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飯田桐子 Kiriko Iida b.1970 祝福 Blessing
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩 畫布
Oil on canvas
二〇〇九年作
Painted in 2009
91 × 91 cm. 35 7/8 × 35 7/8 in.
款識 Kiriko Iida(畫背框條) 出版 2010,《霜月—飯田桐子》,索卡藝術中心,台北,第7頁
Signed in English on the stretcher on the reverse LITERATURE 2010, November - Iida Kiriko, Soka Art Center, Taipei, p. 7
展覽 2010年11月6日至28日,「霜月—飯田桐子個展」,索卡藝術中心,台北 來源 台北索卡藝術中心 2014年12月7日,台北羅芙奧秋季拍賣會,拍品編號311 現亞洲私人藏家直接購自上述來源 相逢總玉顏 飯田桐子的白色禮讚 「整裝待出行,雪深路滑又何懼,那裡有好風景。」 ——日本俳句大師松尾芭蕉(Matsuo Bashō) 飯田桐子1970年出生於日本北海道,1991年畢業於北海道造型設計學校,隨後在日本藝術界以連續兩年入選「Shell美術賞展」而揚名。作為該地的原住民,她從家鄉的自然人文景觀為本,提煉當地獨有的「雪景」為敘事空間,創造冰封世界中頑強而質樸的生命顏色,揭開北國的神秘面紗。飯田習慣在才思初湧時下筆,作畫過程一絲不苟,經過多層次的反覆勾勒、抹去、暈染,直至覓得自己滿意的氛圍感才擱筆。畫面溫潤細膩、深蘊日本「幽玄」美學的朦朧與夢幻美,其筆下女性尤為恬靜清澈,備受讚譽。2006年起,藝術家在亞洲多地發佈個展,並在藝博會展陳上獲熱烈反響。是次呈現的《祝福》曾於2010年飯田桐子在台北舉辦的首次個展「霜月」中展出,亦為該展中唯一一幅女性正臉肖像,靈韻十足,扣人心弦。 踏雪而來,長願相隨 「白色是最具包容力的顏色,能反映出其它顏色的深度。」 ——飯田桐子 畫面主調為雪白,以漏斗形構圖結合淡褐色的暈染和粉色點綴,凝結出一種永恆感。作品描繪了一位冰雪中的少女,她正視著觀者,如海波浪的卷髮向上飄揚指涉了風動的痕跡及揭開了戲劇感,其髮上帶有漂浮的藍綠色星點,似雪花折射的湖光樹影,附著在其髮絲與衣襟,咖啡色的髮絲長直如同樹皮的紋路,暗示著她如若由樹木幻化而來的仙子。其雙瞳剪水,穿越一片皎潔凝視觀者,彷彿若有所思又波瀾不驚,神秘莫測。而人物眉毛被刻意留白,藝術史中亦有著名女性肖像畫採用略去眉毛的處理,如達芬奇(Leonardo da Vinci)的《蒙娜麗莎》與維米爾(Johannes Vermeer)的《戴珍珠耳環的少女》,企圖將觀者注意力集中在主角的眼神中。飯田延用前人的手法,來突顯出主角偌大的杏眼及神態,她眼底微微泛紅,夾雜著點點皓白,緋紅點暈的鼻頭、耳垂、水唇、微紅的指節,細膩地鋪陳出北國獨有的冰凍、嚴寒氣候,人物靜謐地坐在土地上,身上的素白衣裙若被一朵朵盛開的粉色花朵由下往上浸染,帶來春天的溫柔訊息及生機。而通過對白色的精確把控,在畫面中部利用相近的淺色調的幻變創造了大量的「留白」,回應其自言作品的「空白之美」,使觀者在凝神逡巡中放慢節奏,感受雪色之下的好風景及辨讀少女那欲言又止的秘密。
EXHIBITED 6-28 Nov 2010, November - Iida Kiriko Solo Exhibition, Soka Art, Taipei PROVENANCE Soka Art, Taipei 7 Dec 2014, Ravenel Taipei Autumn Auction, Lot 311 Acquired directly by present private Asian collector from the above Every Encounter: A Face of Pure Elegance Kiriko Iida's Ode in White Kiriko Iida was born in 1970 in Hokkaido, Japan. She graduated from the Hokkaido Academy of Formative Arts in 1991. Drawing inspiration from her hometown's natural and cultural landscapes, she distills the unique narrative space of the local "snowscape," unveiling the mysterious veil of the northern lands. Iida is accustomed to starting her artistic process when inspiration first strikes. Her approach involves multiple layers of meticulous outlining, erasing, and blending, persisting until she achieves the desired atmospheric sensation. The presented piece, Blessing, was featured in Kiriko Iida's first solo exhibition titled Iida Kiriko Solo Exhibition, held in Taipei in 2010. It stands as the sole female portrait in the exhibition, captivating the audience with its emotional resonance. Through the Snow, Into Forever: a Journey of Enduring Togetherness "White, the most inclusive hue, reflecting the depths of other colours." ——Kiriko Iida The artwork depicts a girl amid ice and snow, gazing directly at the viewer. Her hair, resembling waves of the sea, gracefully flows upward, indicating traces of the wind's movement. Blue-green star-like points float on her hair, reminiscent of the reflections of snowflakes on a lake's surface, clinging to her left shoulder, loose hair, and garment. The coffee-coloured straight strands resemble the patterns of tree bark. Her dual pupils, clear as water, pierce through a bright gaze, shrouded in an air of mystery. Notably, the eyebrows are deliberately left blank, a technique seen in historical female portraits to draw attention to the protagonist's eyes. Iida employs this approach to highlight the large almond-shaped eyes and expression. A faint redness appears in her eyes, with subtle highlights on the tip of the nose, earlobes, water lips, and slightly pink fingertips, delicately depicting the severe cold climate unique to the northern region. The girl sits serenely on the ground, her pure white dress seemingly dyed by blossoming pink flowers from the bottom, bringing a gentle and vibrant touch of spring. Precise control of white shades in the central part of the painting creates abundant "blank-leaving," echoing the proclaimed "beauty of emptiness" in the artwork. This invites viewers to slow down, experiencing the beauty beneath the snow.

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拍品估价:80,000 - 150,000 港币 起拍价格:80,000 港币  买家佣金:
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20,000,000 - 以上 14.00%

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