| 中文版 English

具体要求

其它要求

-
关闭
龐均 Pang Jiun b.1936 江流天地外,山色有無中 Flowing River View from the Mountain
香港
2024年04月07日 开拍 / 2024年04月05日 截止委托
拍品描述
油彩畫布
Oil on canvas
二〇一〇年作
Painted in 2010
72.7 × 91 cm. 28 5/8 × 35 7/8 in.
款識 龐均 均 2010(右下)
Signed in Chinese and dated on bottom right
來源 亞洲私人收藏 附:藝術家親簽作品證書 妙造自然的生命光彩 龐均一甲子的藝術人生 出生於上海藝術世家的龐均,其父龐薰琹、其母丘堤為民國初期才華出眾的中國現代繪畫大師,引領中國現代藝術重要進程,龐均自小受家庭環境的薰陶,於1949年考入杭州藝專,受教於林風眠、顏文樑。而在1953年又成為徐悲鴻於中央美術學院的關門弟子,使其具堅實的古典寫實基礎及對東方美學的畢生追索。他熱愛在寫生中觀察自然意趣,在結合中國水墨之道與西方油彩技法之上,完成了自我的終極藝術探索。1987年他移居台灣,任教於台灣藝術大學逾二十載,桃李滿門,並先後於國父紀念館、台北國立歷史博物館、北京中國美術館舉辦個展,而自去年九月至今年二月更在香港亞洲協會舉辦大型回顧個展「決瀾之子」,令藏家領略其創作風采。是次春拍我們併呈其二大風景及靜物主題代表作—《江流天地外,山色有無中》(拍品編號83)及《粉色的浪漫》(拍品編號84)。 清簡相尚,遊目騁懷 「我主張以直接『寫生』進入創作,必須直接獵取大自然素材而造化於自然,面對生命、探求有形到無形的精神境界。」 ——龐均 日本評論家冨田章(Tomika Akira)曾讚揚龐均之作具「東洋表現主義」的特徵,色彩運用富文人氣息,重視線條的力量,強調畫面的和諧性多於衝突性,體現東方世界的審美格調,此一格調從中國風物出發,進而沁入各種主題。他透過描繪自然,將自我內在情感注入其中,來傳達中國傳統文人思想中「身寄山川而取之」的生命哲學。其媒材雖是西式的油彩,作品始終流露濃淡勻淨、恰如其份的雅致氣韵,使觀者往往如親臨其境而不捨離去,深刻地體現了「山水臥游」的東方美學真義。此完美展現在完成於2010年的《江流天地外,山色有無中》,龐均以其最具辨識度的灰色調優雅描繪出清簡虛曠的山水景致。畫中遠山綿延、白雲飄渺環繞山腰,恰與從水中升隆起、倒映水面的高聳山巒連成一氣,相互呼應。水面上數艘造型有別的漁舟、帆船遠近、橫竪交錯,展現出動靜之間的活力。而前景連綿的房舍自山腳下成排錯落,與左右兩邊幾何形狀的山川相映成趣,成為清寂幽遠中的點睛之處,令人心曠神怡。其筆下的江水奔流在天地之外,展現生命的豁達,而眼中的景物在經其情感投射與想像裁剪後,讓畫面的空間漸次擴散,深具旋律與節奏變化的樂曲,令人遊目騁懷,好不暢快。 花開燦爛,豔吐芬芳 而在風景主題作品外,龐均致力於調動色彩的表現性,吸納西方印象派和野獸派的手法並內化為寫意風範,將生命情感的表達視為創作核心,使其靜物題材再下一城,作於同年的《粉色的浪漫》便為色形非凡的一例。畫面中,一束盛放的淡粉色玫瑰花正依不同方位舒展而開,吐露盛開的花蕊,訴說著生命的優雅情韻。他如西方野獸派大家馬蒂斯(Henri Matisse)的《一束花》般,以紫、藍、粉色將背景切割,再以充滿異域風情的格紋桌布襯托室內芳菲。相異於西方藝術家強調對比色彩組構的表達方式,龐均在整體用色上高度展現源自東方文人的雅緻。此外他並以突顯喜慶意味的幾抹紅與綠彩點綴桌布,為清雅的粉花增添了慶祝與節日的意象,令此作兼具浪漫的柔美與熱烈的張揚。一切的色與形皆在一隅花開的燦爛中,展現無比高雅的藝術格調,扣動人心。
PROVENANCE Private Collection, Asia This work is accompanied by a certificate of authenticity signed by the artist Nature's Brilliance Celebrating Pang Jiun's Artistic Life Born into a prominent artistic family in Shanghai, Pang Jiun's parents were exceptional modern Chinese painters during the early Republic of China era, leading significant advancements in modern Chinese art. Pang Jiun, deeply influenced by his family, received education from Lin Fengmian and Yan Wenliang in 1949 and later became a disciple of Xu Beihong at the Central Academy of Fine Arts in 1953. Immersed in the atmosphere of artistic expression, he combined the essence of Chinese ink painting with Western oil painting techniques, culminating in his ultimate artistic exploration. In this Spring auction, we present two representative masterpieces showcasing Pang Jiun's expertise in landscapes and still life:?Flowing River View from the Mountain?(Lot 83) and?Romantic Pink?(Lot 84). Simple and Clear, a Gaze into the Soul The renowned Japanese critic Tomika Akira once praised Pang Jiun's works for embodying the characteristics of Eastern Expressionism. With a rich literati atmosphere, Pang Jiun's works emphasise the power of lines and harmony in the composition rather than conflicts, reflecting the aesthetic style of the Eastern world. Through depictions of nature, he infused his inner emotions to convey the life philosophy of traditional Chinese literati. Although using Western oil painting techniques, Pang Jiun's works consistently exude a subtle and elegant atmosphere, leaving viewers reluctant to depart, truly embodying the essence of Eastern aesthetics. This is impeccably showcased in the masterpiece completed in 2010,?Flowing River View from the Mountain.?With Pang Jiun's distinctive grey tones, he elegantly portrayed a simple and spacious landscape. The flowing river beyond the realms of earth and sky illustrates the broad-mindedness of life. As emotions are projected onto the scenery and imaginatively tailored, the artwork gradually expands into a melody with rhythmical variations, inviting viewers to wander through the scene, feeling a sense of joy and satisfaction. Flourishing Flowers, Exuding Fragrance Apart from landscape themes, Pang Jiun dedicated himself to the expressive use of colours, incorporating techniques from Western Impressionism and Fauvism into a freehand style. The masterpiece?Romantic Pink,?created in the same year, stands as an extraordinary example of his mastery in colour manipulation. The painting features a bouquet of pale pink roses flourishing in different directions, expressing the elegance and charm of life. Different from Western artists who emphasise contrasting colour compositions, Pang Jiun showcased refined colour choices derived from the literati tradition. Additionally, he highlighted celebratory red and green accents on the tablecloth, adding a festive touch to the delicate pink flowers and infusing the artwork with both romantic softness and vibrant exuberance. All colours and forms converge in the brilliance of the blossoming flowers, showcasing an incomparable artistic elegance.

本场其它拍品

  • 竞价阶梯
  • 快递物流
  • 拍卖规则
  • 支付方式
竞价区间 加价幅度
0
1,000
10,000
2,000 5,000 8,000
100,000
10,000
200,000
20,000 50,000 80,000
1,000,000
100,000
2,000,000
200,000 500,000 800,000
10,000,000
1,000,000
+

价格信息

拍品估价:220,000 - 320,000 港币 起拍价格:220,000 港币  买家佣金:
落槌价 佣金比率
0 - 5,000,000 20.00%
5,000,000 - 20,000,000 17.00%
20,000,000 - 以上 14.00%

拍卖公司

中国嘉德(香港)国际拍卖有限公司
地址: 中国香港金鐘道89號力寶中心一座五樓
电话: 852-28152269
邮编: 10000
向卖家提问