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劉韡 Liu Wei b.1972 紫氣系列之三 Purple Air No. 3
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
壓克力彩 畫布
Acrylic on canvas
二〇〇六年作
Painted in 2006
298 × 180 cm. 117 3/8 × 70 7/8 in.
款識 劉韡 Liu Wei 2006(畫背)
Signed in Chinese and Pinyin, and dated on the reverse
展覽 2006年12月,「劉韡專有」,北京公社與U空間(現為博而勵畫廊)合作展,北京公社,北京 來源 北京公社 亞洲重要私人收藏 數碼時代的虛實盛景 劉韡「紫氣」中的理想與現實 「我的作品最最現實,一切都是我的生活,是我周圍一切。」 ——劉韡 1972年出生於北京的劉韡,在成長過程中見證了上世紀末城市化和全球化影響下的中國。他於1996年畢業於中國美術學院油畫系,三年後成為「後感性藝術小組」的一員,爾後一直致力於創作實踐。中國瞬息萬變的城市景象及法國哲學家拉圖爾(Bruno Latour)後現代主義的文明理論豐富了劉韡的創作靈感,其創作涵蓋繪畫、雕塑、攝影、裝置等多種媒介,深刻反映著當代社會的問題與面對的挑戰。其風格前衛、具強烈的批判精神,常被冠以「挑戰觀眾,挑戰所有人的接受度」的評價,成為中國當代藝術發展的中流砥柱。自2005年,他多次受邀於海外舉行大型展覽,包括展出於威尼斯雙年展、巴黎蓬皮杜藝術中心、倫敦泰特現代美術館、古根漢美術館等。而在2008年其並榮獲中國當代藝術獎(CCAA),作品獲眾多海內外知名機構, 如墨爾本維多利亞國立美術館、首爾三星美術館收藏,其中香港M+博物館希克藏品中更收藏一幅「紫氣」系列作品,是次春拍呈現的《紫氣系列之三》出自同一系列,顯見其代表性。 栩栩萬象,紫氣初生 多年來摩天大樓的迅猛崛起以及人們對大自然逐漸喪失敬畏之心,均觸動劉韡的內心,在2005年,他開始以加入電腦數字化的創作模式來演繹當代社會進程,他先在電腦上將城市中的景象經數碼處理使之脫離寫實,再將之透過精準的手繪移轉至畫布之上,從而誕生了具有里程碑意義的「紫氣系列」,他曾言:「我以滑鼠創作我所有的繪畫,這是一種本能,是繪畫的延續」。 而「紫氣」在中國傳統中有著「貴氣」、「祥瑞」的福兆,藝術家以其記憶中的北京城的景貌為基礎,通過交錯縱橫的數碼化線條與幾何結構締造出具強烈像素感、未來感的現代都市。《紫氣系列之三》畫面所展現的城市輪廓如焊接電路板的透視圖、長短不一的線條仿若神秘的摩斯電碼,而當中明艷的霓虹燈在這迷宮般的城市中頻頻閃爍,強烈的明暗對比不禁讓人聯想到樓宇的鏡面反光,又如同在低限的灰色城市中閃耀的自由及理想的靈光。 著名法國策展人桑斯(Jér?me Sans)曾問劉韡關於其「紫氣」系列中大面積的灰色,是否指涉北京灰濛的天空,藝術家風趣回應:「是這樣的。但我就是隨便畫的,任何一點意義都沒有。」劉韡不直指一物,在複雜的線面交匯下,他解構與重組其眼中善變的現實,緩緩釋出城市建築與風景下人類的生命軌跡,及對生活的反思。他用明快的視覺語言回應拉圖爾「永遠不簡化真實」的主張,引發觀者反思人類理想中的社會文明。 以迷彩的數位化表徵現實 「劉韡的幽默感源於他所身處的城市和系統的荒誕日常。」 ——尤倫斯當代藝術中心館長田霏宇 《紫氣系列之三》為藝術家完成於2006年的代表作,描繪了月色籠罩下的北京夜空城景。藝術家以其經典數碼化的城市圖像中刻意突顯的秩序感與程式化,暗喻科技高速發展下人們的焦慮,巧妙地將當代社會被科技支配的現實體現在這扁平的畫面上。作品整體以不同明度的灰黑白色為主色調,細膩地鋪陳出高懸圓月照耀下的壯觀城市天際線,高低起伏的流暢構圖蘊含傳統中國山水畫的寫意與留白,串聯起古往今來的時間序。淺灰色背景下,月亮旁可見攀枝錯節的樹枝、星羅棋布的深灰色建築物高聳入雲,被層次分明的矩形幾何結構壓縮成平面。近看,如無線電磁波信號,又如方塊構成的二維碼。而最前方由天藍、淺綠、亮橙、草綠的柱狀色條橫平豎直地堆砌,劃開寂靜的灰色夜空,而左側一道貫穿天地的紫色霓虹成為點睛之筆,讓深夜沉默的城市依舊祥瑞有活力。強烈的色彩對比正如劉韡對他土生土長的北京所藏的複雜感情:「中國古代說,你看一個地方有紫氣,就是灰濛濛的樣子,實際上是生機勃勃的意思,存在很多問題,但也是有活力的。」而眼前的城景並不限於北京城,可被轉譯為任何一個現代化的都市,喚起觀者的共嗚。劉韡糅合抽象與具象,打破傳統繪畫模式,以現代人的方式勾勒現實,讓觀者從像素韻律中感知當代社會一體二面的扭曲、張揚與蓬勃的脈動,引人深思。
EXHIBITED Dec 2006, Property of Liu Wei, Beijing Commune in association with Boers-Li Gallery, Beijing Commune, Beijing PROVENANCE Beijing Commune, Beijing Important Private Collection, Asia Digital Era's Virtual and Real Splendour Liu Wei's "Purple Air" - Idealism and Reality "My works are the most realistic, everything is my life, it’s everything around me." ——Liu Wei Born in Beijing in 1972, Liu Wei witnessed the impact of urbanization and globalization on China during his upbringing in the late 20th century. After graduating from the China Academy of Art with a degree in oil painting in 1996, he later became a member of the "Post-Sense Sensibility Group" and has since been dedicated to creative practice. Influenced by China’s rapidly changing urban landscapes and the Postmodernism theory of French philosopher Bruno Latour, Liu Wei spans his works in various mediums such as painting, sculpture, photography, and installations. They deeply reflect contemporary societal issues and challenges with an avant-garde style and strong critical spirit. Liu Wei is often praised for challenging audience perceptions, and becoming a prominent figure in the development of contemporary art in China. Since 2005, he has been invited to participate in major international exhibitions, including the Venice Biennale, Centre Pompidou in Paris, Tate Modern in London, and the Guggenheim Museum in New York City. In 2008, he received the China Contemporary Art Award (CCAA), and his works are held in prestigious collections worldwide, such as the National Gallery of Victoria, Melbourne, and the Leeum Museum of Art, Seoul. A work from the?Purple Air?series was in the Sigg Collection of the M+ Museum in Hong Kong, from which?Purple Air No. 3, presented in the Spring Auction, is from the same series, demonstrating its representativeness. A Diverse Reality, Purple Air Emerges Over the years, the rapid rise of skyscrapers and the diminishing awe for nature have deeply affected Liu Wei. In 2005, he started using a computer mouse instead of a brush, employing a digital creative process to interpret the digitized social progress. Liu Wei digitally processes city images, detaching them from realism, and then meticulously transfers them to the canvas through hand-drawn techniques. This process gave birth to his milestone?Purple Air?series. Based on his memories of Beijing, Liu Wei creates a modern city with strong pixelation and futuristic elements using intersecting digital lines and geometric structures. When questioned about the extensive grayscale in his?Purple Air?series, he humorously responded,?"Yes, it is. But I just painted randomly, without any meaning."?Through intricate intersections of lines and surfaces, Liu Wei deconstructs and reconstructs the ever-changing reality, gradually revealing the traces of human life beneath the cityscape and prompting reflections on life. A Digital Representing of Reality Completed in 2006,?Purple Air No.3?depicts the Beijing night sky bathed in moonlight. Liu Wei deliberately emphasizes order and programmability in his classic digitized city images, symbolizing anxiety amid rapid technological development. The artwork predominantly features shades of grey, intricately portraying the majestic city skyline illuminated by the moon. The undulating composition conveys the expressiveness and deliberate emptiness of traditional Chinese landscape paintings, connecting different eras. In the light grey background, tree branches, intricately patterned in the moonlight, and towering dark grey buildings compress into a flat plane, resembling radio waves or a QR code. In the foreground, vertical and horizontal stacks of columns in sky blue, light green, bright orange and grass green break the silence of the night sky. A purple neon streak, piercing through the heavens, becomes the finishing touch, revitalizing the silent city in the late night. The strong colour contrast reflects Liu Wei’s complex emotions towards his hometown Beijing, expressing both problems and vitality. The cityscape before us extends beyond Beijing and can be translated into any modern metropolis, invoking a collective resonance in the viewers. Liu Wei blends abstraction and representation, breaking traditional painting patterns to outline reality in a modern way, allowing viewers to perceive the distorted, assertive, and vibrant pulse of contemporary society through pixel rhythms, prompting deep contemplation.

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