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KOMAI YOSHINOBU: THE COURTESAN MATSUKAZE OF OGIYA IN EDO-MACHI ITCHOME
奥地利
2023年12月01日 开拍 / 2023年11月29日 截止委托
拍品描述
KOMAI YOSHINOBU: THE COURTESAN MATSUKAZE OF OGIYA IN EDO-MACHI ITCHOME

By Komai Yoshinobu (active 1765-1771), signed Komai Yoshinobu ga
Japan, 18th century

Color woodblock print on paper. Signed Komai Yoshinobu ga and stamped with Hayashi Collection seal in the lower left-hand corner.

Two finely robed courtesans sitting on the floor of a furnished room next to a small brazier before a hanging scroll depicting bamboo stalks. The upper register inscribed, and two further inscriptions appear on the upper and lower right-hand side.

SIZE of the sheet 25.5 x 19.2 cm

Condition: Good impression with fading to colors, minor creasing. Tears and material loss restored, firmly mounted at the upper margin inside a paper mat.
Provenance: Ex-collection of Hayashi Tadamasa (1853-1906). Collection of Adolphe Stoclet, acquired from the above, and thence by descent in the Stoclet family. The passepartout is inscribed in French, ‘Yoshinobu Komai, seal of the Hayashi Collection, bought from Murakami 10-3-(19)09.’ Adolphe Stoclet (1871-1949) was a Belgian engineer, financier, and noted collector. He was born into a family of Belgian bankers and became a director of the Société Générale de Belgique after his father’s death. He married Suzanne Stevens (1874-1960), the daughter of the art critic, historian, collector, and dealer Arthur Stevens (1825-1909) and niece of the painter Alfred Stevens (1823-1906). The Stoclets were connected with avant-garde art circles in Paris and Vienna, where they met Josef Hoffmann (1870-1956), who designed the Stoclet’s famous Palais in Brussels. Gustav Klimt (1862-1916) painted the murals in its dining room. The Palais Stoclet, today a UNESCO World Heritage site, was the lavish setting to one of the most important eclectic art collections of all times, which included Egyptian and Chinese sculpture, medieval Italian painting and metalwork, enamels and relics, as well as Byzantine and Pre-Columbian art.

Hayashi Tadamasa was a Japanese art dealer in Paris who introduced traditional Japanese art such as ukiyo-e to Europe. Hayashi provided the text for the May 1886 edition of Paris Illustré. Vincent van Gogh traced the figure on the title page for his painting The Courtesan. In 1900 he was a general commissioner of the Japanese art section at the World ‘s Fair in Paris. He also worked with Dr. George Frederick Kunz and Heber R. Bishop in writing and producing the catalog to the famous jade collection given to the Metropolitan Museum of Art in 1902.

Museum comparison:
Compare an identical print by Komai Yoshinobu, in the Chicago Institute of Art, accession number 1928.979.

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价格信息

拍品估价:300 - 600 欧元 起拍价格:300 欧元  买家佣金: 35.00%

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