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夏陽 Hsia Yan b.1932 美滿家庭 Satisfied Family
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
壓克力彩 複合媒材 畫布
Acrylic, mixed media on canvas
二〇〇二年作
Painted in 2002
97 × 194 cm. 38 1/4 × 76 3/8 in.
款識 HY 02(右下) 出版 2006年,《夏陽》,上海書店出版社,上海,第15頁
Signed with initials in English and dated on bottom right LITERATURE 2006, Hsia Yan, Shanghai Bookstore Press, Shanghai, p.15
來源 2007年10月7日,香港蘇富比秋季拍賣會,拍品編號531 現亞洲重要私人藏家直接購自上述來源 暖陽下的美好人生 藝術頑童夏陽的盛世祈願 「真正的當代藝術家就應該是夏陽老師這樣!」 ——藝術家冷軍 洞察世事的毛毛人 國寶級藝術家夏陽出生、成長於中土,旅居歐洲,成名於美國,輾轉旅居海外大半生,於古稀之年回到中國生活至今,作品曾獲藏於上海中華藝術宮、國立台灣美術館、台北市立美術館等多個知名機構,其融貫中西的創作風格為當代中國藝術增添了不可或缺的一筆。 1932年出生於湖南湘鄉一書香家庭的夏陽,兩歲時隨祖母到南京生活,自幼熱愛繪畫卻因戰亂顛沛地度過了青年時期。?16歲時在亂世中為求溫飽而從軍,於1949年隨軍遷往台灣,此戲劇性的改變也打開了他投身藝術之門,彼時他以每月幾乎所有的軍餉拜李仲生門下求教,進而能展現其藝術抱負。1955年他與蕭勤、霍剛、李元佳等八位藝術家共同創辦了「東方畫會」,引領了六〇年代台灣現代主義運動。八年後,他隻身赴法國入巴黎高等美院進修,創造出獨樹一格的標誌性「毛毛人」,以看似顫抖的線條賦予所繪人物獨特的縹緲、動感,傳達著異鄉人的漂泊百感,及當代生活的活力。而後受紐約時興的照相寫實思潮影響,他於1968年到紐約逐夢,繪畫語言結合寫實主義與其獨樹一幟的線條表達,得到知名畫廊O.K.Harris賞識,並於1974年為其舉辦首次紐約個展。八〇年代末,他意識到創作應根植於自己的文化,從而逐漸減少街頭人像創作,回歸到以中國傳統神話元素與民俗藝術為靈感的創作大海。 九十年代初,浪跡天涯三十年的他返台,並於2002年回到上海生活、創作不懈。他將對中西方藝術多年的精髓領悟匯聚成饒富東方氣韻及哲學靈光的繪畫,其作品及童心未泯的處事、睿智深深影響著新一代的藝術家。 返璞歸真,繪浮生逸趣 「真正的藝術交流是本國的藝術家把文化的觸鬚伸展到國外,但自己創作的本體,依然繫於國內。」 ——夏陽 回到上海的夏陽目睹了太平盛世下飛速發展的上海,開啟了新的創作旅程。此一時期,他常以小昆蟲、動物入畫,更打破西方繪畫常規,將中國民間藝術的剪紙以拼貼形式融入壓克力彩繪畫中,汲中西藝術的精華與巧思,讓作品富含妙趣奇想。是次春拍呈現的《美滿家庭》即藝術家該時期的巨幅代表作。作品通過展現花田裡和睦美滿的群雞全家福,以小見大地映照千禧年後中國家庭其樂融融的溫馨日常。 畫面採用簡約大氣的中國紅為背景,整體色彩飽和鮮亮,融合些許暗色拼嵌,洋溢著喜慶的氛圍。遠處盛開的朵朵向日葵以傳統剪紙鏤空花紋拼貼而成,紋式千姿百態,爭相怒放,充滿生命力,與極簡的背景反差強烈,一繁一簡的平衡恰到好處地細說著太陽高照、大地明媚的洋洋景象。蝴蝶、蜻蜓、瓢蟲等縈繞其中,牠們皆成雙成對,時而起舞,時而棲息,流蘇般脆嫩青蔥的葉片與青草玲瓏活潑,充滿細節及活力。而在畫面中央花葉交匯處,只見一對寶雞雙目對視,其身色彩呈一明一暗,雄雞亮橙而雌雞黝黑,前者英姿颯爽略高於後者,五隻雛雞成群相伴於側,不遠處還有一隻螢光粉的幼雞正頷首覓食。藝術家以剪紙呈現群雞的身軀,再以畫筆將其標誌的「毛毛」線條點綴飄逸的羽翼翎毛,儼然展現家庭成員的真實寫照—威嚴的父親、溫和的母親、獨立的孩子與嗷嗷待哺的嬰兒,東方剪紙線條銳利直挺結合畫筆下壓克力彩的飄逸柔軟,突出畫中性格各異的一家人的怡然自樂,在具象與抽象間諦造出一幅閒適和諧的當代花鳥畫卷,並展現強大的儒家思想及家庭的凝聚力。 前半生顛沛流離的夏陽並未被多舛的命運磨蝕,反而以人性的淳樸本真,化成童趣與溫情,作品深入淺出如餘音繞樑,讓觀者憶昔撫今之餘,更珍惜現世的安穩及富足。
PROVENANCE 7 Oct 2007, Sotheby's Hong Kong Autumn Auction, Lot 531 Acquired directly by present important private Asian collector from the above Radiant Life Under the Warm Sun Artful Wishes and Youthful Spirit of Hsia Yan "True contemporary artists should embody the spirit of Hsia Yan!" ——Artist Leng Jun Insightful Fuzzy Man National treasure artist Hsia Yan, born and raised in China, spent half of his life abroad before returning to his homeland in his twilight years. His works have found a home in renowned institutions such as the China Art Museum in Shanghai, the National Taiwan Museum of Fine Arts, and the Taipei Fine Arts Museum, adding an indispensable stroke to contemporary Chinese art with his fusion of Eastern and Western artistic styles. Born in 1932 into a scholarly family in Xiangxiang, Hunan, Hsia Yan, despite his passion for painting since childhood, experienced a tumultuous youth due to the chaos of war. At the age of 16, seeking stability in turbulent times, he enlisted in the military and moved to Taiwan in 1949. This dramatic change opened the door to his artistic journey, as he sought education under the tutelage of Li Zhongsheng, using almost all of his military salary to support his art aspirations. In 1955, he co-founded the "Ton Fan Group" with eight artists, including Hsiao Chin, Ho-Kan, and Li Yuan-Chia, leading the modernist movement in Taiwan during the 1960s. Eight years later, he ventured alone to Paris to study at the école nationale supérieure des Beaux-Arts, creating his distinctive "Fuzzy Man" style, conveying the wandering emotions of strangers with seemingly trembling lines and capturing the vitality of contemporary life. Influenced by the prevailing trend of photographic realism in New York, he pursued his dream in the city in 1968, combining realistic and unique line expressions. His talent was recognized by the renowned O.K. Harris Gallery, leading to his first solo exhibition in New York in 1974. In the late 1980s, he realized the importance of rooting his creations in his own culture, gradually reducing realistic street portraits and returning to large-scale works inspired by Chinese traditional myths and folk art. In the early 1990s, after three decades of wandering, he returned to Taiwan and, in 2002, settled back in Shanghai, continuing his relentless pursuit of art. His deep understanding of the essence of both Eastern and Western art, reflected in his paintings rich in Eastern charm and philosophical brilliance, along with his childlike innocence and profound wisdom, deeply influences a new generation of artists. Returning to the Basics, Painting the Joys of Life "True artistic exchange occurs when artists from one's own country extend the cultural tentacles abroad, but the essence of their own creation remains rooted domestically." ——Hsia Yan Returning to Shanghai, he witnessed the rapid development of the city during the peaceful era, embarking on a new creative journey. During this period, he often depicted small insects and animals, breaking Western painting conventions by incorporating Chinese folk art paper-cutting into acrylic paintings, infusing his works with whimsical charm. The featured artwork, Satisfied Family, represents the artist's monumental work during this period. The painting portrays a harmonious and joyful family of chickens in a flower field, reflecting the warm and cozy daily life of Chinese families in the post-millennium era. The composition uses a simple and atmospheric Chinese red background, with saturated and vibrant overall colours, complemented by subtle dark tones, creating a festive atmosphere. In the distance, blooming sunflowers, created using traditional paper-cutting with intricate patterns, contrast strongly with the minimalist background, vividly illustrating a sunny and bright scene. Butterflies, dragonflies, ladybugs, and other creatures swirl around, paired and dancing, adding details and vitality to the delicate and lively leaves and grass. In the centre of the painting, a pair of roosters lock eyes, with one brightly coloured and the other dark, showcasing the Yin and Yang of the family. Five chickens accompany them, and a shiny pink chicken is seen foraging nearby. Using paper-cutting to depict the chicken's body and brushstrokes to accentuate the fuzzy lines on their feathers, the artist vividly portrays the real-life characters of the family — the dignified father, gentle mother, independent children, and the eagerly feeding baby. The sharp and straight lines of Eastern paper-cutting, combined with the flowing softness of acrylic colours, strikingly balance the diverse characters of the family, creating a contemporary painting that is both comfortable and harmonious. It exemplifies the powerful Confucian ideology and the cohesion of the family. The first half of artist's life, marked by upheavals and wanderings, did not erode his spirit. Instead, he transformed the simplicity and authenticity of human nature into childlike innocence and warmth. His works, profound yet accessible, resonate with viewers, prompting them to cherish the peace and abundance of the present while reflecting on the past.

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价格信息

拍品估价:400,000 - 600,000 港币 起拍价格:400,000 港币  买家佣金:
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0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

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