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UTAGAWA HIROSHIGE: NIHONBASHI, VIEW OF DAWN CLOUDS
奥地利
2023年12月01日 开拍 / 2023年11月29日 截止委托
拍品描述
UTAGAWA HIROSHIGE: NIHONBASHI, VIEW OF DAWN CLOUDS

By Utagawa Hiroshige I (1797–1858), signed Hiroshige hitsu
Japan, dated 1855 (Ansei 2), 7th month

Color woodblock print on paper. Vertical oban. Signed Hiroshige hitsu, censor’s seals: aratame, Hare 7; publisher Tsutaya Kichizo (Koeido). Titled Nihonbashi, Shinonome no kei (Nihonbashi: View of Dawn Clouds), number 1 in the series Gojusan tsugi meisho zue (Illustrated Guide to Famous Places along the Fifty-three Stations).

Nihonbashi bridge with storehouses, Edo Castle to the right and Mt. Fuji at the upper left.

SIZE of the sheet 36.1 x 25.3 cm

Condition: Shows wear, fading, mounting holes, and browning of paper commensurate with age, otherwise presenting well.

Utagawa Hiroshige (also referred to as Ando Hiroshige) is recognized as a master of the ukiyo-e woodblock printing tradition, having created 8,000 prints of everyday life and landscape in Edo-period Japan. Much of Hiroshige’s work focuses on landscape. Inspired by Katsushika Hokusai’s popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833–34), completed after traveling that coastal route linking Edo and Kyoto. Hiroshige’s prolific output was somewhat due to his being paid very little per series. Still, this did not deter him, as he receded to Buddhist monkhood in 1856 to complete his brilliant and lasting One Hundred Famous Views of Edo (1856–58). He died in 1858, 10 years before Monet, Van Gogh, and a lot of Impressionist painters became eager collectors of Japanese art.

Museum comparison:
An identical print is in the collection of the Freer Study Collection in the National Museum of Asian Art, Smithsonian Institution, accession number FSC-GR-705.1. Another identical print, with a British Museum seal, is in the collection of the British Museum, museum number 1915,0823,0.722.

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拍品估价:500 - 1,000 欧元 起拍价格:500 欧元  买家佣金: 35.00%

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