red and gold emerge among the overlapping dark and light blue skulls. Like an ensemble of fire and ice, the colours chant the ups and downs of life. Tens of thousands of skeletons in different sizes and forms, densely gathered, are like sentient beings all connected by an?ensō?in a mystical ethereality, facing death equally without distinction. Through the?ensō?in the centre, like a black hole, the viewer takes a glimpse of heaven’s mysterious workings, as if they have opened the "eye in the sky." Combining Eastern and Western philosophies of life creates a strong visual impact that is profoundly moving and thought-provoking.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
1,000
10,000
2,000 5,000 8,000
100,000
10,000
200,000
20,000 50,000 80,000
1,000,000
100,000
2,000,000
200,000 500,000 800,000
10,000,000
1,000,000
+

价格信息

拍品估价:800,000 - 1,200,000 港币 起拍价格:800,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

拍卖公司

中国嘉德(香港)国际拍卖有限公司
地址: 中国香港金鐘道89號力寶中心一座五樓
电话: 852-28152269
邮编: 10000
向卖家提问