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霍剛 Ho Kan b.1932 無題之四 Untitled-4
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩 畫布
Oil on canvas
二〇〇五年作
Painted in 2005
100 × 100 cm. 39 3/8 × 39 3/8 in.
款識 HO-KAN 霍剛 2005(畫背)
Signed in Italian and Chinese, dated on the reverse
來源 亞洲重要私人收藏 無為而為,一畫一世界 霍剛童真的幾何抽象音韻 「霍剛一生的繪畫風格非常單純卻絕不單調。」 ——藝評家蕭瓊瑞 巧妙地以西方抽象語言表達東方哲學思想,讓霍剛在二戰後由歐洲藝術家主導的藝術界脫穎而出,在抽象藝術浪潮中開闢出屬於華人的一席之位。他1932年出生於南京一書香世家,從小跟隨書法家祖父霍銳學習書法與國畫,17歲時隨軍隊赴台灣,後師從現代藝術前鋒李仲生,1953年畢業於台北師範學院藝術系。四年後與李元佳、夏陽、蕭勤等創立了「東方畫會」,對推動台灣現代藝術的發展引領至關重要的作用。受超現實主義思潮影響,他於1964年辭去教職隻身闖蕩義大利,開啟長達五十年的米蘭生活,與封塔納(Lucio Fontana)、林飛龍(Wifredo Lam)等西方大家交遊,其時正值龐圖國際藝術運動(Punto International Art Movement)與硬邊抽象畫風(Hard-Edge)盛行,霍剛由此開始了幾何抽象的探索實踐,在台灣及歐洲多次舉辦個展,屢獲義大利藝術大獎,包括孟扎市國家繪畫首獎、萊科市久賽彼.莫利繪畫首獎等,1997年並獲「李仲生基金會現代繪畫成就獎」,作品被典藏於國立台灣美術館、台北市立美術館、高雄市立美術館。 七十年代起,霍剛通過深入研究東方文化內核,如老莊「無」之思想,以中國禮器、圖騰、金石甚至生活點滴為靈感解構出幾何畫語,逐漸精練出僅以幾何造形、圓點與平直線條分割、色塊律動的畫面,其作多採平塗法,色彩活潑鮮亮,形成獨樹一幟的「霍氏冷抽象」。其自2014年由歐返台定居,時至今日,仍滿懷創作靈感,黑膠古典音樂唱片一放,便開始作畫。是次春拍呈現的兩幅作品《無題》(拍品編號76)與《無題之四》(拍品編號75)分別完成於1998年和2005年,皆為其旅義時期的精品。 長天一色裡的萬象生機 「藍色富於幻想與神秘感。」 ——霍剛 霍剛依稀記得年幼時看過鮮艷的顏色,後因戰亂,自言「逐漸忘記世界的色彩」,直到旅居義大利才憶起小時候「最愛的是藍色」,藍是大海、天空的色彩,帶有夢幻、清明、廣闊、包容的象徵,而在色彩心理學中此具冷靜,博大及智慧的指向。此色彩亦貫穿藝術家畢生創作。本作由三角形、直線和圓點構成,湖藍色背景下,一個邊界分明的天藍色三角形躍然如浮雕般顯現,而在三角形內,線條與色塊延伸與消融,留下三個橄欖綠三角,它們看似分散,實則為一個整體,每個小三角的邊從頂點向遠處無限伸展,而正中的白色圓點堪稱全畫的點睛之筆,如同光源從畫心透出,暈開一個半透明的三角形,宛如天上的日月辰星,或堅貞的信仰及理想,在輝耀中指引著每個前行的旅人。相比於藝術家六〇年代的其它作品,本作中的藍彩更加透亮,背景隱約的斜線筆觸走勢平行於三角形的線條,呈現規律的紋路肌理,藍綠對比下呈現色塊此消彼長的律動,如海天交匯下大樹參天、生機萬象的縮影,使作品達到不明言說的開朗與生韻。 人生的賦格情韻 「我也不知道畫到最後是什麼樣子,就是好玩,好的要把它留下來。」 ——霍剛 而《無題之四》則予人陽光瀲豔之感,霍剛以明亮的檸檬黃為主調,以正紅色點綴,構造出三角形與矩形的規則互動。他以最為精練極簡的線條創造最大的變化,由中心向外擴張。正中心可見一白色如大門的方形,三道紅色斜線交織其上,在交匯處構架出三個穩定的紅色三角,中心處透過色塊層層疊加形成深黃的不規則六邊形,為穩定的畫面帶來動感,並給人以空間無限延伸、指向未來、未知之境的想象及期待。而當中最匠心獨運的是中間那突如其來的紅色破折號,似在與封塔納「穿破」空間的劃痕隔空對話。而中心的方形線條有力而筆直,外圍的方形則刻意展現線條的波動,若展現一個規則及自由並存的世界,帶給人無限奇想。策展人瓦季尤 (Sabine Vazieux)曾言:「對我來說,霍剛是唯一的華人幾何抽象藝術家,他是無可取代的。」足以印証其獨特的藝術地位及重要性。
PROVENANCE Important Private Collection, Asia Silent Strokes, Worlds Unfold Ho Kan's Childlike Geometric Abstract Melody "Ho Kan's artistic style throughout his life is simple yet never monotonous." —— Art critic Hsiao Chong-Ray Born in 1932 into a literary family in Nanjing, Ho Kan grew up under the guidance of his calligrapher grandfather, Ho Rui. From a young age, he learned calligraphy and traditional Chinese painting. At the age of 17, he travelled to Taiwan with the military and later studied under the avant-garde artist Li Zhongsheng. In 1953, he graduated from the?Art Department of Taipei Teacher's School. Four years later, he co-founded the "Ton Fan Art Group" with Li Yuan-chia, Hsia Yan, Hsiao Chin, and others, playing a crucial role in advancing modern art in Taiwan. Influenced by the surrealistic movement, Ho Kan resigned from his teaching position in 1964 and ventured to Italy, where he lived for fifty years. During the Punto International Art Movement and the prevalence of Hard-Edge, Ho Kan began his exploration and practice of geometric abstraction. He held numerous solo exhibitions in Taiwan and Europe, winning several prestigious Italian art awards. In 1997, he received the "Achievement Award for Modern Painting" from the 5th Li Zhongsheng Foundation, and his works are collected in the National Taiwan Museum of Fine Arts, Taipei Fine Arts Museum, and Kaohsiung Museum of Fine Arts. From the 1970s, Ho Kan delved into the core of Eastern culture, including the philosophy of "non-action" from Daoism. Drawing inspiration from Chinese rituals, totems, calligraphy, and daily life, he deconstructed geometric shapes to create a language of geometric abstraction. His works often feature vibrant and lively colours using a flat painting technique, forming his unique style known as "cold abstraction." Returning to Taiwan in 2014, he continues to be inspired, starting his paintings when classical vinyl music plays. The two pieces presented in this Spring auction,?Untitled?(Lot 76) and?Untitled-4?(Lot 75), were completed in 1998 and 2005, respectively, during his time in Italy, showcasing his outstanding craftsmanship. The Vitality within the Vastness of the Boundless Sky "Blue is rich in fantasy and mystery." —— Ho Kan Ho Kan recalls the vibrant colours of his childhood, but due to war, he claimed to have gradually forgotten the colours of the world. It was only during his stay in Italy that he remembered his childhood love for the colour blue. Blue symbolizes the sea and sky, carrying a sense of fantasy and inclusivity. This colour theme permeates the artist's creations. In the presented work, triangles, straight lines, and dots compose a scene against a lake-blue background. A distinct sky-blue equilateral triangle stands out like a relief sculpture, with lines and colour blocks extending and dissolving within the triangle. Three scattered olive-green triangles appear within, seemingly separate but forming a cohesive whole. Each triangle's edges extend infinitely from the apex into the distance. The white dot in the centre serves as the finishing touch, resembling a light source radiating from the heart of the painting, creating a semi-transparent triangle. Compared to the artist's works from the 1960s, the blue in this piece is even brighter, with subtle diagonal brushstrokes in the background parallel to the triangle's lines, presenting a rhythmic texture. The contrast of blue and green depicts the dynamic interaction of colour blocks, like a condensed portrayal of the vibrant life under the merging sea and sky, achieving a cheerful and profound effect without explicit narrative. The Poetic Sentiment of Life's Composition "I don't know what it will look like in the end, but it's fun, and the good ones should be kept." —— Ho Kan On the other hand,?Untitled-4 conveys a sense of bright sunshine. Ho Kan uses a bright lemon yellow as the main tone, accented with true red, creating a rhythmic interaction of triangles and rectangles. He achieves maximum variation with the most refined and minimalist lines, expanding outward from the centre. In the centre, a white square resembling a gate is visible, with three intersecting red lines constructing stable red triangles. In the centre, layers of colour blocks overlap to form an irregular hexagon in deep yellow, adding dynamism to the stable composition and inviting imagination and anticipation of infinite space. The most ingenious aspect is the sudden appearance of a red dash in the middle as if engaging in a distant conversation with the "breaking through" space. The lines in the centre square are strong and straight, while those in the outer squares intentionally exhibit fluctuating lines, presenting a world where order and freedom coexist, sparking endless imagination. Curator Sabine Vazieux once said,?"To me, Ho Kan is the only Chinese geometric abstract artist. He is unique," affirming his unique artistic position and significance.

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价格信息

拍品估价:100,000 - 150,000 港币 起拍价格:100,000 港币  买家佣金:
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20,000,000 - 以上 14.00%

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