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秦琦 Qin Qi b.1975 小半月 Small Half-Moon
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩 畫布
Oil on canvas
二〇一九年作
Painted in 2019
120 × 120 cm. 47 1/4 × 47 1/4 in.
出版 2022年,《秦琦2012-2022》,當代唐人藝術中心,北京,第149頁
LITERATURE 2022, Qin Qi 2012-2022, Tang Contemporary Art, Beijing, p. 149
來源 北京當代唐人藝術中心 亞洲重要私人收藏 一場歷史與藝術的奇遇穿越 秦琦武王扛鼎的英雄氣概 「故事、語言、現實、歷史和理想主義,這些過去繪畫所追求的恢弘主題,在秦琦的創作中反復出現。它也造就了秦琦的獨特魅力,在題材上的無限自由,在藝術風格上的豐富多樣。靜物、人物、民俗歷史、自然風光,在秦琦相同或不同的系列中來回交錯,自由穿梭。」 ——策展人崔燦燦 作為中國70後藝術家的先鋒代表,秦琦以兼具「大膽創造」與「內斂思考」的繪畫語言獨步藝壇。從1994年畢業於西安美術學院,至魯美油畫系研究生,到2002年畢業被延攬留校任職,他不僅收獲了紮實的繪畫技巧,更在多年的學習、教學中,對美術史脈絡極為熟絡,令他得以靈活地在「不被定義」的多重語境中暢所欲言,並以現實作為發想源,由個人經驗、藝術史的視野、超脫的想像交織導入,建立起一個深具動勢、想象力和隱喻意味的「異托邦世界」。自2010年上海民生現代美術館舉辦大型個展「椅子也可以救人」後,他一躍成為中國新繪畫的領軍人物,而2014年站台中國的「秦琦個展」、2020年深圳何香凝美術館舉辦的「日月星辰在南國」、2022年當代唐人藝術中心的「人物系列」個展,更令他廣獲關注,作品並獲上海民生現代美術館、龍美術館等收藏。是次呈現的《小半月》正是其人物系列中展現一場歷史風情奇遇的代表力作。 頂牛之力,傾倒世界的壯舉 乍看秦琦的《小半月》,不免感到一絲荒誕,一位東北青年,背著一頭身形是自己兩倍大的黑牛,行走在月夜的雪地上。大地的整道地平線,都在這背負中呈現大幅向左傾斜的態勢,彷彿世界都因此舉動而傾倒。明朗的月光為畫中人照亮了前行之路,如聖潔的理想,指引著前進的方向。披雪的枝葉,也如帷幕般緩緩拉開,皆在秦琦細膩而生動的畫筆下,娓娓道來畫中人那充滿神話色彩的未知之力。而細看畫中主角,其面容酷似星星畫會藝術家暨詩人芒克,他曾反復出現在秦琦2019年《星星》、2020年的《詩人與畫家》系列作品中,令此作似潛在地,成為星星畫會「要藝術自由」的時代指涉,代表當代藝術開拓之路的顛覆性和進步性。 荒誕幽默的異想世界 作為秦琦2014年後開展、最具標誌性的「新歷史風情畫」系列之作,《小半月》所呈現的,亦遠非上述的象徵意義。他將不同地域、國度、時空的景象和人物,藉由如夢境般的挪用、重組、編制,交織成一種具歷史深度、現實之荒誕與夢幻般的浪漫語言,將這種充滿趣味的聯想交給觀眾去探索、關聯。 於是我們看到,畫中主角彷彿是穿越在古典與現代、藝術與文學、西方和東方的世界之中,頭戴雷鋒帽的他或化身「梅杜薩之筏」上的船員,任風雨飄搖我自巋然不動;或是成為夜晚背負著十字架的耶穌,行走在信仰的路上;或是如古希臘奧林匹克運動員——克羅托那的米羅(Milo of Croton),扛著一頭牛大步邁入比賽現場,做到了眾人曾以為完全不可行的事情。他們綜合成了《小半月》的場景,只是這次,耶穌的十字架變成了一頭牛,海上的木筏換作腳下的雪地路,而東北的漢子取代了米羅,正一步一腳印地踏在雪夜的路上。而唯一不變的,便是那輪半月,自千年前灑下光輝,如今仍是明亮依舊。作品以眾多美術史名作與歷史的文本作為載體,將多重場景錯置,令看似無關聯的人、景、事物串聯一體,從而構建出一個超越時間、地域、文化、歷史、全新的異想世界。 當時明月在,曾照故人歸 而事實上,秦琦從未給任何「新歷史風情畫」的作品一個答案,他總是以充滿表現力的造型、具史詩般的空間張力,為觀眾搭建想象的舞台。彷彿這一秒還在為背牛的人所牽絆,下一秒目光又被那指向天際的樹林枝葉帶向遠方的明月,畫境在現實所見與文本想象的切換中,迸發出新的火花。就如同圓月將一半的自我隱藏在光影之後,繪畫亦將「合理性」隱含在看似的不合理的畫境之中,如其所言「就是因為不合理才能產生點意外」。 因此,秦琦所闡述的絕非簡單的置換組合,也非僅以西方超現實主義的形式作為基調,他透過富有渲染力的畫筆和充滿趣味的聯想,在此講述著一種與另一種、這一種與下一種的可能。畫中之人,或許是曾可騎著駿馬衝向山和海的將軍,或許是追求自由的詩人,也或許只是一位獵戶、一位常人,但他卻似具秦武王扛鼎時那般目空一切的英雄氣概,在清冷的月色中,守護著一份毅力和勇氣,堅定地走在自我的道路上。而當月光照進這現實的理想之地,在雪夜中指引前行,他的悲歡、他的執著、他的夢想,也都終將在這條道路上,得到一一書寫。
PROVENANCE Tang Contemporary Art, Beijing Important Private Collection, Asia A Serendipitous Journey through History and Art Qin Qi Illuminates the Ideal Realm of Reality Qin Qi stands as a vanguard representative among China's post-70s artists, his painting language marked by a unique blend of "audacious creativity" and "introspective thought", forging a path unparalleled in the art world. Since his groundbreaking solo exhibition Chairs Can Save Lives at the Shanghai Minsheng Art Museum in 2010, he swiftly ascended to the forefront of new Chinese painting. Exhibitions such as the Qin Qi Solo Exhibition in Platform China in 2014, the Heavenly Bodies in the South at the He Xiangning Art Museum in Shenzhen in 2020, and the Qin Qi: Figures Series at Tang Contemporarty Art, further solidified his prominence. The featured work, Small Half-Moon, showcased in his Figures Series, epitomizes a captivating encounter with historical allure. Harnessing the Strength of Bulls: a Spectacle Toppling the World At first glance, Qin Qi's Small Half-Moon might appear whimsical: a young man from the Northeast China, bearing on his back a black bull twice his size, traversing a snowy landscape under the moon's glow. The entire horizon of the earth tilts dramatically to the left under this burden, as if the world itself were toppling. The clear moonlight illuminates the path ahead for the figure in the painting, while the snow-covered branches slowly part like curtains. These details, vividly depicted by Qin Qi's delicate and lively brushstrokes, narrate the protagonist's journey filled with mythical undertones. Upon closer inspection, the central figure's face bears a striking resemblance to the artist and poet Mang Ke who participated in the Stars Art Exhibition, a prominent figure in Qin Qi's Star (2019) and A Poet and A Painter (2020) . This subtle inclusion positions the artwork as a reference to the era-defining "Demanding Freedom of Art" advocated by the Stars Art Exhibition, symbolising the subversive and progressive path of contemporary art exploration. A Whimsically Humourous Visionary World Small Half-Moon, part of Qin Qi's emblematic New Historical Romanticism series since 2014, transcends mere symbolism. Qin Qi intricately intertwines landscapes and figures from diverse regions, epochs, and cultures, employing dreamlike juxtapositions and reconfigurations to craft a language of historical profundity and surreal realism, inviting viewers on an exploration of imaginative connections. In this realm, the central figure appears to traverse between classical and contemporary, artistic and literary, Western and Eastern realms. Crowned with a Phrygian cap, he might embody a mariner on the "Raft of the Medusa", resolutely facing storms. Alternatively, he may assume the role of Jesus, bearing the cross through the night of faith's journey. Or, reminiscent of Milo of Croton, the ancient Greek athlete, he strides boldly with a bull on his shoulders, defying expectations. These elements converge in Small Half-Moon, where Jesus's cross transforms into a bull, the sea raft becomes a snowy path, and the figure from Northeast China replaces Milo. Only the enduring half-moon remains unchanged, casting its luminance across centuries, steadfast in its brilliance. When the Moon Shone Brightly, It Once Illuminated the Return of Old Friends In truth, Qin Qi never offered definitive answers for his works in the New Historical Romanticism series; instead, he erected a stage for the audience's imagination. Much like the full moon conceals half of itself in the interplay of light and shadow, his paintings subtly imply "reasonableness" within seemingly irrational scenes. As he once remarked, "It is precisely because of their irrationality that unexpected revelations can emerge". Thus, within the framework of surrealism, Qin Qi presents a canvas where one possibility intertwines with another, each leading to the next. The figures within his art could be generals charging across mountains and seas on swift steeds, poets chasing freedom, or simply hunters, everyday folk. Yet, they all exude a heroic aura akin to that of King Wu of Qin bearing the tripod, guarding perseverance and courage amidst the moon's cool glow, resolutely treading their individual paths. And as the moonlight spills into this realm of idealized reality, his subjects' joys and sorrows, their unwavering resolve, and their dreams will all find expression along their journey.

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价格信息

拍品估价:250,000 - 350,000 港币 起拍价格:250,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

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