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宋琨 Song Kun b.1977 泛靈淨界——靈隱者 Sukhavati-Hermit Fairy
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩 塑形膏 水晶樹脂 畫布
Oil, glass bead, crystal resin collage on canvas
二〇一八年作
Painted in 2018
45 × 60 cm. 17 3/4 × 23 5/8 in.
款識 泛靈境界——靈隱者 2018 宋琨(畫背)
Signed and titled in Chinese and dated on the reverse
展覽 2019年9月7日至10月27日,「異名的肖像」,東畫廊,上海 來源 上海東畫廊 蜂巢當代藝術中心 現亞洲重要私人藏家直接購自上述來源 我思故我在 宋琨賽博格式的空靈女姬 「賽博格並不是為了趕時髦的創作,而是世界變成了這樣,你和最親近的人之間有了這種疏離的體驗。」 ——宋琨 1977年出生於內蒙古的宋琨是「中國70後」傑出藝術家代表,也是近年來國際藝壇備受矚目的華人女性藝術家。她十五歲便入讀中央美術學院附中,分別在2002年及2006年完成央美油畫系本科和碩士學業,後被延攬留校任教。大學期間她組建、成立思想前衛的「N12」藝術團體,與仇曉飛、王光樂等12位藝術家在沒有策展人和展覽主題的前提下,以各自創作、集體參展的形式進行藝術實踐,成為首批推動中國當代藝術市場發展的重要人物。宋琨擅長採用溫潤細膩的筆法,從身邊人物取材,以繪畫、裝置、音樂、影像,用一種「意識流式敘事」創造出她的藝術國度,以探討人性、當代女性多重身份等時代議題。年幼時家鄉一望無垠的草原與海天一色的自然景觀也帶給她養分,體現在她飄渺、具東方古典美的空靈畫面造景之中。而在成長過程中,她熱愛搖滾、電音、時裝秀等次文化,使其揉雜出學院與自由、傳統與叛逆、主流與地下等對立風格於一體的創作。其作曾展出於洛杉磯哈默美術館(Hammer Museum)、上海喬空間、尤倫斯當代藝術中心,並被香港M+美術館、上海龍美術館、中央美術學院美術館等收藏。 目光如電,曹衣帶水:未來世界的思索 「『賽博格』生存現實的三種邊界突破:人與動物、有機體與機器、自然於非自然。」 ——美國著名跨學科學者哈拉維(Donna J. Haraway) 2012年後,宋琨逐漸打破次元,從日常與現實題材中抽離,開始探索前衛的「賽博格」(生化人、半機械人)主題,而在2015年她甚至援引佛教「琉璃淨土」、「天道輪迴」的概念,將之注入賽博格角色的建構之中,創生出獨具超現實感的「泛靈淨界」系列。其筆下被她稱之「泛靈族」的人物詭譎又靜謐,而「淨土」則指涉著人們內心的純粹與本真,通過該系列作品探討當下社會中人類肉身與潛意識、「思」與「在」的辯證關係,如其所言:「我感興趣的是混合身份在面對紛繁現實和秩序禁錮時,怎樣提存圖像和來自當代生活經驗的信息,突破規則定義從而得到靈性表達的自由。」是次春拍呈現的《泛靈淨界——靈隱者》即為箇中典範。宋琨以細膩圓融的筆觸,不疾不徐地呈現泛靈族成員的側臉特寫,全畫以冷靜通透的灰色為主調,讓觀者不自覺地進入畫中虛實難辨的空靈境地。 作品飽含藝術家「曹衣帶水」的水墨運彩特點,畫中人在灰白色背景中如浮雕般顯現,彷彿身在雲深處,若幻影般流淌於畫布之上。其側臉輪廓似起伏的山巒,突破天地混沌的灰霾清晰映現,其前額飽滿、鼻樑高挺、嘴唇挺俏,肌膚剔透若瓷釉,與髮絲融入背景形成巧妙留白,而其身著半透明輕盈的衣袍,露出環弧形的衣領,若羽化登仙的神女,巧妙地將此超現實的機械未來人注入一抹「神性」的光彩。而在銀灰攢動的主調中,一抹混合淺黃的厚重米白色如突圍般輻射而出,糅合水晶樹脂和塑形膏等藝術家偏愛的工業媒材,與柔軟清透的畫面主旋律呈戲劇反差,連結著女子深邃眼眸的靛紫及青綠重彩,如羽翼向遠處延伸,最後變成一點融入背景的灰彩之中,令人讚嘆其技法之高妙與細膩。而畫中人目光如電,堅定地凝視遠方,令此絕美非凡的賽博格人物若具有思想與情感,令人不禁思索著我們身處的高科技世界的未來走向,別具深意。
EXIHIBITED 7 Sep - 27 Oct 2019, Epithed Portrayed, Don Gallery, Shanghai PROVENANCE Don Gallery, Shanghai Hive Center for Contemporary Art Acquired directly by present important private Asian collector from the above I Think, Therefore, I Am Song Kun’s Cyborg Hermit Fairy "Cyborg is not a trendy creation. Instead, it is a reflection of the alienation that has arisen between you and those closest to you in a world that has become like this." ——Song Kun Song Kun, born in Inner Mongolia in 1977, is known as an outstanding representative of the post-70s Chinese artists and has attracted tremendous attention as a prominent Chinese female artist in the global art scene in recent years. She entered the Fine Arts School Affiliated with the China Central Academy of Fine Arts at the age of 15 and completed her bachelor’s degree and master’s degree in oil painting at the Central Academy of Fine Arts in 2002 and 2006. Then she was recruited to teach at the school. During her college years, she formed the avant-garde art group "N12", and with 12 artists, she practiced art in the form of individual creation and collective exhibition without a curator or exhibition theme, becoming one of the important figures who took the lead in promoting the development of the Chinese contemporary art market. Song Kun is adept at employing gentle and delicate techniques. Drawing inspiration from the stories of those around her, she utilizes a "stream-of-consciousness narrative" through mediums such as painting, installation, music, and video to delve into discussions about human nature, the diverse identities of contemporary women, and other issues widely debated today. The vast grassland and the peaceful natural landscape of her hometown also inspired her, reflected in her ethereal, Oriental classical beauty of the picture landscape. Growing up, she loved rock, electronic music, fashion shows, and other subcultures, making her work mixed with academy and freedom, tradition and rebellion, mainstream and subculture, and other opposing styles. Her works have been exhibited at prominent institutions including the Hammer Museum, QIAO SPACE, UCCA Center for Contemporary Art, and others in Los Angeles. They are held in the collections of esteemed institutions such as the M+ Museum in Hong Kong, the Long Museum in Shanghai, and the CAFA Art Museum. Broad Vision, Vigorous and Dense Brushstrokes: Reflections on the Future World "The three boundaries transcended in the ‘Cyborg’ lived reality: between human and animal, organic and machine, nature, and non-nature." ——Donna J. Haraway After 2012, Song Kun gradually transcended dimensions, moving away from everyday and realistic themes to explore avant-garde concepts related to "cyborgs" (bio-humans, half-mechanical beings). In 2015, she even incorporated Buddhist concepts such as the "Pure Land" and the "Wheel of Reincarnation." This infusion became integral to constructing cyborg characters, giving birth to the surreal Sukhavati series. The characters in her works, referred to as the "Animist," are enigmatic yet tranquil. At the same time, the concept of "Pure Land" alludes to the purity and authenticity within individuals’ hearts. Through this series, Song Kun examines the dialectical relationship between the human body and the subconscious, the dichotomy of "thought" and "existence" in contemporary society. As she puts it, "What interests me is how mixed identities, when facing the complexities of reality and the constraints of order, preserve images and information from contemporary life experiences, breaking free from defined rules to achieve spiritual expression." The artwork presented in this Spring auction, Sukhavati-Hermit Fairy, epitomizes her exploration. Song Kun uses delicate and harmonious brushstrokes to present close-up profiles of "Animist". The entire painting is dominated by a calm and transparent gray tone, inviting viewers to involuntarily enter an ethereal realm where reality and illusion are indistinguishable. This piece is imbued with the distinctive ink wash characteristics of the artist’s "Cao’s Ink-Washed Attire," one of the ancient Chinese painting techniques for depicting clothing folds. This technique was created by Cao Zhongda during the Northern Qi period in the Central Asian Cao state. In the painting, the figures emerge against a gray and white background like reliefs, drifting through the depths of clouds and resembling phantoms flowing across the canvas. The contours of her profile, reminiscent of undulating mountains, break through the chaotic haze of the heavens and earth, revealing a vivid clarity. With a full forehead, high nose bridge, and charming lips, her translucent porcelain-like skin seamlessly blends with the background, creating a clever use of negative space. Adorned in a semi-transparent, ethereal robe that exposes a curved collar, she appears like a celestial goddess ascending with feathers. Amidst the silver-gray tones, a mixture of pale yellow and dense beige radiates, incorporating industrial materials favoured by the artist, such as crystal resin and modeling paste. This creates a dramatic contrast with the painting’s soft and translucent central theme. The amalgamation of these colours connects with the deep green hues in the woman’s profound eyes, extending like wings towards the distance, ultimately merging into the background’s gray hues. The artist’s exquisite and delicate technique is genuinely admirable. The figure’s gaze in the painting is as sharp as lightning, steadfastly fixed on the distance. This extraordinary cyborg character, seemingly endowed with thoughts and emotions, prompts contemplation on the future trajectory of our high-tech world, imbued with profound significance.

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价格信息

拍品估价:150,000 - 250,000 港币 起拍价格:150,000 港币  买家佣金:
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5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

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